'The Kiss': The Obscene Off The Scene

Detalhes bibliográficos
Autor(a) principal: De, Miguel
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2021.9701
Resumo: Using William Heise’s The Kiss, from 1896, as a starting point, I created an experimental essay film, also called The Kiss, to expose and question our conception of obscenity. Comparing both films and the resulting reception of their audiences, and the history of obscenity, I strive to provoke a reflection on how our conception of morality affect artistic creation in today’s internet culture.
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spelling 'The Kiss': The Obscene Off The SceneUsing William Heise’s The Kiss, from 1896, as a starting point, I created an experimental essay film, also called The Kiss, to expose and question our conception of obscenity. Comparing both films and the resulting reception of their audiences, and the history of obscenity, I strive to provoke a reflection on how our conception of morality affect artistic creation in today’s internet culture.Universidade Católica Portuguesa2021-07-22T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfvideo/mp4https://doi.org/10.34632/jsta.2021.9701oai:ojs.revistas.ucp.pt:article/9701Journal of Science and Technology of the Arts; Vol 13 No 2 (2021): Critical Approaches Towards (A New) Arts Education; 160-171Journal of Science and Technology of the Arts; v. 13 n. 2 (2021): Critical Approaches Towards (A New) Arts Education; 160-1712183-00881646-979810.34632/jsta.2021.13.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9701https://doi.org/10.34632/jsta.2021.9701https://revistas.ucp.pt/index.php/jsta/article/view/9701/9837https://revistas.ucp.pt/index.php/jsta/article/view/9701/9838Copyright (c) 2021 Miguel Dehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDe, Miguel2022-09-22T16:19:28Zoai:ojs.revistas.ucp.pt:article/9701Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:06.820638Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv 'The Kiss': The Obscene Off The Scene
title 'The Kiss': The Obscene Off The Scene
spellingShingle 'The Kiss': The Obscene Off The Scene
De, Miguel
title_short 'The Kiss': The Obscene Off The Scene
title_full 'The Kiss': The Obscene Off The Scene
title_fullStr 'The Kiss': The Obscene Off The Scene
title_full_unstemmed 'The Kiss': The Obscene Off The Scene
title_sort 'The Kiss': The Obscene Off The Scene
author De, Miguel
author_facet De, Miguel
author_role author
dc.contributor.author.fl_str_mv De, Miguel
description Using William Heise’s The Kiss, from 1896, as a starting point, I created an experimental essay film, also called The Kiss, to expose and question our conception of obscenity. Comparing both films and the resulting reception of their audiences, and the history of obscenity, I strive to provoke a reflection on how our conception of morality affect artistic creation in today’s internet culture.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-22T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2021.9701
oai:ojs.revistas.ucp.pt:article/9701
url https://doi.org/10.34632/jsta.2021.9701
identifier_str_mv oai:ojs.revistas.ucp.pt:article/9701
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/9701
https://doi.org/10.34632/jsta.2021.9701
https://revistas.ucp.pt/index.php/jsta/article/view/9701/9837
https://revistas.ucp.pt/index.php/jsta/article/view/9701/9838
dc.rights.driver.fl_str_mv Copyright (c) 2021 Miguel De
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Miguel De
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
video/mp4
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 13 No 2 (2021): Critical Approaches Towards (A New) Arts Education; 160-171
Journal of Science and Technology of the Arts; v. 13 n. 2 (2021): Critical Approaches Towards (A New) Arts Education; 160-171
2183-0088
1646-9798
10.34632/jsta.2021.13.2
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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