Layers imaginários : paisagens pessoais e ócio como meios de (re)criação

Detalhes bibliográficos
Autor(a) principal: Cabral, Maria José Falcão da Silva Caiado, 1993-
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/33631
Resumo: The present dissertation aims do seek the understanding of those I consider to be, today, the main contributions to my artistic (re)creations. From them arise my personal landscapes: thought, painted and written. For that, it is a reflection about the overlap of time, where concepts related to the observation of analogue photographs belonging to my childhood memory will be approached. Concepts that appear in my work, arising from that memory, of my imaginary museum and from leisure as a mean of personal development, giving importance to the affective and creative experiences. Personal landscapes emerge from the need to interpret and bring to the present the several layers responsible for the positive emotions that have become inherent in my identity construction. This investigation is divided in four moments, in each one of them writers/authors and artists contribute to establish the bridge between theoretical thought and plastic creation connected to nostalgia. Considering the infinite permanent absence of a concrete response to nostalgia, as one of the reasons why my painting and Continuum are a work in progress
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spelling Layers imaginários : paisagens pessoais e ócio como meios de (re)criaçãoQueiroz, João, 1957-Hockney, David, 1937-Richter, Gerhard, 1932-Douglas, Stan, 1960-Cabral, Maria José Falcão da Silva Caiado, 1993-PinturaFotografiaMemóriaImaginárioÓcioCriaçãoLayersPinturaThe present dissertation aims do seek the understanding of those I consider to be, today, the main contributions to my artistic (re)creations. From them arise my personal landscapes: thought, painted and written. For that, it is a reflection about the overlap of time, where concepts related to the observation of analogue photographs belonging to my childhood memory will be approached. Concepts that appear in my work, arising from that memory, of my imaginary museum and from leisure as a mean of personal development, giving importance to the affective and creative experiences. Personal landscapes emerge from the need to interpret and bring to the present the several layers responsible for the positive emotions that have become inherent in my identity construction. This investigation is divided in four moments, in each one of them writers/authors and artists contribute to establish the bridge between theoretical thought and plastic creation connected to nostalgia. Considering the infinite permanent absence of a concrete response to nostalgia, as one of the reasons why my painting and Continuum are a work in progressSerra, Rui Alexandre Rosa Grincho, 1970-Repositório da Universidade de LisboaCabral, Maria José Falcão da Silva Caiado, 1993-2018-05-23T17:17:54Z2018-04-162018-05-232018-04-16T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/33631TID:201899426porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:28:34Zoai:repositorio.ul.pt:10451/33631Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:48:35.835244Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Layers imaginários : paisagens pessoais e ócio como meios de (re)criação
title Layers imaginários : paisagens pessoais e ócio como meios de (re)criação
spellingShingle Layers imaginários : paisagens pessoais e ócio como meios de (re)criação
Cabral, Maria José Falcão da Silva Caiado, 1993-
Queiroz, João, 1957-
Hockney, David, 1937-
Richter, Gerhard, 1932-
Douglas, Stan, 1960-
Cabral, Maria José Falcão da Silva Caiado, 1993-
Pintura
Fotografia
Memória
Imaginário
Ócio
Criação
Layers
Pintura
title_short Layers imaginários : paisagens pessoais e ócio como meios de (re)criação
title_full Layers imaginários : paisagens pessoais e ócio como meios de (re)criação
title_fullStr Layers imaginários : paisagens pessoais e ócio como meios de (re)criação
title_full_unstemmed Layers imaginários : paisagens pessoais e ócio como meios de (re)criação
title_sort Layers imaginários : paisagens pessoais e ócio como meios de (re)criação
author Cabral, Maria José Falcão da Silva Caiado, 1993-
author_facet Cabral, Maria José Falcão da Silva Caiado, 1993-
author_role author
dc.contributor.none.fl_str_mv Serra, Rui Alexandre Rosa Grincho, 1970-
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Cabral, Maria José Falcão da Silva Caiado, 1993-
dc.subject.por.fl_str_mv Queiroz, João, 1957-
Hockney, David, 1937-
Richter, Gerhard, 1932-
Douglas, Stan, 1960-
Cabral, Maria José Falcão da Silva Caiado, 1993-
Pintura
Fotografia
Memória
Imaginário
Ócio
Criação
Layers
Pintura
topic Queiroz, João, 1957-
Hockney, David, 1937-
Richter, Gerhard, 1932-
Douglas, Stan, 1960-
Cabral, Maria José Falcão da Silva Caiado, 1993-
Pintura
Fotografia
Memória
Imaginário
Ócio
Criação
Layers
Pintura
description The present dissertation aims do seek the understanding of those I consider to be, today, the main contributions to my artistic (re)creations. From them arise my personal landscapes: thought, painted and written. For that, it is a reflection about the overlap of time, where concepts related to the observation of analogue photographs belonging to my childhood memory will be approached. Concepts that appear in my work, arising from that memory, of my imaginary museum and from leisure as a mean of personal development, giving importance to the affective and creative experiences. Personal landscapes emerge from the need to interpret and bring to the present the several layers responsible for the positive emotions that have become inherent in my identity construction. This investigation is divided in four moments, in each one of them writers/authors and artists contribute to establish the bridge between theoretical thought and plastic creation connected to nostalgia. Considering the infinite permanent absence of a concrete response to nostalgia, as one of the reasons why my painting and Continuum are a work in progress
publishDate 2018
dc.date.none.fl_str_mv 2018-05-23T17:17:54Z
2018-04-16
2018-05-23
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