earGram Actors: an interactive audiovisual system based on social behavior

Detalhes bibliográficos
Autor(a) principal: Beyls, Peter
Data de Publicação: 2015
Outros Autores: Bernardes, Gilberto, Caetano, Marcelo
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.7559/citarj.v7i1.142
Resumo: In multi-agent systems, local interactions among system components following relatively simple rules often result in complex overall systemic behavior. Complex behavioral and morphological patterns have been used to generate and organize audiovisual systems with artistic purposes. In this work, we propose to use the Actor model of social interactions to drive a concatenative synthesis engine called earGram in real time. The Actor model was originally developed to explore the emergence of complex visual patterns. On the other hand, earGram was originally developed to facilitate the creative exploration of concatenative sound synthesis. The integrated audiovisual system allows a human performer to interact with the system dynamics while receiving visual and auditory feedback. The interaction happens indirectly by disturbing the rules governing the social relationships amongst the actors, which results in a wide range of dynamic spatiotemporal patterns. A performer thus improvises within the behavioural scope of the system while evaluating the apparent connections between parameter values and actual complexity of the system output.
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spelling earGram Actors: an interactive audiovisual system based on social behaviorIn multi-agent systems, local interactions among system components following relatively simple rules often result in complex overall systemic behavior. Complex behavioral and morphological patterns have been used to generate and organize audiovisual systems with artistic purposes. In this work, we propose to use the Actor model of social interactions to drive a concatenative synthesis engine called earGram in real time. The Actor model was originally developed to explore the emergence of complex visual patterns. On the other hand, earGram was originally developed to facilitate the creative exploration of concatenative sound synthesis. The integrated audiovisual system allows a human performer to interact with the system dynamics while receiving visual and auditory feedback. The interaction happens indirectly by disturbing the rules governing the social relationships amongst the actors, which results in a wide range of dynamic spatiotemporal patterns. A performer thus improvises within the behavioural scope of the system while evaluating the apparent connections between parameter values and actual complexity of the system output.Universidade Católica Portuguesa2015-01-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v7i1.142oai:ojs.revistas.ucp.pt:article/7234Journal of Science and Technology of the Arts; Vol 7 No 1 (2015): xCoAx 2015; 43-54Journal of Science and Technology of the Arts; v. 7 n. 1 (2015): xCoAx 2015; 43-542183-00881646-979810.34632/citarj.2015.7.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7234https://doi.org/10.7559/citarj.v7i1.142https://revistas.ucp.pt/index.php/jsta/article/view/7234/7023Copyright (c) 2015 Peter Beyls, Gilberto Bernardes, Marcelo Caetanohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBeyls, PeterBernardes, GilbertoCaetano, Marcelo2022-09-22T16:19:18Zoai:ojs.revistas.ucp.pt:article/7234Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:00.422938Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv earGram Actors: an interactive audiovisual system based on social behavior
title earGram Actors: an interactive audiovisual system based on social behavior
spellingShingle earGram Actors: an interactive audiovisual system based on social behavior
Beyls, Peter
title_short earGram Actors: an interactive audiovisual system based on social behavior
title_full earGram Actors: an interactive audiovisual system based on social behavior
title_fullStr earGram Actors: an interactive audiovisual system based on social behavior
title_full_unstemmed earGram Actors: an interactive audiovisual system based on social behavior
title_sort earGram Actors: an interactive audiovisual system based on social behavior
author Beyls, Peter
author_facet Beyls, Peter
Bernardes, Gilberto
Caetano, Marcelo
author_role author
author2 Bernardes, Gilberto
Caetano, Marcelo
author2_role author
author
dc.contributor.author.fl_str_mv Beyls, Peter
Bernardes, Gilberto
Caetano, Marcelo
description In multi-agent systems, local interactions among system components following relatively simple rules often result in complex overall systemic behavior. Complex behavioral and morphological patterns have been used to generate and organize audiovisual systems with artistic purposes. In this work, we propose to use the Actor model of social interactions to drive a concatenative synthesis engine called earGram in real time. The Actor model was originally developed to explore the emergence of complex visual patterns. On the other hand, earGram was originally developed to facilitate the creative exploration of concatenative sound synthesis. The integrated audiovisual system allows a human performer to interact with the system dynamics while receiving visual and auditory feedback. The interaction happens indirectly by disturbing the rules governing the social relationships amongst the actors, which results in a wide range of dynamic spatiotemporal patterns. A performer thus improvises within the behavioural scope of the system while evaluating the apparent connections between parameter values and actual complexity of the system output.
publishDate 2015
dc.date.none.fl_str_mv 2015-01-01T00:00:00Z
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dc.identifier.uri.fl_str_mv https://doi.org/10.7559/citarj.v7i1.142
oai:ojs.revistas.ucp.pt:article/7234
url https://doi.org/10.7559/citarj.v7i1.142
identifier_str_mv oai:ojs.revistas.ucp.pt:article/7234
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/7234
https://doi.org/10.7559/citarj.v7i1.142
https://revistas.ucp.pt/index.php/jsta/article/view/7234/7023
dc.rights.driver.fl_str_mv Copyright (c) 2015 Peter Beyls, Gilberto Bernardes, Marcelo Caetano
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Peter Beyls, Gilberto Bernardes, Marcelo Caetano
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 7 No 1 (2015): xCoAx 2015; 43-54
Journal of Science and Technology of the Arts; v. 7 n. 1 (2015): xCoAx 2015; 43-54
2183-0088
1646-9798
10.34632/citarj.2015.7.1
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