Storytelling for Cinematic Virtual Reality: Audience´s Needs And Expectations

Detalhes bibliográficos
Autor(a) principal: Ana Rita Jesus Costa
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/114279
Resumo: Virtual reality is set to redefine the rules of narrative structure, character development and storytelling in filmmaking. Despite being one the most popular technologies used to create virtual environments, 360 videos challenge audience immersion by imposing a linear narrative structure. This study seeks to reflect on the storytelling and entertainment value of film in the new age of virtual reality through the experiences, needs, and expectations of its potential audiences. Furthermore, it aims for the development of speculative narrative scenarios and their respective screenwriting guidelines in an effort to understand what stories are expected from audiences and how they can be scripted.
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spelling Storytelling for Cinematic Virtual Reality: Audience´s Needs And ExpectationsOutras ciências da engenharia e tecnologiasOther engineering and technologiesVirtual reality is set to redefine the rules of narrative structure, character development and storytelling in filmmaking. Despite being one the most popular technologies used to create virtual environments, 360 videos challenge audience immersion by imposing a linear narrative structure. This study seeks to reflect on the storytelling and entertainment value of film in the new age of virtual reality through the experiences, needs, and expectations of its potential audiences. Furthermore, it aims for the development of speculative narrative scenarios and their respective screenwriting guidelines in an effort to understand what stories are expected from audiences and how they can be scripted.2018-07-172018-07-17T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/114279TID:202112357engAna Rita Jesus Costainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:41:56Zoai:repositorio-aberto.up.pt:10216/114279Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:07:02.510962Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Storytelling for Cinematic Virtual Reality: Audience´s Needs And Expectations
title Storytelling for Cinematic Virtual Reality: Audience´s Needs And Expectations
spellingShingle Storytelling for Cinematic Virtual Reality: Audience´s Needs And Expectations
Ana Rita Jesus Costa
Outras ciências da engenharia e tecnologias
Other engineering and technologies
title_short Storytelling for Cinematic Virtual Reality: Audience´s Needs And Expectations
title_full Storytelling for Cinematic Virtual Reality: Audience´s Needs And Expectations
title_fullStr Storytelling for Cinematic Virtual Reality: Audience´s Needs And Expectations
title_full_unstemmed Storytelling for Cinematic Virtual Reality: Audience´s Needs And Expectations
title_sort Storytelling for Cinematic Virtual Reality: Audience´s Needs And Expectations
author Ana Rita Jesus Costa
author_facet Ana Rita Jesus Costa
author_role author
dc.contributor.author.fl_str_mv Ana Rita Jesus Costa
dc.subject.por.fl_str_mv Outras ciências da engenharia e tecnologias
Other engineering and technologies
topic Outras ciências da engenharia e tecnologias
Other engineering and technologies
description Virtual reality is set to redefine the rules of narrative structure, character development and storytelling in filmmaking. Despite being one the most popular technologies used to create virtual environments, 360 videos challenge audience immersion by imposing a linear narrative structure. This study seeks to reflect on the storytelling and entertainment value of film in the new age of virtual reality through the experiences, needs, and expectations of its potential audiences. Furthermore, it aims for the development of speculative narrative scenarios and their respective screenwriting guidelines in an effort to understand what stories are expected from audiences and how they can be scripted.
publishDate 2018
dc.date.none.fl_str_mv 2018-07-17
2018-07-17T00:00:00Z
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dc.identifier.uri.fl_str_mv https://hdl.handle.net/10216/114279
TID:202112357
url https://hdl.handle.net/10216/114279
identifier_str_mv TID:202112357
dc.language.iso.fl_str_mv eng
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