ALT + R - HOTKEY: e a subversão do espaço público na Web 2.0

• Autor(a) principal: Gonçalves, Carlos Miguel Ricardo
• Data de Publicação: 2020
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
• Texto Completo: http://hdl.handle.net/10451/46983
• topic: Uexküll, Jacob von,‏ ‎ 1864-1944‏; Innerarity, Daniel, 1959-; Lanier, Jaron; Appadurai, Arjun, 1949-; Sennett, Richard, 1943-; Thayer, Abbott; Brunton, Finn; Nissenbaum, Helen; Manovich, Lev, 1960-; Cibernética; Espaço público; Web 2.0; Tecla de atalho; Subversão; Mundos próprios; Práticas artísticas; Domínio/Área Científica::Humanidades::Artes; Domínio/Área Científica::Humanidades::Artes

Individuals are more and more connected with the online world in order to find informations about social life and follow artistical developments; therefore it is of crucial importance that this new public “spaces” should consider the empirical discoveries of the scientifical investigation towards the public, considering this space has become common. After looking deep into a special notion from the point of view of web 2.0 within the actual panorama, this study project analyses those that are considered the main search results of private and public within the online environment and its implications in the XXI century society. Special emphasis is given to the subversion introduced by the navigational mechanisms of the web 2.0, to the storage nature of its contents produced by cybernauts and the potential impact of the web 2.0 in the public space and citizen´s rights towards their own privacity. Web 2.0 is to innovate its notion of public space if it wants to keep its characteristics of common asset as software of the public Internet network. ALT+R+Hotkey has in itself the power to configured as an artistical practice that analyses the subversion of the public space on WEB 2.0. In 1990 the Internet Protocol Suite appears capable of reducing geographical, political, economic and artistical distances; a public space as a publically shaped place. ALT+R+Hotkey has the potential to bring in to the publical debate on web 2.0, establishing comparisons through its own network of concepts and connections: Umwelt em Jakob von Uexküll, The New Public Space in Daniel Innerarity, Low Fidelity space in Jaron Lanier and Ethnoscape in Arjun Appadurai, comparing to Alt+R+hotkey and crossing it with Public Dominion in Richard Sennett, Camuflage in Abbott Thayer as a means of a strategy of special subversion. Finally Alt+R+Hotkey is confronted with the aforementioned concepts, hence the artistical practice of this study