Breaking the Borders of Fantasy

Detalhes bibliográficos
Autor(a) principal: Mateus, Rui
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://ojs.letras.up.pt/index.php/VP/article/view/11087
Resumo: As the genre of fantasy literature continues to grow, new authors strive to innovate and stray from the traditional principles that ruled it for many decades when epic fantasy was more prominent. Though epic features still remain a great part of the genre, the characteristics that rule fantasy worlds, stories, and characters have changed over time, bringing new aspects into the fold and introducing new voices. As academics attempt to categorize a genre as diverse as fantasy to better understand it and define it, authors continue to expand and mingle fantasy elements with components from other genres, especially science-fiction. The aim of this article is to identify how a taxonomy of fantasy can be used to understand the relation between the fantastic and the narrative. By analyzing N. K. Jemisin’s novels in the Broken Earth trilogy through Farah Mendlesohn’s categorization of fantasy proposed in Rhetorics of Fantasy (2008), the goal is to discover the aspects in which Jemisin brings innovation into the fantasy genre by applying elements from various categories.
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spelling Breaking the Borders of FantasyArtigosAs the genre of fantasy literature continues to grow, new authors strive to innovate and stray from the traditional principles that ruled it for many decades when epic fantasy was more prominent. Though epic features still remain a great part of the genre, the characteristics that rule fantasy worlds, stories, and characters have changed over time, bringing new aspects into the fold and introducing new voices. As academics attempt to categorize a genre as diverse as fantasy to better understand it and define it, authors continue to expand and mingle fantasy elements with components from other genres, especially science-fiction. The aim of this article is to identify how a taxonomy of fantasy can be used to understand the relation between the fantastic and the narrative. By analyzing N. K. Jemisin’s novels in the Broken Earth trilogy through Farah Mendlesohn’s categorization of fantasy proposed in Rhetorics of Fantasy (2008), the goal is to discover the aspects in which Jemisin brings innovation into the fantasy genre by applying elements from various categories.FLUP/CETAPS2021-12-16info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://ojs.letras.up.pt/index.php/VP/article/view/11087por2182-99341645-9652Mateus, Ruiinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-01-13T04:47:08Zoai:ojs.letras.up.pt/ojs:article/11087Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:31:33.903761Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Breaking the Borders of Fantasy
title Breaking the Borders of Fantasy
spellingShingle Breaking the Borders of Fantasy
Mateus, Rui
Artigos
title_short Breaking the Borders of Fantasy
title_full Breaking the Borders of Fantasy
title_fullStr Breaking the Borders of Fantasy
title_full_unstemmed Breaking the Borders of Fantasy
title_sort Breaking the Borders of Fantasy
author Mateus, Rui
author_facet Mateus, Rui
author_role author
dc.contributor.author.fl_str_mv Mateus, Rui
dc.subject.por.fl_str_mv Artigos
topic Artigos
description As the genre of fantasy literature continues to grow, new authors strive to innovate and stray from the traditional principles that ruled it for many decades when epic fantasy was more prominent. Though epic features still remain a great part of the genre, the characteristics that rule fantasy worlds, stories, and characters have changed over time, bringing new aspects into the fold and introducing new voices. As academics attempt to categorize a genre as diverse as fantasy to better understand it and define it, authors continue to expand and mingle fantasy elements with components from other genres, especially science-fiction. The aim of this article is to identify how a taxonomy of fantasy can be used to understand the relation between the fantastic and the narrative. By analyzing N. K. Jemisin’s novels in the Broken Earth trilogy through Farah Mendlesohn’s categorization of fantasy proposed in Rhetorics of Fantasy (2008), the goal is to discover the aspects in which Jemisin brings innovation into the fantasy genre by applying elements from various categories.
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