The art of facing the net: Zoom Theater’s augmented reality creations

Detalhes bibliográficos
Autor(a) principal: Guimarães Furtado, Renato
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34623/er36-xr61
Resumo: Theater was forced to migrate from physical stages to digital environments due to the COVID-19 pandemic, which has fostered the creation of new theater experiences around the world, as the social distancing measures have suspended the operation of in-person presentation spaces. In Brazil, more specifically, there was a fruitful experimentation of digital format theater through videoconferencing platforms, a phenomenon that we place under the theoretical umbrella of Zoom Theater and whose practical effects will be analyzed in this investigation through the case study of the play The Art of Facing Fear. Based on bibliographic review and document research, we intend to approach the play produced by the São Paulo theater company Os Satyros in 2020 to observe how Brazilian theater artists have seized the tools of a videoconferencing application to transform them into artistic resources. Giving special attention to the use of augmented reality in the play, through the Zoom platform’s virtual background tool, we aim not only to understand the position of the Zoom Theater phenomenon at the heart of the media ecosystem, but also to understand how the critical and aesthetic use of media can point out different paths for human habitation in a deeply mediated society.
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spelling The art of facing the net: Zoom Theater’s augmented reality creationsThe art of facing the net: Zoom Theater’s augmented reality creationsThe art of facing the net: Zoom Theater’s augmented reality creationsA arte de encarar as redes: Criações em realidade aumentada no Teatro ZoomZoom TheaterAugmented realityAffordancesMediaVirtual backgroundZoom TheaterAugmented realityAffordancesMediaVirtual backgroundZoom TheaterAugmented realityAffordancesMediaVirtual backgroundTeatro ZoomRealidade aumentadaAffordancesMediaFundos virtuaisTheater was forced to migrate from physical stages to digital environments due to the COVID-19 pandemic, which has fostered the creation of new theater experiences around the world, as the social distancing measures have suspended the operation of in-person presentation spaces. In Brazil, more specifically, there was a fruitful experimentation of digital format theater through videoconferencing platforms, a phenomenon that we place under the theoretical umbrella of Zoom Theater and whose practical effects will be analyzed in this investigation through the case study of the play The Art of Facing Fear. Based on bibliographic review and document research, we intend to approach the play produced by the São Paulo theater company Os Satyros in 2020 to observe how Brazilian theater artists have seized the tools of a videoconferencing application to transform them into artistic resources. Giving special attention to the use of augmented reality in the play, through the Zoom platform’s virtual background tool, we aim not only to understand the position of the Zoom Theater phenomenon at the heart of the media ecosystem, but also to understand how the critical and aesthetic use of media can point out different paths for human habitation in a deeply mediated society.Theater was forced to migrate from physical stages to digital environments due to the COVID-19 pandemic, which has fostered the creation of new theater experiences around the world, as the social distancing measures have suspended the operation of in-person presentation spaces. In Brazil, more specifically, there was a fruitful experimentation of digital format theater through videoconferencing platforms, a phenomenon that we place under the theoretical umbrella of Zoom Theater and whose practical effects will be analyzed in this investigation through the case study of the play The Art of Facing Fear. Based on bibliographic review and document research, we intend to approach the play produced by the São Paulo theater company Os Satyros in 2020 to observe how Brazilian theater artists have seized the tools of a videoconferencing application to transform them into artistic resources. Giving special attention to the use of augmented reality in the play, through the Zoom platform’s virtual background tool, we aim not only to understand the position of the Zoom Theater phenomenon at the heart of the media ecosystem, but also to understand how the critical and aesthetic use of media can point out different paths for human habitation in a deeply mediated society.Theater was forced to migrate from physical stages to digital environments due to the COVID-19 pandemic, which has fostered the creation of new theater experiences around the world, as the social distancing measures have suspended the operation of in-person presentation spaces. In Brazil, more specifically, there was a fruitful experimentation of digital format theater through videoconferencing platforms, a phenomenon that we place under the theoretical umbrella of Zoom Theater and whose practical effects will be analyzed in this investigation through the case study of the play The Art of Facing Fear. Based on bibliographic review and document research, we intend to approach the play produced by the São Paulo theater company Os Satyros in 2020 to observe how Brazilian theater artists have seized the tools of a videoconferencing application to transform them into artistic resources. Giving special attention to the use of augmented reality in the play, through the Zoom platform’s virtual background tool, we aim not only to understand the position of the Zoom Theater phenomenon at the heart of the media ecosystem, but also to understand how the critical and aesthetic use of media can point out different paths for human habitation in a deeply mediated society.A migração forçada do teatro em palcos físicos para ambientes digitais por conta da pandemia da COVID-19 fomentou a criação de novas experiências cénicas ao redor do mundo, visto que as necessárias medidas de isolamento e distanciamento sociais interditaram o funcionamento