O sentido da luz
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/11067/1641 |
Resumo: | Abstract: The light has through the centuries induced an enormous altraction in mankind. The element is such important to Man that comprehension of the regular solar cycles represented a large advance for the unnumbered civilizalions spread all over the terrestrial globe. The recognition of solar light as a vital support to life, originated its worship and representation of several goddess in the different religions. Architecture did not dismiss the relationship of dependence that Man has wilh Sun. Since the moment that conscientiously this art opened the first spot for light entrance, the building adapted to the climacteric demand imposed by the Sun. This star molded not only the lifestyle of civilizations, but also the way they interact with the buildings due to their latitude. The dissertation begins with a general scientific part to understand the form of reception and perception of the solar rays and their importance for Man physical and mental health, passing through the theoretical analysis of the relationship between light, painting and photography, and also the relationship between the light and the different architectonic movement of history. This work is intended to comprehend the processes that lead to the determination of the ideal light that should enter the space of a building, specifically buildings with art center functions. For that purpose Centro Galego de Arte Contemporânea, Centro de Artes de Sines and Centro de Arte Contemporânea de Bragança - Graça Morais, three works of portuguese architects, were analyzed with the objective to identify the common elements of light manipulation in buildings of this type that make them exemplar architectonic objects. |
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O sentido da luzArquitectura e luzTeoria da arquitecturaLuz (Arquitectura)Projecto de arquitecturaAbstract: The light has through the centuries induced an enormous altraction in mankind. The element is such important to Man that comprehension of the regular solar cycles represented a large advance for the unnumbered civilizalions spread all over the terrestrial globe. The recognition of solar light as a vital support to life, originated its worship and representation of several goddess in the different religions. Architecture did not dismiss the relationship of dependence that Man has wilh Sun. Since the moment that conscientiously this art opened the first spot for light entrance, the building adapted to the climacteric demand imposed by the Sun. This star molded not only the lifestyle of civilizations, but also the way they interact with the buildings due to their latitude. The dissertation begins with a general scientific part to understand the form of reception and perception of the solar rays and their importance for Man physical and mental health, passing through the theoretical analysis of the relationship between light, painting and photography, and also the relationship between the light and the different architectonic movement of history. This work is intended to comprehend the processes that lead to the determination of the ideal light that should enter the space of a building, specifically buildings with art center functions. For that purpose Centro Galego de Arte Contemporânea, Centro de Artes de Sines and Centro de Arte Contemporânea de Bragança - Graça Morais, three works of portuguese architects, were analyzed with the objective to identify the common elements of light manipulation in buildings of this type that make them exemplar architectonic objects.Dissertação de mestrado realizada no âmbito do Mestrado em Arquitectura.Exame público realizado em 28 de Novembro de 2011.Resumo: A luz tem desde sempre exercido um enorme fascínio na Humanidade ao longo dos séculos. O elemento é de tal ordem importante para o Homem que a compreensão dos regulares ciclos solares representou um avanço enorme para as inúmeras civilizações espalhadas pelo globo terrestre. O reconhecimento da luz solar como matéria de suporte ávida culminou na sua adoração, representando divindades nos vários cultos religiosos. A arquitectura não se alheou a esta relação de dependência que o Homem tem com o Sol. Desde o momento em que conscientemente abriu o primeiro vão para deixar entrar a luz, que o edificado se adequou às exigências climatéricas impostas pelo astro solar. O Sol moldou não só o estilo de vida das civilizações, mas também a forma como estas se relacionam com os seus edifícios, mediante a latitude a que se encontram. A dissertação parte de uma base científica geral, para entender a forma de recepção e percepção dos raios solares e a sua importância para a saúde física e mental do Homem, passando pela análise teórica da relação entre a luz, a pintura e a fotografia e da relação entre a luz e os diversos movimentos arquitectónicos da história. Com este trabalho pretende-se compreender os processos que levam à determinação da luz ideal que deve invadir o espaço de um edifício, mais concretamente edifícios com a função de museologia: Centros de Arte. Para isso, foram analisadas três obras de arquitectos portugueses, o Centro Galego de Arte Contemporânea, o Centro de Artes de Sines e o Centro de Arte Contemporânea de Bragança - Graça Morais, com o objectivo de identificar os elementos comuns e dissonantes na forma de trabalhar a luz em edifícios deste tipo e que os tornam objectos arquitectónicos exemplares.2015-10-08T11:16:24Z2015-10-082011-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/11067/1641http://hdl.handle.net/11067/1641porSilva, Bruno Miguel Aguiar dainfo:eu-repo/semantics/embargoedAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-04T01:50:58Zoai:repositorio.ulusiada.pt:11067/1641Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:28:26.849850Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
O sentido da luz |
title |
O sentido da luz |
spellingShingle |
O sentido da luz Silva, Bruno Miguel Aguiar da Arquitectura e luz Teoria da arquitectura Luz (Arquitectura) Projecto de arquitectura |
title_short |
O sentido da luz |
title_full |
O sentido da luz |
title_fullStr |
O sentido da luz |
title_full_unstemmed |
O sentido da luz |
title_sort |
O sentido da luz |
author |
Silva, Bruno Miguel Aguiar da |
author_facet |
Silva, Bruno Miguel Aguiar da |
author_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Bruno Miguel Aguiar da |
dc.subject.por.fl_str_mv |
Arquitectura e luz Teoria da arquitectura Luz (Arquitectura) Projecto de arquitectura |
topic |
Arquitectura e luz Teoria da arquitectura Luz (Arquitectura) Projecto de arquitectura |
description |
Abstract: The light has through the centuries induced an enormous altraction in mankind. The element is such important to Man that comprehension of the regular solar cycles represented a large advance for the unnumbered civilizalions spread all over the terrestrial globe. The recognition of solar light as a vital support to life, originated its worship and representation of several goddess in the different religions. Architecture did not dismiss the relationship of dependence that Man has wilh Sun. Since the moment that conscientiously this art opened the first spot for light entrance, the building adapted to the climacteric demand imposed by the Sun. This star molded not only the lifestyle of civilizations, but also the way they interact with the buildings due to their latitude. The dissertation begins with a general scientific part to understand the form of reception and perception of the solar rays and their importance for Man physical and mental health, passing through the theoretical analysis of the relationship between light, painting and photography, and also the relationship between the light and the different architectonic movement of history. This work is intended to comprehend the processes that lead to the determination of the ideal light that should enter the space of a building, specifically buildings with art center functions. For that purpose Centro Galego de Arte Contemporânea, Centro de Artes de Sines and Centro de Arte Contemporânea de Bragança - Graça Morais, three works of portuguese architects, were analyzed with the objective to identify the common elements of light manipulation in buildings of this type that make them exemplar architectonic objects. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-01-01T00:00:00Z 2015-10-08T11:16:24Z 2015-10-08 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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http://hdl.handle.net/11067/1641 http://hdl.handle.net/11067/1641 |
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http://hdl.handle.net/11067/1641 |
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por |
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info:eu-repo/semantics/embargoedAccess |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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