Layers imaginários : paisagens pessoais e ócio como meios de (re)criação
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/33631 |
Resumo: | The present dissertation aims do seek the understanding of those I consider to be, today, the main contributions to my artistic (re)creations. From them arise my personal landscapes: thought, painted and written. For that, it is a reflection about the overlap of time, where concepts related to the observation of analogue photographs belonging to my childhood memory will be approached. Concepts that appear in my work, arising from that memory, of my imaginary museum and from leisure as a mean of personal development, giving importance to the affective and creative experiences. Personal landscapes emerge from the need to interpret and bring to the present the several layers responsible for the positive emotions that have become inherent in my identity construction. This investigation is divided in four moments, in each one of them writers/authors and artists contribute to establish the bridge between theoretical thought and plastic creation connected to nostalgia. Considering the infinite permanent absence of a concrete response to nostalgia, as one of the reasons why my painting and Continuum are a work in progress |
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Layers imaginários : paisagens pessoais e ócio como meios de (re)criaçãoQueiroz, João, 1957-Hockney, David, 1937-Richter, Gerhard, 1932-Douglas, Stan, 1960-Cabral, Maria José Falcão da Silva Caiado, 1993-PinturaFotografiaMemóriaImaginárioÓcioCriaçãoLayersPinturaThe present dissertation aims do seek the understanding of those I consider to be, today, the main contributions to my artistic (re)creations. From them arise my personal landscapes: thought, painted and written. For that, it is a reflection about the overlap of time, where concepts related to the observation of analogue photographs belonging to my childhood memory will be approached. Concepts that appear in my work, arising from that memory, of my imaginary museum and from leisure as a mean of personal development, giving importance to the affective and creative experiences. Personal landscapes emerge from the need to interpret and bring to the present the several layers responsible for the positive emotions that have become inherent in my identity construction. This investigation is divided in four moments, in each one of them writers/authors and artists contribute to establish the bridge between theoretical thought and plastic creation connected to nostalgia. Considering the infinite permanent absence of a concrete response to nostalgia, as one of the reasons why my painting and Continuum are a work in progressSerra, Rui Alexandre Rosa Grincho, 1970-Repositório da Universidade de LisboaCabral, Maria José Falcão da Silva Caiado, 1993-2018-05-23T17:17:54Z2018-04-162018-05-232018-04-16T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/33631TID:201899426porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:28:34Zoai:repositorio.ul.pt:10451/33631Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:48:35.835244Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Layers imaginários : paisagens pessoais e ócio como meios de (re)criação |
title |
Layers imaginários : paisagens pessoais e ócio como meios de (re)criação |
spellingShingle |
Layers imaginários : paisagens pessoais e ócio como meios de (re)criação Cabral, Maria José Falcão da Silva Caiado, 1993- Queiroz, João, 1957- Hockney, David, 1937- Richter, Gerhard, 1932- Douglas, Stan, 1960- Cabral, Maria José Falcão da Silva Caiado, 1993- Pintura Fotografia Memória Imaginário Ócio Criação Layers Pintura |
title_short |
Layers imaginários : paisagens pessoais e ócio como meios de (re)criação |
title_full |
Layers imaginários : paisagens pessoais e ócio como meios de (re)criação |
title_fullStr |
Layers imaginários : paisagens pessoais e ócio como meios de (re)criação |
title_full_unstemmed |
Layers imaginários : paisagens pessoais e ócio como meios de (re)criação |
title_sort |
Layers imaginários : paisagens pessoais e ócio como meios de (re)criação |
author |
Cabral, Maria José Falcão da Silva Caiado, 1993- |
author_facet |
Cabral, Maria José Falcão da Silva Caiado, 1993- |
author_role |
author |
dc.contributor.none.fl_str_mv |
Serra, Rui Alexandre Rosa Grincho, 1970- Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Cabral, Maria José Falcão da Silva Caiado, 1993- |
dc.subject.por.fl_str_mv |
Queiroz, João, 1957- Hockney, David, 1937- Richter, Gerhard, 1932- Douglas, Stan, 1960- Cabral, Maria José Falcão da Silva Caiado, 1993- Pintura Fotografia Memória Imaginário Ócio Criação Layers Pintura |
topic |
Queiroz, João, 1957- Hockney, David, 1937- Richter, Gerhard, 1932- Douglas, Stan, 1960- Cabral, Maria José Falcão da Silva Caiado, 1993- Pintura Fotografia Memória Imaginário Ócio Criação Layers Pintura |
description |
The present dissertation aims do seek the understanding of those I consider to be, today, the main contributions to my artistic (re)creations. From them arise my personal landscapes: thought, painted and written. For that, it is a reflection about the overlap of time, where concepts related to the observation of analogue photographs belonging to my childhood memory will be approached. Concepts that appear in my work, arising from that memory, of my imaginary museum and from leisure as a mean of personal development, giving importance to the affective and creative experiences. Personal landscapes emerge from the need to interpret and bring to the present the several layers responsible for the positive emotions that have become inherent in my identity construction. This investigation is divided in four moments, in each one of them writers/authors and artists contribute to establish the bridge between theoretical thought and plastic creation connected to nostalgia. Considering the infinite permanent absence of a concrete response to nostalgia, as one of the reasons why my painting and Continuum are a work in progress |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-05-23T17:17:54Z 2018-04-16 2018-05-23 2018-04-16T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/33631 TID:201899426 |
url |
http://hdl.handle.net/10451/33631 |
identifier_str_mv |
TID:201899426 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
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openAccess |
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image/jpeg application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799134415987671040 |