Graffiti, Street Art, and Culture in the era of the Global City

Detalhes bibliográficos
Autor(a) principal: Menor, Luis
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v1i2.31
Resumo: What is the role of art in the reinforcement or rejection of current models of public space management in our cities? To answer this question, we must attend to the ties of all artwork with public institutions, and whether or not it questions the dominant order. In this article, I will focus on the works of the Ana Botella Crew, a group of artists from Madrid, as an example of “artivism” that challenges the City Council’s management of public spaces in Madrid. My aim is to explore how useful internet tools can be to articulate artistic interventions that challenge the hegemonic uses of public space, in what Sassen has called the global city.
id RCAP_d6c623a57fac13ea77c9a6feb80d6d84
oai_identifier_str oai:journals.ap2.pt:article/31
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling Graffiti, Street Art, and Culture in the era of the Global CityWhat is the role of art in the reinforcement or rejection of current models of public space management in our cities? To answer this question, we must attend to the ties of all artwork with public institutions, and whether or not it questions the dominant order. In this article, I will focus on the works of the Ana Botella Crew, a group of artists from Madrid, as an example of “artivism” that challenges the City Council’s management of public spaces in Madrid. My aim is to explore how useful internet tools can be to articulate artistic interventions that challenge the hegemonic uses of public space, in what Sassen has called the global city.AP22015-12-20info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v1i2.31https://doi.org/10.25765/sauc.v1i2.31SAUC - Street Art and Urban Creativity; Vol 1 No 2 (2015): Places and Non Places; 59 - 692183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/31https://journals.ap2.pt/index.php/sauc/article/view/31/22Menor, Luisinfo:eu-repo/semantics/openAccess2024-01-26T14:15:30Zoai:journals.ap2.pt:article/31Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:46.482962Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Graffiti, Street Art, and Culture in the era of the Global City
title Graffiti, Street Art, and Culture in the era of the Global City
spellingShingle Graffiti, Street Art, and Culture in the era of the Global City
Menor, Luis
title_short Graffiti, Street Art, and Culture in the era of the Global City
title_full Graffiti, Street Art, and Culture in the era of the Global City
title_fullStr Graffiti, Street Art, and Culture in the era of the Global City
title_full_unstemmed Graffiti, Street Art, and Culture in the era of the Global City
title_sort Graffiti, Street Art, and Culture in the era of the Global City
author Menor, Luis
author_facet Menor, Luis
author_role author
dc.contributor.author.fl_str_mv Menor, Luis
description What is the role of art in the reinforcement or rejection of current models of public space management in our cities? To answer this question, we must attend to the ties of all artwork with public institutions, and whether or not it questions the dominant order. In this article, I will focus on the works of the Ana Botella Crew, a group of artists from Madrid, as an example of “artivism” that challenges the City Council’s management of public spaces in Madrid. My aim is to explore how useful internet tools can be to articulate artistic interventions that challenge the hegemonic uses of public space, in what Sassen has called the global city.
publishDate 2015
dc.date.none.fl_str_mv 2015-12-20
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.25765/sauc.v1i2.31
https://doi.org/10.25765/sauc.v1i2.31
url https://doi.org/10.25765/sauc.v1i2.31
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://journals.ap2.pt/index.php/sauc/article/view/31
https://journals.ap2.pt/index.php/sauc/article/view/31/22
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv AP2
publisher.none.fl_str_mv AP2
dc.source.none.fl_str_mv SAUC - Street Art and Urban Creativity; Vol 1 No 2 (2015): Places and Non Places; 59 - 69
2183-9956
2183-3869
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
_version_ 1799137063517290496

Registros relacionados