Exercícios de representação: simulacro e vida na criação da personagem
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.22/10659 |
Resumo: | Within a film analysis the character proves to be a constitutive element of representation being at the root of the dramaturgical discourse. Thus the character, as an “actant being” amongst the boundaries of fiction and life, is traversed by artistic invention, historical facts and biographical reflection. Traditionally, the character has had the function, through verisimilitude, to enable the audience to project their own life counteracting what one has / is with a contemplation of what one could have / be. Hence through character's lives one can have the possibility to overcome failures and disappointments. Currently we observe the advent of new character building models that emphasize the resourceful aptitude of the transmutation of the Self as well as its constant reinvention through an autobiographical discourse. This new proposal aims to develop in the audience an urge to personal change through contact with characters that have a direct reference to contemporary reality. This way the character reveals itself as a possibility of reinventing existence and interactions with others in a direct transposition with our daily-life. This paper aims to analyze these dramaturgical proposals of “daily-life-characters” supported, for that purpose, on mike Leigh’s film happy-go-lucky (2008). |
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Exercícios de representação: simulacro e vida na criação da personagemSociology of everyday lifeDramaturgyCharacterFilm analysesHappy-go-luckyWithin a film analysis the character proves to be a constitutive element of representation being at the root of the dramaturgical discourse. Thus the character, as an “actant being” amongst the boundaries of fiction and life, is traversed by artistic invention, historical facts and biographical reflection. Traditionally, the character has had the function, through verisimilitude, to enable the audience to project their own life counteracting what one has / is with a contemplation of what one could have / be. Hence through character's lives one can have the possibility to overcome failures and disappointments. Currently we observe the advent of new character building models that emphasize the resourceful aptitude of the transmutation of the Self as well as its constant reinvention through an autobiographical discourse. This new proposal aims to develop in the audience an urge to personal change through contact with characters that have a direct reference to contemporary reality. This way the character reveals itself as a possibility of reinventing existence and interactions with others in a direct transposition with our daily-life. This paper aims to analyze these dramaturgical proposals of “daily-life-characters” supported, for that purpose, on mike Leigh’s film happy-go-lucky (2008).Avanca CinemaRepositório Científico do Instituto Politécnico do PortoMarisa, Cláudia2017-12-21T14:48:02Z20152015-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.22/10659por978-989-96858-4-0metadata only accessinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-13T12:52:11Zoai:recipp.ipp.pt:10400.22/10659Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:31:03.752643Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Exercícios de representação: simulacro e vida na criação da personagem |
title |
Exercícios de representação: simulacro e vida na criação da personagem |
spellingShingle |
Exercícios de representação: simulacro e vida na criação da personagem Marisa, Cláudia Sociology of everyday life Dramaturgy Character Film analyses Happy-go-lucky |
title_short |
Exercícios de representação: simulacro e vida na criação da personagem |
title_full |
Exercícios de representação: simulacro e vida na criação da personagem |
title_fullStr |
Exercícios de representação: simulacro e vida na criação da personagem |
title_full_unstemmed |
Exercícios de representação: simulacro e vida na criação da personagem |
title_sort |
Exercícios de representação: simulacro e vida na criação da personagem |
author |
Marisa, Cláudia |
author_facet |
Marisa, Cláudia |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório Científico do Instituto Politécnico do Porto |
dc.contributor.author.fl_str_mv |
Marisa, Cláudia |
dc.subject.por.fl_str_mv |
Sociology of everyday life Dramaturgy Character Film analyses Happy-go-lucky |
topic |
Sociology of everyday life Dramaturgy Character Film analyses Happy-go-lucky |
description |
Within a film analysis the character proves to be a constitutive element of representation being at the root of the dramaturgical discourse. Thus the character, as an “actant being” amongst the boundaries of fiction and life, is traversed by artistic invention, historical facts and biographical reflection. Traditionally, the character has had the function, through verisimilitude, to enable the audience to project their own life counteracting what one has / is with a contemplation of what one could have / be. Hence through character's lives one can have the possibility to overcome failures and disappointments. Currently we observe the advent of new character building models that emphasize the resourceful aptitude of the transmutation of the Self as well as its constant reinvention through an autobiographical discourse. This new proposal aims to develop in the audience an urge to personal change through contact with characters that have a direct reference to contemporary reality. This way the character reveals itself as a possibility of reinventing existence and interactions with others in a direct transposition with our daily-life. This paper aims to analyze these dramaturgical proposals of “daily-life-characters” supported, for that purpose, on mike Leigh’s film happy-go-lucky (2008). |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015 2015-01-01T00:00:00Z 2017-12-21T14:48:02Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.22/10659 |
url |
http://hdl.handle.net/10400.22/10659 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
978-989-96858-4-0 |
dc.rights.driver.fl_str_mv |
metadata only access info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
metadata only access |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Avanca Cinema |
publisher.none.fl_str_mv |
Avanca Cinema |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799131406429847552 |