Iridescent Glass Surfaces for Jewelry and Wearable Art

Detalhes bibliográficos
Autor(a) principal: Santos, Isabela Aiache
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/59823
Resumo: This research explores creativity through process, within an interdisciplinary practice between art and science. This merging of disciplines stimulated the author to follow a particular path to discovery using physical tools given by the Vicarte research unit, and a mental contemplative space made possible through fluid creation without commercial purpose. In this dynamic scenario, glass as a technically challenging material also favored the development of skills in problem solving, leading to news discoveries. As a consequence, a new and environmentally friendlier method for creating iridescent surfaces on glass silver mirrors is presented utilizing an electrochemical anodizing process. This process diverges from the traditional methods used to obtain iridescent glasses that where potentially toxic. The rise of said methodology inspired intense practical research that later lead to the creation of conceptually inspired wearable glass pieces. Additionally, the work encompasses beliefs spread by the Contemporary Jewelry Movement, which define a category of objects that are involved with fine art practice and critical thinking. The resulting glass objects, conforming to different areas of the body, were used to challenge to the notion of jewelry practice and also questioned the methods with which we learn and think creatively.
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spelling Iridescent Glass Surfaces for Jewelry and Wearable ArtIridescencewearableglassdesignartcreativityDomínio/Área Científica::Engenharia e Tecnologia::Outras Engenharias e TecnologiasThis research explores creativity through process, within an interdisciplinary practice between art and science. This merging of disciplines stimulated the author to follow a particular path to discovery using physical tools given by the Vicarte research unit, and a mental contemplative space made possible through fluid creation without commercial purpose. In this dynamic scenario, glass as a technically challenging material also favored the development of skills in problem solving, leading to news discoveries. As a consequence, a new and environmentally friendlier method for creating iridescent surfaces on glass silver mirrors is presented utilizing an electrochemical anodizing process. This process diverges from the traditional methods used to obtain iridescent glasses that where potentially toxic. The rise of said methodology inspired intense practical research that later lead to the creation of conceptually inspired wearable glass pieces. Additionally, the work encompasses beliefs spread by the Contemporary Jewelry Movement, which define a category of objects that are involved with fine art practice and critical thinking. The resulting glass objects, conforming to different areas of the body, were used to challenge to the notion of jewelry practice and also questioned the methods with which we learn and think creatively.Wiley, RobertRuivo, AndreiaRUNSantos, Isabela Aiache2019-02-07T10:37:57Z2018-1220182018-12-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10362/59823enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T04:28:42Zoai:run.unl.pt:10362/59823Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:33:26.613822Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Iridescent Glass Surfaces for Jewelry and Wearable Art
title Iridescent Glass Surfaces for Jewelry and Wearable Art
spellingShingle Iridescent Glass Surfaces for Jewelry and Wearable Art
Santos, Isabela Aiache
Iridescence
wearable
glass
design
art
creativity
Domínio/Área Científica::Engenharia e Tecnologia::Outras Engenharias e Tecnologias
title_short Iridescent Glass Surfaces for Jewelry and Wearable Art
title_full Iridescent Glass Surfaces for Jewelry and Wearable Art
title_fullStr Iridescent Glass Surfaces for Jewelry and Wearable Art
title_full_unstemmed Iridescent Glass Surfaces for Jewelry and Wearable Art
title_sort Iridescent Glass Surfaces for Jewelry and Wearable Art
author Santos, Isabela Aiache
author_facet Santos, Isabela Aiache
author_role author
dc.contributor.none.fl_str_mv Wiley, Robert
Ruivo, Andreia
RUN
dc.contributor.author.fl_str_mv Santos, Isabela Aiache
dc.subject.por.fl_str_mv Iridescence
wearable
glass
design
art
creativity
Domínio/Área Científica::Engenharia e Tecnologia::Outras Engenharias e Tecnologias
topic Iridescence
wearable
glass
design
art
creativity
Domínio/Área Científica::Engenharia e Tecnologia::Outras Engenharias e Tecnologias
description This research explores creativity through process, within an interdisciplinary practice between art and science. This merging of disciplines stimulated the author to follow a particular path to discovery using physical tools given by the Vicarte research unit, and a mental contemplative space made possible through fluid creation without commercial purpose. In this dynamic scenario, glass as a technically challenging material also favored the development of skills in problem solving, leading to news discoveries. As a consequence, a new and environmentally friendlier method for creating iridescent surfaces on glass silver mirrors is presented utilizing an electrochemical anodizing process. This process diverges from the traditional methods used to obtain iridescent glasses that where potentially toxic. The rise of said methodology inspired intense practical research that later lead to the creation of conceptually inspired wearable glass pieces. Additionally, the work encompasses beliefs spread by the Contemporary Jewelry Movement, which define a category of objects that are involved with fine art practice and critical thinking. The resulting glass objects, conforming to different areas of the body, were used to challenge to the notion of jewelry practice and also questioned the methods with which we learn and think creatively.
publishDate 2018
dc.date.none.fl_str_mv 2018-12
2018
2018-12-01T00:00:00Z
2019-02-07T10:37:57Z
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url http://hdl.handle.net/10362/59823
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language eng
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instacron:RCAAP
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