Image philosophy for reading glitch art

Detalhes bibliográficos
Autor(a) principal: Rosa, Carlos
Data de Publicação: 2022
Outros Autores: Morais, Rodrigo, Borges, Inês
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2022.10092
Resumo: This article investigates to what extent it is possible to establish an image philosophy to read digital images, in this specific case, applying the concepts in the areas of glitch art. For this, we sought, through a systematic literature review, general definitions about the terms of the image and developed a possible approach for reading digital images that have intrusive aesthetic data from the operation of technical apparatus. The study takes place as a theoretical reflection that does not aim to “solve” all the questions about reading images, but it can bring up the possibility of interpreting the images that inhabit the digital universe.
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spelling Image philosophy for reading glitch artThis article investigates to what extent it is possible to establish an image philosophy to read digital images, in this specific case, applying the concepts in the areas of glitch art. For this, we sought, through a systematic literature review, general definitions about the terms of the image and developed a possible approach for reading digital images that have intrusive aesthetic data from the operation of technical apparatus. The study takes place as a theoretical reflection that does not aim to “solve” all the questions about reading images, but it can bring up the possibility of interpreting the images that inhabit the digital universe.Universidade Católica Portuguesa2022-04-30T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34632/jsta.2022.10092oai:ojs.revistas.ucp.pt:article/10092Journal of Science and Technology of the Arts; Vol 14 No 1 (2022); 32-48Journal of Science and Technology of the Arts; v. 14 n. 1 (2022); 32-482183-00881646-979810.34632/jsta.2022.14.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/10092https://doi.org/10.34632/jsta.2022.10092https://revistas.ucp.pt/index.php/jsta/article/view/10092/11140Copyright (c) 2022 Carlos Rosa, Rodrigo Morais, Inês Borgeshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRosa, CarlosMorais, RodrigoBorges, Inês2022-09-22T16:19:30Zoai:ojs.revistas.ucp.pt:article/10092Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:07.936146Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Image philosophy for reading glitch art
title Image philosophy for reading glitch art
spellingShingle Image philosophy for reading glitch art
Rosa, Carlos
title_short Image philosophy for reading glitch art
title_full Image philosophy for reading glitch art
title_fullStr Image philosophy for reading glitch art
title_full_unstemmed Image philosophy for reading glitch art
title_sort Image philosophy for reading glitch art
author Rosa, Carlos
author_facet Rosa, Carlos
Morais, Rodrigo
Borges, Inês
author_role author
author2 Morais, Rodrigo
Borges, Inês
author2_role author
author
dc.contributor.author.fl_str_mv Rosa, Carlos
Morais, Rodrigo
Borges, Inês
description This article investigates to what extent it is possible to establish an image philosophy to read digital images, in this specific case, applying the concepts in the areas of glitch art. For this, we sought, through a systematic literature review, general definitions about the terms of the image and developed a possible approach for reading digital images that have intrusive aesthetic data from the operation of technical apparatus. The study takes place as a theoretical reflection that does not aim to “solve” all the questions about reading images, but it can bring up the possibility of interpreting the images that inhabit the digital universe.
publishDate 2022
dc.date.none.fl_str_mv 2022-04-30T00:00:00Z
dc.type.driver.fl_str_mv journal article
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dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2022.10092
oai:ojs.revistas.ucp.pt:article/10092
url https://doi.org/10.34632/jsta.2022.10092
identifier_str_mv oai:ojs.revistas.ucp.pt:article/10092
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/10092
https://doi.org/10.34632/jsta.2022.10092
https://revistas.ucp.pt/index.php/jsta/article/view/10092/11140
dc.rights.driver.fl_str_mv Copyright (c) 2022 Carlos Rosa, Rodrigo Morais, Inês Borges
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Carlos Rosa, Rodrigo Morais, Inês Borges
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 14 No 1 (2022); 32-48
Journal of Science and Technology of the Arts; v. 14 n. 1 (2022); 32-48
2183-0088
1646-9798
10.34632/jsta.2022.14.1
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