ALT + R - HOTKEY: e a subversão do espaço público na Web 2.0
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/46983 |
Resumo: | Individuals are more and more connected with the online world in order to find informations about social life and follow artistical developments; therefore it is of crucial importance that this new public “spaces” should consider the empirical discoveries of the scientifical investigation towards the public, considering this space has become common. After looking deep into a special notion from the point of view of web 2.0 within the actual panorama, this study project analyses those that are considered the main search results of private and public within the online environment and its implications in the XXI century society. Special emphasis is given to the subversion introduced by the navigational mechanisms of the web 2.0, to the storage nature of its contents produced by cybernauts and the potential impact of the web 2.0 in the public space and citizen´s rights towards their own privacity. Web 2.0 is to innovate its notion of public space if it wants to keep its characteristics of common asset as software of the public Internet network. ALT+R+Hotkey has in itself the power to configured as an artistical practice that analyses the subversion of the public space on WEB 2.0. In 1990 the Internet Protocol Suite appears capable of reducing geographical, political, economic and artistical distances; a public space as a publically shaped place. ALT+R+Hotkey has the potential to bring in to the publical debate on web 2.0, establishing comparisons through its own network of concepts and connections: Umwelt em Jakob von Uexküll, The New Public Space in Daniel Innerarity, Low Fidelity space in Jaron Lanier and Ethnoscape in Arjun Appadurai, comparing to Alt+R+hotkey and crossing it with Public Dominion in Richard Sennett, Camuflage in Abbott Thayer as a means of a strategy of special subversion. Finally Alt+R+Hotkey is confronted with the aforementioned concepts, hence the artistical practice of this study |
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ALT + R - HOTKEY: e a subversão do espaço público na Web 2.0Uexküll, Jacob von, 1864-1944Innerarity, Daniel, 1959-Lanier, JaronAppadurai, Arjun, 1949-Sennett, Richard, 1943-Thayer, AbbottBrunton, FinnNissenbaum, HelenManovich, Lev, 1960-CibernéticaEspaço públicoWeb 2.0Tecla de atalhoSubversãoMundos própriosPráticas artísticasDomínio/Área Científica::Humanidades::ArtesDomínio/Área Científica::Humanidades::ArtesIndividuals are more and more connected with the online world in order to find informations about social life and follow artistical developments; therefore it is of crucial importance that this new public “spaces” should consider the empirical discoveries of the scientifical investigation towards the public, considering this space has become common. After looking deep into a special notion from the point of view of web 2.0 within the actual panorama, this study project analyses those that are considered the main search results of private and public within the online environment and its implications in the XXI century society. Special emphasis is given to the subversion introduced by the navigational mechanisms of the web 2.0, to the storage nature of its contents produced by cybernauts and the potential impact of the web 2.0 in the public space and citizen´s rights towards their own privacity. Web 2.0 is to innovate its notion of public space if it wants to keep its characteristics of common asset as software of the public Internet network. ALT+R+Hotkey has in itself the power to configured as an artistical practice that analyses the subversion of the public space on WEB 2.0. In 1990 the Internet Protocol Suite appears capable of reducing geographical, political, economic and artistical distances; a public space as a publically shaped place. ALT+R+Hotkey has the potential to bring in to the publical debate on web 2.0, establishing comparisons through its own network of concepts and connections: Umwelt em Jakob von Uexküll, The New Public Space in Daniel Innerarity, Low Fidelity space in Jaron Lanier and Ethnoscape in Arjun Appadurai, comparing to Alt+R+hotkey and crossing it with Public Dominion in Richard Sennett, Camuflage in Abbott Thayer as a means of a strategy of special subversion. Finally Alt+R+Hotkey is confronted with the aforementioned concepts, hence the artistical practice of this studyTaveira, Rogério Paulo Raposo AlvesRepositório da Universidade de LisboaGonçalves, Carlos Miguel Ricardo2021-03-23T12:43:47Z2020-07-092020-07-09T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfapplication/pdfhttp://hdl.handle.net/10451/46983TID:202655164porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:49:35Zoai:repositorio.ul.pt:10451/46983Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:59:05.452702Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
ALT + R - HOTKEY: e a subversão do espaço público na Web 2.0 |
title |
ALT + R - HOTKEY: e a subversão do espaço público na Web 2.0 |
spellingShingle |
ALT + R - HOTKEY: e a subversão do espaço público na Web 2.0 Gonçalves, Carlos Miguel Ricardo Uexküll, Jacob von, 1864-1944 Innerarity, Daniel, 1959- Lanier, Jaron Appadurai, Arjun, 1949- Sennett, Richard, 1943- Thayer, Abbott Brunton, Finn Nissenbaum, Helen Manovich, Lev, 1960- Cibernética Espaço público Web 2.0 Tecla de atalho Subversão Mundos próprios Práticas artísticas Domínio/Área Científica::Humanidades::Artes Domínio/Área Científica::Humanidades::Artes |
title_short |
ALT + R - HOTKEY: e a subversão do espaço público na Web 2.0 |
title_full |
ALT + R - HOTKEY: e a subversão do espaço público na Web 2.0 |
title_fullStr |
ALT + R - HOTKEY: e a subversão do espaço público na Web 2.0 |
title_full_unstemmed |
ALT + R - HOTKEY: e a subversão do espaço público na Web 2.0 |
title_sort |
ALT + R - HOTKEY: e a subversão do espaço público na Web 2.0 |
author |
Gonçalves, Carlos Miguel Ricardo |
author_facet |
Gonçalves, Carlos Miguel Ricardo |
author_role |
author |
dc.contributor.none.fl_str_mv |
Taveira, Rogério Paulo Raposo Alves Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Gonçalves, Carlos Miguel Ricardo |
dc.subject.por.fl_str_mv |
Uexküll, Jacob von, 1864-1944 Innerarity, Daniel, 1959- Lanier, Jaron Appadurai, Arjun, 1949- Sennett, Richard, 1943- Thayer, Abbott Brunton, Finn Nissenbaum, Helen Manovich, Lev, 1960- Cibernética Espaço público Web 2.0 Tecla de atalho Subversão Mundos próprios Práticas artísticas Domínio/Área Científica::Humanidades::Artes Domínio/Área Científica::Humanidades::Artes |
topic |
Uexküll, Jacob von, 1864-1944 Innerarity, Daniel, 1959- Lanier, Jaron Appadurai, Arjun, 1949- Sennett, Richard, 1943- Thayer, Abbott Brunton, Finn Nissenbaum, Helen Manovich, Lev, 1960- Cibernética Espaço público Web 2.0 Tecla de atalho Subversão Mundos próprios Práticas artísticas Domínio/Área Científica::Humanidades::Artes Domínio/Área Científica::Humanidades::Artes |
description |
Individuals are more and more connected with the online world in order to find informations about social life and follow artistical developments; therefore it is of crucial importance that this new public “spaces” should consider the empirical discoveries of the scientifical investigation towards the public, considering this space has become common. After looking deep into a special notion from the point of view of web 2.0 within the actual panorama, this study project analyses those that are considered the main search results of private and public within the online environment and its implications in the XXI century society. Special emphasis is given to the subversion introduced by the navigational mechanisms of the web 2.0, to the storage nature of its contents produced by cybernauts and the potential impact of the web 2.0 in the public space and citizen´s rights towards their own privacity. Web 2.0 is to innovate its notion of public space if it wants to keep its characteristics of common asset as software of the public Internet network. ALT+R+Hotkey has in itself the power to configured as an artistical practice that analyses the subversion of the public space on WEB 2.0. In 1990 the Internet Protocol Suite appears capable of reducing geographical, political, economic and artistical distances; a public space as a publically shaped place. ALT+R+Hotkey has the potential to bring in to the publical debate on web 2.0, establishing comparisons through its own network of concepts and connections: Umwelt em Jakob von Uexküll, The New Public Space in Daniel Innerarity, Low Fidelity space in Jaron Lanier and Ethnoscape in Arjun Appadurai, comparing to Alt+R+hotkey and crossing it with Public Dominion in Richard Sennett, Camuflage in Abbott Thayer as a means of a strategy of special subversion. Finally Alt+R+Hotkey is confronted with the aforementioned concepts, hence the artistical practice of this study |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-07-09 2020-07-09T00:00:00Z 2021-03-23T12:43:47Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
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http://hdl.handle.net/10451/46983 TID:202655164 |
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openAccess |
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