Creative Process in Free Improvisation

Detalhes bibliográficos
Autor(a) principal: Menezes, José
Data de Publicação: 2010
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10174/6051
Resumo: This research investigates the creative and communicational processes used by improvisers in free improvised performance and the ideologies behind those processes. Two studies were conducted: In Study 1 quantitative data was extracted from a recorded performance with Music Information Retrieval (M.I.R) software with special focus on moments consensually considered by the musicians as “best”. Study 2 analysed qualitative data extracted from interviews with improvisers and retrospective verbal protocol regarding the whole performance with special focus on “best moments”. The results of Study 1 reveal the use of alterations of musical features such as energy, note density and spectral changes in order to create points of qualitative change in improvised music. Creative strategies revealed by Study 2 include reiteration, the use of error as a motor for generation of music materials, real-time use of processes of musical composition and automatic playing. Improved conditions of separation of recorded instruments are advised in future research on this subject.
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spelling Creative Process in Free ImprovisationimprovisationcreativefreejazzensemblegroupprocessThis research investigates the creative and communicational processes used by improvisers in free improvised performance and the ideologies behind those processes. Two studies were conducted: In Study 1 quantitative data was extracted from a recorded performance with Music Information Retrieval (M.I.R) software with special focus on moments consensually considered by the musicians as “best”. Study 2 analysed qualitative data extracted from interviews with improvisers and retrospective verbal protocol regarding the whole performance with special focus on “best moments”. The results of Study 1 reveal the use of alterations of musical features such as energy, note density and spectral changes in order to create points of qualitative change in improvised music. Creative strategies revealed by Study 2 include reiteration, the use of error as a motor for generation of music materials, real-time use of processes of musical composition and automatic playing. Improved conditions of separation of recorded instruments are advised in future research on this subject.2012-11-27T18:28:34Z2012-11-272010-01-31T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesishttp://hdl.handle.net/10174/6051http://hdl.handle.net/10174/6051enghttp://cnx.org/content/m36675/latest/jmenezes@uevora.pt203Menezes, Joséinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-03T18:44:16Zoai:dspace.uevora.pt:10174/6051Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:00:28.016357Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Creative Process in Free Improvisation
title Creative Process in Free Improvisation
spellingShingle Creative Process in Free Improvisation
Menezes, José
improvisation
creative
free
jazz
ensemble
group
process
title_short Creative Process in Free Improvisation
title_full Creative Process in Free Improvisation
title_fullStr Creative Process in Free Improvisation
title_full_unstemmed Creative Process in Free Improvisation
title_sort Creative Process in Free Improvisation
author Menezes, José
author_facet Menezes, José
author_role author
dc.contributor.author.fl_str_mv Menezes, José
dc.subject.por.fl_str_mv improvisation
creative
free
jazz
ensemble
group
process
topic improvisation
creative
free
jazz
ensemble
group
process
description This research investigates the creative and communicational processes used by improvisers in free improvised performance and the ideologies behind those processes. Two studies were conducted: In Study 1 quantitative data was extracted from a recorded performance with Music Information Retrieval (M.I.R) software with special focus on moments consensually considered by the musicians as “best”. Study 2 analysed qualitative data extracted from interviews with improvisers and retrospective verbal protocol regarding the whole performance with special focus on “best moments”. The results of Study 1 reveal the use of alterations of musical features such as energy, note density and spectral changes in order to create points of qualitative change in improvised music. Creative strategies revealed by Study 2 include reiteration, the use of error as a motor for generation of music materials, real-time use of processes of musical composition and automatic playing. Improved conditions of separation of recorded instruments are advised in future research on this subject.
publishDate 2010
dc.date.none.fl_str_mv 2010-01-31T00:00:00Z
2012-11-27T18:28:34Z
2012-11-27
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jmenezes@uevora.pt
203
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