THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966)

Detalhes bibliográficos
Autor(a) principal: Ferreira da Silva, Sofia Beatriz
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.29073/heranca.v6i2.642
Resumo: This paper aims to analyze the influence of Beijing Opera policies adopted by the government led by Mao Zedong in the staging of (pre-1949) traditional repertory plays regarding both plot and characters, arguing that the established policies resulted in a more or less profound revision of some works according to the new values and ideas to be disseminated by the Chinese Communist Party (CCP), while maintaining a set of elements considered "harmful" as a way to portray the human condition in the Chinese "feudal" society. In the first section, an overview of Peking Opera will be given, listing its main characteristics and historical development until the first half of the 20th century. In the second section, the measures adopted by the CCP for opera over the first seventeen years of Communist China will be presented, divided into three periods, each marked by a slogan that would dictate the attitude to be taken towards the art form. Finally, in the third section, an analysis will be made on the impact of these policies on the revision of two plays: "Beauty Defies Tyranny" (yuzhou feng) and "The Marriage of Niu Gao" (Niu Gao zhao qin).
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spelling THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966)A ÓPERA DE PEQUIM DOS PRIMEIROS 17 ANOS DA REVOLUÇÃO CHINESA (1949–1966)Ópera de PequimRevolução ChinesaPolíticas artísticasRevisãoBeijing OperaChinese RevolutionArt policiesRevisionThis paper aims to analyze the influence of Beijing Opera policies adopted by the government led by Mao Zedong in the staging of (pre-1949) traditional repertory plays regarding both plot and characters, arguing that the established policies resulted in a more or less profound revision of some works according to the new values and ideas to be disseminated by the Chinese Communist Party (CCP), while maintaining a set of elements considered "harmful" as a way to portray the human condition in the Chinese "feudal" society. In the first section, an overview of Peking Opera will be given, listing its main characteristics and historical development until the first half of the 20th century. In the second section, the measures adopted by the CCP for opera over the first seventeen years of Communist China will be presented, divided into three periods, each marked by a slogan that would dictate the attitude to be taken towards the art form. Finally, in the third section, an analysis will be made on the impact of these policies on the revision of two plays: "Beauty Defies Tyranny" (yuzhou feng) and "The Marriage of Niu Gao" (Niu Gao zhao qin).O presente trabalho tem por objetivo uma análise à influência das políticas para a ópera de Pequim adotadas pelo governo encabeçado por Mao Zedong na encenação de peças do repertório tradicional (pré-1949), nomeadamente ao nível da trama e caracterização das personagens, argumentando que as políticas estabelecidas conduziram a uma revisão mais ou menos profunda de algumas obras de acordo com os novos valores e ideias a disseminar pelo Partido Comunista Chinês (PCC), não deixando, contudo, de manter um conjunto de elementos considerados “prejudiciais” como forma de retratar a condição humana na sociedade “feudal” chinesa. Numa primeira secção, será feita uma apresentação geral da ópera de Pequim, enumerando as principais características e desenvolvimento histórico até à primeira metade do séc. XX. Na segunda secção, apresentar-se-ão as medidas adotadas pelo PCC para a ópera ao longo dos primeiros dezassete anos da China Comunista, divididos em três períodos, cada um deles marcado por um slogan que ditaria a atitude a tomar para com a forma artística. Por fim, na terceira secção, será analisado o impacto destas políticas na revisão de duas peças: “Afronta ao Pai Tirano” (yuzhou feng) e “As Bodas de Niu Gao” (Niu Gao zhao qin).Ponteditora2023-05-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdftext/xmlhttps://doi.org/10.29073/heranca.v6i2.642https://doi.org/10.29073/heranca.v6i2.642Herança - Journal of History, Heritage and Culture; Ahead of PrintHerança - Revista de História, Património e Cultura; Ahead of Print2184-309010.29073/heranca.v6i2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.ponteditora.org/index.php/heranca/article/view/642https://revistas.ponteditora.org/index.php/heranca/article/view/642/624https://revistas.ponteditora.org/index.php/heranca/article/view/642/626Direitos de Autor (c) 2023 Herança - Revista de História, Património e Culturainfo:eu-repo/semantics/openAccessFerreira da Silva, Sofia Beatriz2023-06-10T05:36:07ZPortal AgregadorONG
dc.title.none.fl_str_mv THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966)
A ÓPERA DE PEQUIM DOS PRIMEIROS 17 ANOS DA REVOLUÇÃO CHINESA (1949–1966)
title THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966)
spellingShingle THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966)
Ferreira da Silva, Sofia Beatriz
Ópera de Pequim
Revolução Chinesa
Políticas artísticas
Revisão
Beijing Opera
Chinese Revolution
Art policies
Revision
title_short THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966)
title_full THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966)
title_fullStr THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966)
title_full_unstemmed THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966)
title_sort THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966)
author Ferreira da Silva, Sofia Beatriz
author_facet Ferreira da Silva, Sofia Beatriz
author_role author
dc.contributor.author.fl_str_mv Ferreira da Silva, Sofia Beatriz
dc.subject.por.fl_str_mv Ópera de Pequim
Revolução Chinesa
Políticas artísticas
Revisão
Beijing Opera
Chinese Revolution
Art policies
Revision
topic Ópera de Pequim
Revolução Chinesa
Políticas artísticas
Revisão
Beijing Opera
Chinese Revolution
Art policies
Revision
description This paper aims to analyze the influence of Beijing Opera policies adopted by the government led by Mao Zedong in the staging of (pre-1949) traditional repertory plays regarding both plot and characters, arguing that the established policies resulted in a more or less profound revision of some works according to the new values and ideas to be disseminated by the Chinese Communist Party (CCP), while maintaining a set of elements considered "harmful" as a way to portray the human condition in the Chinese "feudal" society. In the first section, an overview of Peking Opera will be given, listing its main characteristics and historical development until the first half of the 20th century. In the second section, the measures adopted by the CCP for opera over the first seventeen years of Communist China will be presented, divided into three periods, each marked by a slogan that would dictate the attitude to be taken towards the art form. Finally, in the third section, an analysis will be made on the impact of these policies on the revision of two plays: "Beauty Defies Tyranny" (yuzhou feng) and "The Marriage of Niu Gao" (Niu Gao zhao qin).
publishDate 2023
dc.date.none.fl_str_mv 2023-05-13
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.29073/heranca.v6i2.642
https://doi.org/10.29073/heranca.v6i2.642
url https://doi.org/10.29073/heranca.v6i2.642
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ponteditora.org/index.php/heranca/article/view/642
https://revistas.ponteditora.org/index.php/heranca/article/view/642/624
https://revistas.ponteditora.org/index.php/heranca/article/view/642/626
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2023 Herança - Revista de História, Património e Cultura
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2023 Herança - Revista de História, Património e Cultura
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
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dc.publisher.none.fl_str_mv Ponteditora
publisher.none.fl_str_mv Ponteditora
dc.source.none.fl_str_mv Herança - Journal of History, Heritage and Culture; Ahead of Print
Herança - Revista de História, Património e Cultura; Ahead of Print
2184-3090
10.29073/heranca.v6i2
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