Audible (Art): an introduction to the invisible sonic connections
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.14/34659 |
Resumo: | This is an introduction to a special edition of JSTA dedicated to the myriad forms of sonic connections and audible expressions. We approach three dimensions of sound in an artistic context: auditory specificities, performance dimensions, and computational listening. Sound is a complex phenomenon present in everyday life and dwelling between conscious and unconscious processes. A universe contained within itself, where every sound event has the potential to be considered aesthetic material, contributing to the proliferation of creative approaches. These specific conditions have potentiated an outbreak of sonic art genres and expressions. Listening as an epistemic process has been subjected to successive changes pushed by computation and the breeding of computational media. The intertwining of computation with environments leads to a state of permanent re-articulation, and supports the development of new relations in meta-environments, turning listening into a hybrid process of human and computational operations. This essay points to visions and approaches to sound as a specific field of knowledge that can arise from, lead to, or be used as a tool of world-building. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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7160 |
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Audible (Art): an introduction to the invisible sonic connectionsAudio culturesAuditory perceptionComputational listeningSonic artsSound and performanceThis is an introduction to a special edition of JSTA dedicated to the myriad forms of sonic connections and audible expressions. We approach three dimensions of sound in an artistic context: auditory specificities, performance dimensions, and computational listening. Sound is a complex phenomenon present in everyday life and dwelling between conscious and unconscious processes. A universe contained within itself, where every sound event has the potential to be considered aesthetic material, contributing to the proliferation of creative approaches. These specific conditions have potentiated an outbreak of sonic art genres and expressions. Listening as an epistemic process has been subjected to successive changes pushed by computation and the breeding of computational media. The intertwining of computation with environments leads to a state of permanent re-articulation, and supports the development of new relations in meta-environments, turning listening into a hybrid process of human and computational operations. This essay points to visions and approaches to sound as a specific field of knowledge that can arise from, lead to, or be used as a tool of world-building.Veritati - Repositório Institucional da Universidade Católica PortuguesaGomes, José AlbertoPortovedo, HenriqueCarvalhais, Miguel2021-09-06T16:06:49Z20212021-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/34659eng1646-979810.34632/jsta.2021.985285113177889000690852200002info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-12-26T01:37:54Zoai:repositorio.ucp.pt:10400.14/34659Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:28:05.749679Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Audible (Art): an introduction to the invisible sonic connections |
title |
Audible (Art): an introduction to the invisible sonic connections |
spellingShingle |
Audible (Art): an introduction to the invisible sonic connections Gomes, José Alberto Audio cultures Auditory perception Computational listening Sonic arts Sound and performance |
title_short |
Audible (Art): an introduction to the invisible sonic connections |
title_full |
Audible (Art): an introduction to the invisible sonic connections |
title_fullStr |
Audible (Art): an introduction to the invisible sonic connections |
title_full_unstemmed |
Audible (Art): an introduction to the invisible sonic connections |
title_sort |
Audible (Art): an introduction to the invisible sonic connections |
author |
Gomes, José Alberto |
author_facet |
Gomes, José Alberto Portovedo, Henrique Carvalhais, Miguel |
author_role |
author |
author2 |
Portovedo, Henrique Carvalhais, Miguel |
author2_role |
author author |
dc.contributor.none.fl_str_mv |
Veritati - Repositório Institucional da Universidade Católica Portuguesa |
dc.contributor.author.fl_str_mv |
Gomes, José Alberto Portovedo, Henrique Carvalhais, Miguel |
dc.subject.por.fl_str_mv |
Audio cultures Auditory perception Computational listening Sonic arts Sound and performance |
topic |
Audio cultures Auditory perception Computational listening Sonic arts Sound and performance |
description |
This is an introduction to a special edition of JSTA dedicated to the myriad forms of sonic connections and audible expressions. We approach three dimensions of sound in an artistic context: auditory specificities, performance dimensions, and computational listening. Sound is a complex phenomenon present in everyday life and dwelling between conscious and unconscious processes. A universe contained within itself, where every sound event has the potential to be considered aesthetic material, contributing to the proliferation of creative approaches. These specific conditions have potentiated an outbreak of sonic art genres and expressions. Listening as an epistemic process has been subjected to successive changes pushed by computation and the breeding of computational media. The intertwining of computation with environments leads to a state of permanent re-articulation, and supports the development of new relations in meta-environments, turning listening into a hybrid process of human and computational operations. This essay points to visions and approaches to sound as a specific field of knowledge that can arise from, lead to, or be used as a tool of world-building. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-09-06T16:06:49Z 2021 2021-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.14/34659 |
url |
http://hdl.handle.net/10400.14/34659 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
1646-9798 10.34632/jsta.2021.9852 85113177889 000690852200002 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799131999471927296 |