Mulheres e Identidades de Género nas (sub)culturas de música electrónica

Detalhes bibliográficos
Autor(a) principal: João Teixeira Lopes
Data de Publicação: 2008
Outros Autores: Lígia Ferro, Paula Guerra, Pedro Bóia
Tipo de documento: Livro
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/75481
Resumo: This study examines, from an ethnographical point of view, the gender identity constructions of women in the (sub)cultures juveniles linked to electronic dance music (drum'n'bass, trance and house) at the Porto and, less consistently, in other locations in North of Portugal. Discuss concepts such as 'subcultures', 'post-subcultures' and 'club cultures', being essentially the perspective adopted, the intention of establishing connections between the specific contexts of (sub)cultures club and social structures in terms of the implications of gender and social class. It is essential to consider the intersections of gender with other variables such as social class factors and specific targeting of their own (sub)cultures club. Characteristics of the scenes (sub)cultural interactions and styles, have been analyzed in terms of their implications in terms of gender (in interaction with other variables). Considering the genre in a relational perspective tries to understand: the experience of women in these (sub)culture club, the roles they assume on the inside (visible and/or invisibility); subcultural capital structures and their implications in terms of gender ; the implications of clubbing to women in terms of social control, autonomy, sexuality and drug use, their perception and experience of risk (associated with violence, sexuality and drug use). The methodological eclecticism oversees research and is palpable in the social use of photography and in conducting semi-directive and depth interviews.
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spelling Mulheres e Identidades de Género nas (sub)culturas de música electrónicaSociologia, