THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966)
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.29073/heranca.v6i2.642 |
Resumo: | This paper aims to analyze the influence of Beijing Opera policies adopted by the government led by Mao Zedong in the staging of (pre-1949) traditional repertory plays regarding both plot and characters, arguing that the established policies resulted in a more or less profound revision of some works according to the new values and ideas to be disseminated by the Chinese Communist Party (CCP), while maintaining a set of elements considered "harmful" as a way to portray the human condition in the Chinese "feudal" society. In the first section, an overview of Peking Opera will be given, listing its main characteristics and historical development until the first half of the 20th century. In the second section, the measures adopted by the CCP for opera over the first seventeen years of Communist China will be presented, divided into three periods, each marked by a slogan that would dictate the attitude to be taken towards the art form. Finally, in the third section, an analysis will be made on the impact of these policies on the revision of two plays: "Beauty Defies Tyranny" (yuzhou feng) and "The Marriage of Niu Gao" (Niu Gao zhao qin). |
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THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966)A ÓPERA DE PEQUIM DOS PRIMEIROS 17 ANOS DA REVOLUÇÃO CHINESA (1949–1966)Ópera de PequimRevolução ChinesaPolíticas artísticasRevisãoBeijing OperaChinese RevolutionArt policiesRevisionThis paper aims to analyze the influence of Beijing Opera policies adopted by the government led by Mao Zedong in the staging of (pre-1949) traditional repertory plays regarding both plot and characters, arguing that the established policies resulted in a more or less profound revision of some works according to the new values and ideas to be disseminated by the Chinese Communist Party (CCP), while maintaining a set of elements considered "harmful" as a way to portray the human condition in the Chinese "feudal" society. In the first section, an overview of Peking Opera will be given, listing its main characteristics and historical development until the first half of the 20th century. In the second section, the measures adopted by the CCP for opera over the first seventeen years of Communist China will be presented, divided into three periods, each marked by a slogan that would dictate the attitude to be taken towards the art form. Finally, in the third section, an analysis will be made on the impact of these policies on the revision of two plays: "Beauty Defies Tyranny" (yuzhou feng) and "The Marriage of Niu Gao" (Niu Gao zhao qin).O presente trabalho tem por objetivo uma análise à influência das políticas para a ópera de Pequim adotadas pelo governo encabeçado por Mao Zedong na encenação de peças do repertório tradicional (pré-1949), nomeadamente ao nível da trama e caracterização das personagens, argumentando que as políticas estabelecidas conduziram a uma revisão mais ou menos profunda de algumas obras de acordo com os novos valores e ideias a disseminar pelo Partido Comunista Chinês (PCC), não deixando, contudo, de manter um conjunto de elementos considerados “prejudiciais” como forma de retratar a condição humana na sociedade “feudal” chinesa. Numa primeira secção, será feita uma apresentação geral da ópera de Pequim, enumerando as principais características e desenvolvimento histórico até à primeira metade do séc. XX. Na segunda secção, apresentar-se-ão as medidas adotadas pelo PCC para a ópera ao longo dos primeiros dezassete anos da China Comunista, divididos em três períodos, cada um deles marcado por um slogan que ditaria a atitude a tomar para com a forma artística. Por fim, na terceira secção, será analisado o impacto destas políticas na revisão de duas peças: “Afronta ao Pai Tirano” (yuzhou feng) e “As Bodas de Niu Gao” (Niu Gao zhao qin).Ponteditora2023-05-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdftext/xmlhttps://doi.org/10.29073/heranca.v6i2.642https://doi.org/10.29073/heranca.v6i2.642Herança - Journal of History, Heritage and Culture; Ahead of PrintHerança - Revista de História, Património e Cultura; Ahead of Print2184-309010.29073/heranca.v6i2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.ponteditora.org/index.php/heranca/article/view/642https://revistas.ponteditora.org/index.php/heranca/article/view/642/624https://revistas.ponteditora.org/index.php/heranca/article/view/642/626Direitos de Autor (c) 2023 Herança - Revista de História, Património e Culturainfo:eu-repo/semantics/openAccessFerreira da Silva, Sofia Beatriz2023-06-10T05:36:07ZPortal AgregadorONG |
dc.title.none.fl_str_mv |
THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966) A ÓPERA DE PEQUIM DOS PRIMEIROS 17 ANOS DA REVOLUÇÃO CHINESA (1949–1966) |
title |
THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966) |
spellingShingle |
THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966) Ferreira da Silva, Sofia Beatriz Ópera de Pequim Revolução Chinesa Políticas artísticas Revisão Beijing Opera Chinese Revolution Art policies Revision |
title_short |
THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966) |
title_full |
THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966) |
title_fullStr |
THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966) |
title_full_unstemmed |
THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966) |
title_sort |
THE BEIJING OPERA OF THE FIRST 17 YEARS OF THE CHINESE REVOLUTION (1949–1966) |
author |
Ferreira da Silva, Sofia Beatriz |
author_facet |
Ferreira da Silva, Sofia Beatriz |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ferreira da Silva, Sofia Beatriz |
dc.subject.por.fl_str_mv |
Ópera de Pequim Revolução Chinesa Políticas artísticas Revisão Beijing Opera Chinese Revolution Art policies Revision |
topic |
Ópera de Pequim Revolução Chinesa Políticas artísticas Revisão Beijing Opera Chinese Revolution Art policies Revision |
description |
This paper aims to analyze the influence of Beijing Opera policies adopted by the government led by Mao Zedong in the staging of (pre-1949) traditional repertory plays regarding both plot and characters, arguing that the established policies resulted in a more or less profound revision of some works according to the new values and ideas to be disseminated by the Chinese Communist Party (CCP), while maintaining a set of elements considered "harmful" as a way to portray the human condition in the Chinese "feudal" society. In the first section, an overview of Peking Opera will be given, listing its main characteristics and historical development until the first half of the 20th century. In the second section, the measures adopted by the CCP for opera over the first seventeen years of Communist China will be presented, divided into three periods, each marked by a slogan that would dictate the attitude to be taken towards the art form. Finally, in the third section, an analysis will be made on the impact of these policies on the revision of two plays: "Beauty Defies Tyranny" (yuzhou feng) and "The Marriage of Niu Gao" (Niu Gao zhao qin). |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-05-13 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.29073/heranca.v6i2.642 https://doi.org/10.29073/heranca.v6i2.642 |
url |
https://doi.org/10.29073/heranca.v6i2.642 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ponteditora.org/index.php/heranca/article/view/642 https://revistas.ponteditora.org/index.php/heranca/article/view/642/624 https://revistas.ponteditora.org/index.php/heranca/article/view/642/626 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2023 Herança - Revista de História, Património e Cultura info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2023 Herança - Revista de História, Património e Cultura |
eu_rights_str_mv |
openAccess |
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application/pdf text/xml |
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Ponteditora |
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Ponteditora |
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