From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and music

Detalhes bibliográficos
Autor(a) principal: Carvalho, Danielle Crepaldi
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
DOI: 10.14591/aniki.v5n1.350
Texto Completo: https://doi.org/10.14591/aniki.v5n1.350
Resumo: At the dawn of the twentieth century, Circo Spinelli staged Benjamin de Oliveira’s Os Guaranis, a pantomime based on two versions of O Guarany, both symbols of Brazilian patriotism: José de Alencar’s historical novel (from 1857) and Carlos Gomes’ opera (from 1870). The success Benjamin’s play  (a black clown who was also its protagonist), determines the works migration from the circus stage to the movies, and the increasing in the Cinema-Palace’s orchestra on the occasions the film was presented. This article reflects upon the meanings constructed by Benjamin’s stage adaptation of the circus-theatre to the screen, highlighting the displacements operated by cultural production during the first cinema.
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spelling From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and musicD’ O Guarani de José de Alencar e Carlos Gomes aos Guaranis do clown Benjamin: Diálogos entre literatura, cinema, circo e músicaSilent CinemaCinema and soundCinema and historyCinema silenciosoCinema e somcinema e históriaAt the dawn of the twentieth century, Circo Spinelli staged Benjamin de Oliveira’s Os Guaranis, a pantomime based on two versions of O Guarany, both symbols of Brazilian patriotism: José de Alencar’s historical novel (from 1857) and Carlos Gomes’ opera (from 1870). The success Benjamin’s play  (a black clown who was also its protagonist), determines the works migration from the circus stage to the movies, and the increasing in the Cinema-Palace’s orchestra on the occasions the film was presented. This article reflects upon the meanings constructed by Benjamin’s stage adaptation of the circus-theatre to the screen, highlighting the displacements operated by cultural production during the first cinema.Na aurora do século XX, o Circo Spinelli faz encenar a “pantomima histórica” Os Guaranis, de Benjamin de Oliveira, baseada em duas versões de O Guarany, ambas obras símbolos do patriotismo brasileiro: o romance histórico de José de Alencar (1857) e a ópera de Carlos Gomes (1870). O sucesso da pantomima do clown negro Benjamin, também protagonista da obra, a faz migrar do palco circense à tela do cinema, aumentando-se a orquestra do Cinema-Palace nas ocasiões de exibição da fita. Este artigo reflete sobre os sentidos construídos pela adaptação de Benjamin ao palco do circo-teatro e à tela, colocando em primeiro plano os deslocamentos operados pela produção cultural em tempos de primeiro cinema.AIM - Associação de Investigadores da Imagem em Movimento2018-01-02info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.14591/aniki.v5n1.350https://doi.org/10.14591/aniki.v5n1.350Aniki: Portuguese Journal of the Moving Image; Vol 5 No 1 (2018): Music and sound in cinema; 78-104Aniki: Revista Portuguesa da Imagem em Movimento; v. 5 n. 1 (2018): Música e som no cinema; 78-1042183-1750reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttp://aim.org.pt/ojs/index.php/revista/article/view/350http://aim.org.pt/ojs/index.php/revista/article/view/350/pdfCarvalho, Danielle Crepaldiinfo:eu-repo/semantics/openAccess2024-01-26T02:03:07Zoai:aim.org.pt/ojs/:article/350Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:15.659137Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and music
D’ O Guarani de José de Alencar e Carlos Gomes aos Guaranis do clown Benjamin: Diálogos entre literatura, cinema, circo e música
title From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and music
spellingShingle From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and music
From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and music
Carvalho, Danielle Crepaldi
Silent Cinema
Cinema and sound
Cinema and history
Cinema silencioso
Cinema e som
cinema e história
Carvalho, Danielle Crepaldi
Silent Cinema
Cinema and sound
Cinema and history
Cinema silencioso
Cinema e som
cinema e história
title_short From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and music
title_full From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and music
title_fullStr From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and music
From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and music
title_full_unstemmed From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and music
From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and music
title_sort From José de Alencar’s and Carlos Gomes’ O Guarany, to clown Benjamin de Oliveira’s Os Guaranis: dialogues between literature, cinema, circus and music
author Carvalho, Danielle Crepaldi
author_facet Carvalho, Danielle Crepaldi
Carvalho, Danielle Crepaldi
author_role author
dc.contributor.author.fl_str_mv Carvalho, Danielle Crepaldi
dc.subject.por.fl_str_mv Silent Cinema
Cinema and sound
Cinema and history
Cinema silencioso
Cinema e som
cinema e história
topic Silent Cinema
Cinema and sound
Cinema and history
Cinema silencioso
Cinema e som
cinema e história
description At the dawn of the twentieth century, Circo Spinelli staged Benjamin de Oliveira’s Os Guaranis, a pantomime based on two versions of O Guarany, both symbols of Brazilian patriotism: José de Alencar’s historical novel (from 1857) and Carlos Gomes’ opera (from 1870). The success Benjamin’s play  (a black clown who was also its protagonist), determines the works migration from the circus stage to the movies, and the increasing in the Cinema-Palace’s orchestra on the occasions the film was presented. This article reflects upon the meanings constructed by Benjamin’s stage adaptation of the circus-theatre to the screen, highlighting the displacements operated by cultural production during the first cinema.
publishDate 2018
dc.date.none.fl_str_mv 2018-01-02
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.14591/aniki.v5n1.350
https://doi.org/10.14591/aniki.v5n1.350
url https://doi.org/10.14591/aniki.v5n1.350
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://aim.org.pt/ojs/index.php/revista/article/view/350
http://aim.org.pt/ojs/index.php/revista/article/view/350/pdf
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv AIM - Associação de Investigadores da Imagem em Movimento
publisher.none.fl_str_mv AIM - Associação de Investigadores da Imagem em Movimento
dc.source.none.fl_str_mv Aniki: Portuguese Journal of the Moving Image; Vol 5 No 1 (2018): Music and sound in cinema; 78-104
Aniki: Revista Portuguesa da Imagem em Movimento; v. 5 n. 1 (2018): Música e som no cinema; 78-104
2183-1750
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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dc.identifier.doi.none.fl_str_mv 10.14591/aniki.v5n1.350

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