YouTubers as satirists: humour and remix in online video

Detalhes bibliográficos
Autor(a) principal: Silva, Patrícia Dias da
Data de Publicação: 2012
Outros Autores: Garcia, José Luís de Oliveira
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.21/1885
Resumo: This article aims to discuss the role humour plays in politics, particularly in a media environment overflowing with user-generated video. We start with a genealogy of political satire, from classical to Internet times, followed by a general description of “the Downfall meme,” a series of videos on YouTube featuring footage from the film Der Untergang and nonsensical subtitles. Amid video-games, celebrities, and the Internet itself, politicians and politics are the target of such twenty-first century caricatures. By analysing these videos we hope to elucidate how the manipulation of images is embedded in everyday practices and may be of political consequence, namely by deflating politicians' constructed media image. The realm of image, at the centre of the Internet's technological culture, is connected with decisive aspects of today's social structure of knowledge and play. It is timely to understand which part of “playing” is in fact an expressive practice with political significance.
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spelling YouTubers as satirists: humour and remix in online videoYouTubeOnline videoSatireCulture jammingCaricaturePopular culturePolitical discussionRemixResistanceParodyViralMediaThis article aims to discuss the role humour plays in politics, particularly in a media environment overflowing with user-generated video. We start with a genealogy of political satire, from classical to Internet times, followed by a general description of “the Downfall meme,” a series of videos on YouTube featuring footage from the film Der Untergang and nonsensical subtitles. Amid video-games, celebrities, and the Internet itself, politicians and politics are the target of such twenty-first century caricatures. By analysing these videos we hope to elucidate how the manipulation of images is embedded in everyday practices and may be of political consequence, namely by deflating politicians' constructed media image. The realm of image, at the centre of the Internet's technological culture, is connected with decisive aspects of today's social structure of knowledge and play. It is timely to understand which part of “playing” is in fact an expressive practice with political significance.RCIPLSilva, Patrícia Dias daGarcia, José Luís de Oliveira2012-11-05T15:01:17Z20122012-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.21/1885eng2075-9517info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-08-03T09:40:24Zoai:repositorio.ipl.pt:10400.21/1885Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:11:46.808811Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv YouTubers as satirists: humour and remix in online video
title YouTubers as satirists: humour and remix in online video
spellingShingle YouTubers as satirists: humour and remix in online video
Silva, Patrícia Dias da
YouTube
Online video
Satire
Culture jamming
Caricature
Popular culture
Political discussion
Remix
Resistance
Parody
Viral
Media
title_short YouTubers as satirists: humour and remix in online video
title_full YouTubers as satirists: humour and remix in online video
title_fullStr YouTubers as satirists: humour and remix in online video
title_full_unstemmed YouTubers as satirists: humour and remix in online video
title_sort YouTubers as satirists: humour and remix in online video
author Silva, Patrícia Dias da
author_facet Silva, Patrícia Dias da
Garcia, José Luís de Oliveira
author_role author
author2 Garcia, José Luís de Oliveira
author2_role author
dc.contributor.none.fl_str_mv RCIPL
dc.contributor.author.fl_str_mv Silva, Patrícia Dias da
Garcia, José Luís de Oliveira
dc.subject.por.fl_str_mv YouTube
Online video
Satire
Culture jamming
Caricature
Popular culture
Political discussion
Remix
Resistance
Parody
Viral
Media
topic YouTube
Online video
Satire
Culture jamming
Caricature
Popular culture
Political discussion
Remix
Resistance
Parody
Viral
Media
description This article aims to discuss the role humour plays in politics, particularly in a media environment overflowing with user-generated video. We start with a genealogy of political satire, from classical to Internet times, followed by a general description of “the Downfall meme,” a series of videos on YouTube featuring footage from the film Der Untergang and nonsensical subtitles. Amid video-games, celebrities, and the Internet itself, politicians and politics are the target of such twenty-first century caricatures. By analysing these videos we hope to elucidate how the manipulation of images is embedded in everyday practices and may be of political consequence, namely by deflating politicians' constructed media image. The realm of image, at the centre of the Internet's technological culture, is connected with decisive aspects of today's social structure of knowledge and play. It is timely to understand which part of “playing” is in fact an expressive practice with political significance.
publishDate 2012
dc.date.none.fl_str_mv 2012-11-05T15:01:17Z
2012
2012-01-01T00:00:00Z
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.21/1885
url http://hdl.handle.net/10400.21/1885
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2075-9517
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dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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