Mapping Creativity through Socially Engaged Visual Arts

Detalhes bibliográficos
Autor(a) principal: Pinto, António Gorgel
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v1i2.26
Resumo: This article addresses the notion of the socially engaged visual arts. The first part explores some fundamental historical periods to help understand this practice, from the Greek concept of teknè until the present time. Then, the idea of a machine for the emancipation of creativity is explained, as well as its operation in two neighborhoods of the Portuguese city of Amadora. Finally, as a result of this immaterial machine, the focus turns to a detailed description of an archive of audiovisual elements that represents each activity undertaken within the project.
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spelling Mapping Creativity through Socially Engaged Visual ArtsThis article addresses the notion of the socially engaged visual arts. The first part explores some fundamental historical periods to help understand this practice, from the Greek concept of teknè until the present time. Then, the idea of a machine for the emancipation of creativity is explained, as well as its operation in two neighborhoods of the Portuguese city of Amadora. Finally, as a result of this immaterial machine, the focus turns to a detailed description of an archive of audiovisual elements that represents each activity undertaken within the project.AP22015-12-20info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v1i2.26https://doi.org/10.25765/sauc.v1i2.26SAUC - Street Art and Urban Creativity; Vol 1 No 2 (2015): Places and Non Places; 31 - 412183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/26https://journals.ap2.pt/index.php/sauc/article/view/26/18Pinto, António Gorgelinfo:eu-repo/semantics/openAccess2024-01-26T14:15:29Zoai:journals.ap2.pt:article/26Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:46.367762Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Mapping Creativity through Socially Engaged Visual Arts
title Mapping Creativity through Socially Engaged Visual Arts
spellingShingle Mapping Creativity through Socially Engaged Visual Arts
Pinto, António Gorgel
title_short Mapping Creativity through Socially Engaged Visual Arts
title_full Mapping Creativity through Socially Engaged Visual Arts
title_fullStr Mapping Creativity through Socially Engaged Visual Arts
title_full_unstemmed Mapping Creativity through Socially Engaged Visual Arts
title_sort Mapping Creativity through Socially Engaged Visual Arts
author Pinto, António Gorgel
author_facet Pinto, António Gorgel
author_role author
dc.contributor.author.fl_str_mv Pinto, António Gorgel
description This article addresses the notion of the socially engaged visual arts. The first part explores some fundamental historical periods to help understand this practice, from the Greek concept of teknè until the present time. Then, the idea of a machine for the emancipation of creativity is explained, as well as its operation in two neighborhoods of the Portuguese city of Amadora. Finally, as a result of this immaterial machine, the focus turns to a detailed description of an archive of audiovisual elements that represents each activity undertaken within the project.
publishDate 2015
dc.date.none.fl_str_mv 2015-12-20
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dc.language.iso.fl_str_mv eng
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https://journals.ap2.pt/index.php/sauc/article/view/26/18
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dc.source.none.fl_str_mv SAUC - Street Art and Urban Creativity; Vol 1 No 2 (2015): Places and Non Places; 31 - 41
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2183-3869
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