Urban Art far beyond counterculture
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.48619/cap.v1i1.209 |
Resumo: | Urban art emerged as a counterculture movement based on social, political and economic criticism. To shape these criticisms, interventions are made around city centers and peripheries, in the most unusual places, such as bridges, sewers, abandoned places, train stations, house walls and top of buildings. Because it is done on the streets, the intervention suffers from the weather and can be changed and even covered by another artist. The artist, in turn, risks being arrested and having his art labeled as vandalism, as such art happens in non-legalized places. And so street art is defined as an ephemeral work, accessible to all people and only possible to be registered by photography. |
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7160 |
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Urban Art far beyond countercultureUrban art emerged as a counterculture movement based on social, political and economic criticism. To shape these criticisms, interventions are made around city centers and peripheries, in the most unusual places, such as bridges, sewers, abandoned places, train stations, house walls and top of buildings. Because it is done on the streets, the intervention suffers from the weather and can be changed and even covered by another artist. The artist, in turn, risks being arrested and having his art labeled as vandalism, as such art happens in non-legalized places. And so street art is defined as an ephemeral work, accessible to all people and only possible to be registered by photography.Urbancreativity.org2020-02-11T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48619/cap.v1i1.209oai:journals.ap2.pt:article/209CAP - Public Art Journal; Vol 1 No 1 (2019): Memory in Public Art; 44 - 51Cadernos de Arte Pública; v. 1 n. 1 (2019): Memoria e Arte Pública; 44 - 51CAP - Cadernos de Arte Pública / Public Art Journal; v. 1 n. 1 (2019): Memoria e Arte Pública; 44 - 512184-6197reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/CAP/article/view/209https://doi.org/10.48619/cap.v1i1.209https://journals.ap2.pt/index.php/CAP/article/view/209/117Copyright (c) 2020 CAP - Cadernos de Arte Pública / Public Art Journalinfo:eu-repo/semantics/openAccessAugusto, Larissa2022-09-20T11:04:25Zoai:journals.ap2.pt:article/209Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:48:58.719338Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Urban Art far beyond counterculture |
title |
Urban Art far beyond counterculture |
spellingShingle |
Urban Art far beyond counterculture Augusto, Larissa |
title_short |
Urban Art far beyond counterculture |
title_full |
Urban Art far beyond counterculture |
title_fullStr |
Urban Art far beyond counterculture |
title_full_unstemmed |
Urban Art far beyond counterculture |
title_sort |
Urban Art far beyond counterculture |
author |
Augusto, Larissa |
author_facet |
Augusto, Larissa |
author_role |
author |
dc.contributor.author.fl_str_mv |
Augusto, Larissa |
description |
Urban art emerged as a counterculture movement based on social, political and economic criticism. To shape these criticisms, interventions are made around city centers and peripheries, in the most unusual places, such as bridges, sewers, abandoned places, train stations, house walls and top of buildings. Because it is done on the streets, the intervention suffers from the weather and can be changed and even covered by another artist. The artist, in turn, risks being arrested and having his art labeled as vandalism, as such art happens in non-legalized places. And so street art is defined as an ephemeral work, accessible to all people and only possible to be registered by photography. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-02-11T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.48619/cap.v1i1.209 oai:journals.ap2.pt:article/209 |
url |
https://doi.org/10.48619/cap.v1i1.209 |
identifier_str_mv |
oai:journals.ap2.pt:article/209 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://journals.ap2.pt/index.php/CAP/article/view/209 https://doi.org/10.48619/cap.v1i1.209 https://journals.ap2.pt/index.php/CAP/article/view/209/117 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 CAP - Cadernos de Arte Pública / Public Art Journal info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 CAP - Cadernos de Arte Pública / Public Art Journal |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Urbancreativity.org |
publisher.none.fl_str_mv |
Urbancreativity.org |
dc.source.none.fl_str_mv |
CAP - Public Art Journal; Vol 1 No 1 (2019): Memory in Public Art; 44 - 51 Cadernos de Arte Pública; v. 1 n. 1 (2019): Memoria e Arte Pública; 44 - 51 CAP - Cadernos de Arte Pública / Public Art Journal; v. 1 n. 1 (2019): Memoria e Arte Pública; 44 - 51 2184-6197 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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