Mapping Creativity through Socially Engaged Visual Arts
Autor(a) principal: | |
---|---|
Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.25765/sauc.v1i2.26 |
Resumo: | This article addresses the notion of the socially engaged visual arts. The first part explores some fundamental historical periods to help understand this practice, from the Greek concept of teknè until the present time. Then, the idea of a machine for the emancipation of creativity is explained, as well as its operation in two neighborhoods of the Portuguese city of Amadora. Finally, as a result of this immaterial machine, the focus turns to a detailed description of an archive of audiovisual elements that represents each activity undertaken within the project. |
id |
RCAP_d39f672fbf4ede04ed4c5d0211c59097 |
---|---|
oai_identifier_str |
oai:journals.ap2.pt:article/26 |
network_acronym_str |
RCAP |
network_name_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository_id_str |
7160 |
spelling |
Mapping Creativity through Socially Engaged Visual ArtsThis article addresses the notion of the socially engaged visual arts. The first part explores some fundamental historical periods to help understand this practice, from the Greek concept of teknè until the present time. Then, the idea of a machine for the emancipation of creativity is explained, as well as its operation in two neighborhoods of the Portuguese city of Amadora. Finally, as a result of this immaterial machine, the focus turns to a detailed description of an archive of audiovisual elements that represents each activity undertaken within the project.AP22015-12-20info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v1i2.26https://doi.org/10.25765/sauc.v1i2.26SAUC - Street Art and Urban Creativity; Vol 1 No 2 (2015): Places and Non Places; 31 - 412183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/26https://journals.ap2.pt/index.php/sauc/article/view/26/18Pinto, António Gorgelinfo:eu-repo/semantics/openAccess2024-01-26T14:15:29Zoai:journals.ap2.pt:article/26Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:46.367762Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Mapping Creativity through Socially Engaged Visual Arts |
title |
Mapping Creativity through Socially Engaged Visual Arts |
spellingShingle |
Mapping Creativity through Socially Engaged Visual Arts Pinto, António Gorgel |
title_short |
Mapping Creativity through Socially Engaged Visual Arts |
title_full |
Mapping Creativity through Socially Engaged Visual Arts |
title_fullStr |
Mapping Creativity through Socially Engaged Visual Arts |
title_full_unstemmed |
Mapping Creativity through Socially Engaged Visual Arts |
title_sort |
Mapping Creativity through Socially Engaged Visual Arts |
author |
Pinto, António Gorgel |
author_facet |
Pinto, António Gorgel |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pinto, António Gorgel |
description |
This article addresses the notion of the socially engaged visual arts. The first part explores some fundamental historical periods to help understand this practice, from the Greek concept of teknè until the present time. Then, the idea of a machine for the emancipation of creativity is explained, as well as its operation in two neighborhoods of the Portuguese city of Amadora. Finally, as a result of this immaterial machine, the focus turns to a detailed description of an archive of audiovisual elements that represents each activity undertaken within the project. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-12-20 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.25765/sauc.v1i2.26 https://doi.org/10.25765/sauc.v1i2.26 |
url |
https://doi.org/10.25765/sauc.v1i2.26 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://journals.ap2.pt/index.php/sauc/article/view/26 https://journals.ap2.pt/index.php/sauc/article/view/26/18 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
AP2 |
publisher.none.fl_str_mv |
AP2 |
dc.source.none.fl_str_mv |
SAUC - Street Art and Urban Creativity; Vol 1 No 2 (2015): Places and Non Places; 31 - 41 2183-9956 2183-3869 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
_version_ |
1799137063513096192 |