A descontextualização do objecto na arte
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/11896 |
Resumo: | This thesis, based on the works of Marcel Duchamp and Jeff Koons, begins with the analyses of the decontextualization of the art object. This goal, driven by the book O Humor e a Lógica dos Objectos de Duchamp, by José Gil e Ana Godinho, leads us to create a relation between religious objects, common in modern religions, and fetich or totems, common in the so-called “primitive” societies. This analogy has its basis on the work of Alfred Gell, an anthropologist that defends that art was sacralized, and that contemporary artists can be compared to the shamans and clerics of ancient times. This thesis concludes, based on the work of Gell, that the role of the object in society, at a symbolic level, works as an index. The decontextualization of the object, besides changing his function, is also going to change its meaning. It is the construction of new meanings, through the manipulation of context, that artists like Duchamp and Koons rely on. The similarity between an object of art and an object of religious cult, is not only a product of its indexing nature – between man and object – but essentially, how art and religion are structured in society |
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A descontextualização do objecto na arteDuchamp, Marcel, 1887-1968Koons, Jeff, 1955-Gell, AlfredArte contemporâneaObjectosReady-madesSociologia da arteThis thesis, based on the works of Marcel Duchamp and Jeff Koons, begins with the analyses of the decontextualization of the art object. This goal, driven by the book O Humor e a Lógica dos Objectos de Duchamp, by José Gil e Ana Godinho, leads us to create a relation between religious objects, common in modern religions, and fetich or totems, common in the so-called “primitive” societies. This analogy has its basis on the work of Alfred Gell, an anthropologist that defends that art was sacralized, and that contemporary artists can be compared to the shamans and clerics of ancient times. This thesis concludes, based on the work of Gell, that the role of the object in society, at a symbolic level, works as an index. The decontextualization of the object, besides changing his function, is also going to change its meaning. It is the construction of new meanings, through the manipulation of context, that artists like Duchamp and Koons rely on. The similarity between an object of art and an object of religious cult, is not only a product of its indexing nature – between man and object – but essentially, how art and religion are structured in societyPereira, José Carlos, 1970-Repositório da Universidade de LisboaMoreira, Daniel Arnaut, 1986-2014-09-05T09:49:17Z2013-11-0520142013-11-05T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/11896TID:201331020porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T15:58:28Zoai:repositorio.ul.pt:10451/11896Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:35:27.741873Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
A descontextualização do objecto na arte |
title |
A descontextualização do objecto na arte |
spellingShingle |
A descontextualização do objecto na arte Moreira, Daniel Arnaut, 1986- Duchamp, Marcel, 1887-1968 Koons, Jeff, 1955- Gell, Alfred Arte contemporânea Objectos Ready-mades Sociologia da arte |
title_short |
A descontextualização do objecto na arte |
title_full |
A descontextualização do objecto na arte |
title_fullStr |
A descontextualização do objecto na arte |
title_full_unstemmed |
A descontextualização do objecto na arte |
title_sort |
A descontextualização do objecto na arte |
author |
Moreira, Daniel Arnaut, 1986- |
author_facet |
Moreira, Daniel Arnaut, 1986- |
author_role |
author |
dc.contributor.none.fl_str_mv |
Pereira, José Carlos, 1970- Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Moreira, Daniel Arnaut, 1986- |
dc.subject.por.fl_str_mv |
Duchamp, Marcel, 1887-1968 Koons, Jeff, 1955- Gell, Alfred Arte contemporânea Objectos Ready-mades Sociologia da arte |
topic |
Duchamp, Marcel, 1887-1968 Koons, Jeff, 1955- Gell, Alfred Arte contemporânea Objectos Ready-mades Sociologia da arte |
description |
This thesis, based on the works of Marcel Duchamp and Jeff Koons, begins with the analyses of the decontextualization of the art object. This goal, driven by the book O Humor e a Lógica dos Objectos de Duchamp, by José Gil e Ana Godinho, leads us to create a relation between religious objects, common in modern religions, and fetich or totems, common in the so-called “primitive” societies. This analogy has its basis on the work of Alfred Gell, an anthropologist that defends that art was sacralized, and that contemporary artists can be compared to the shamans and clerics of ancient times. This thesis concludes, based on the work of Gell, that the role of the object in society, at a symbolic level, works as an index. The decontextualization of the object, besides changing his function, is also going to change its meaning. It is the construction of new meanings, through the manipulation of context, that artists like Duchamp and Koons rely on. The similarity between an object of art and an object of religious cult, is not only a product of its indexing nature – between man and object – but essentially, how art and religion are structured in society |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-11-05 2013-11-05T00:00:00Z 2014-09-05T09:49:17Z 2014 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/11896 TID:201331020 |
url |
http://hdl.handle.net/10451/11896 |
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TID:201331020 |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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image/jpeg application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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