de espaços presenciais de apresentação. No Brasil, mais especificamente, verificou-se uma profícua experimentação do teatro em formato digital por intermédio das plataformas de videoconferência, fenómeno que alocamos sob o guarda-chuva teórico do Teatro Zoom e cujos efeitos práticos serão analisados na presente investigação através do estudo de caso do espetáculo A Arte de Encarar o Medo. Escorando-nos em revisão bibliográfica e pesquisa documental, tencionamos abordar a peça produzida pela companhia teatral paulistana Os Satyros em 2020 para observar como os artistas cénicos brasileiros se apropriaram das ferramentas de uma aplicação de videoconferência para transformá-las em recursos cénicos. Conferindo especial atenção ao uso da realidade aumentada na peça, por intermédio da ferramenta de alteração virtual de planos de fundo da plataforma Zoom, objetivamos, afinal, não só compreender a posição do fenómeno do Teatro Zoom no cerne do ecossistema mediático, mas também entender como o uso crítico/estético dos media e suas mediações podem apontar caminhos distintos de habitação humana em uma sociedade profundamente mediatizada.CIAC – Centro de Investigação em Artes e Comunicação2023-02-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/epub+ziphttps://doi.org/10.34623/er36-xr61https://doi.org/10.34623/er36-xr61Rotura – Revista de Comunicação, Cultura e Artes; v. 3 n. 1 (2023): Média-Arte Digital; 46-572184-8661reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://publicacoes.ciac.pt/index.php/rotura/article/view/138https://publicacoes.ciac.pt/index.php/rotura/article/view/138/114https://publicacoes.ciac.pt/index.php/rotura/article/view/138/115Direitos de Autor (c) 2023 Renato Guimarães Furtadoinfo:eu-repo/semantics/openAccessGuimarães Furtado, Renato2023-03-28T04:00:48Zoai:ojs.publicacoes.ciac.pt:article/138Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:10:54.822651Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The art of facing the net: Zoom Theater’s augmented reality creations
The art of facing the net: Zoom Theater’s augmented reality creations
The art of facing the net: Zoom Theater’s augmented reality creations
A arte de encarar as redes: Criações em realidade aumentada no Teatro Zoom
title The art of facing the net: Zoom Theater’s augmented reality creations
spellingShingle The art of facing the net: Zoom Theater’s augmented reality creations
Guimarães Furtado, Renato
Zoom Theater
Augmented reality
Affordances
Media
Virtual background
Zoom Theater
Augmented reality
Affordances
Media
Virtual background
Zoom Theater
Augmented reality
Affordances
Media
Virtual background
Teatro Zoom
Realidade aumentada
Affordances
Media
Fundos virtuais
title_short The art of facing the net: Zoom Theater’s augmented reality creations
title_full The art of facing the net: Zoom Theater’s augmented reality creations
title_fullStr The art of facing the net: Zoom Theater’s augmented reality creations
title_full_unstemmed The art of facing the net: Zoom Theater’s augmented reality creations
title_sort The art of facing the net: Zoom Theater’s augmented reality creations
author Guimarães Furtado, Renato
author_facet Guimarães Furtado, Renato
author_role author
dc.contributor.author.fl_str_mv Guimarães Furtado, Renato
dc.subject.por.fl_str_mv Zoom Theater
Augmented reality
Affordances
Media
Virtual background
Zoom Theater
Augmented reality
Affordances
Media
Virtual background
Zoom Theater
Augmented reality
Affordances
Media
Virtual background
Teatro Zoom
Realidade aumentada
Affordances
Media
Fundos virtuais
topic Zoom Theater
Augmented reality
Affordances
Media
Virtual background
Zoom Theater
Augmented reality
Affordances
Media
Virtual background
Zoom Theater
Augmented reality
Affordances
Media
Virtual background
Teatro Zoom
Realidade aumentada
Affordances
Media
Fundos virtuais
description Theater was forced to migrate from physical stages to digital environments due to the COVID-19 pandemic, which has fostered the creation of new theater experiences around the world, as the social distancing measures have suspended the operation of in-person presentation spaces. In Brazil, more specifically, there was a fruitful experimentation of digital format theater through videoconferencing platforms, a phenomenon that we place under the theoretical umbrella of Zoom Theater and whose practical effects will be analyzed in this investigation through the case study of the play The Art of Facing Fear. Based on bibliographic review and document research, we intend to approach the play produced by the São Paulo theater company Os Satyros in 2020 to observe how Brazilian theater artists have seized the tools of a videoconferencing application to transform them into artistic resources. Giving special attention to the use of augmented reality in the play, through the Zoom platform’s virtual background tool, we aim not only to understand the position of the Zoom Theater phenomenon at the heart of the media ecosystem, but also to understand how the critical and aesthetic use of media can point out different paths for human habitation in a deeply mediated society.
publishDate 2023
dc.date.none.fl_str_mv 2023-02-28
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34623/er36-xr61
https://doi.org/10.34623/er36-xr61
url https://doi.org/10.34623/er36-xr61
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://publicacoes.ciac.pt/index.php/rotura/article/view/138
https://publicacoes.ciac.pt/index.php/rotura/article/view/138/114
https://publicacoes.ciac.pt/index.php/rotura/article/view/138/115
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2023 Renato Guimarães Furtado
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2023 Renato Guimarães Furtado
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/epub+zip
dc.publisher.none.fl_str_mv CIAC – Centro de Investigação em Artes e Comunicação
publisher.none.fl_str_mv CIAC – Centro de Investigação em Artes e Comunicação
dc.source.none.fl_str_mv Rotura – Revista de Comunicação, Cultura e Artes; v. 3 n. 1 (2023): Média-Arte Digital; 46-57
2184-8661
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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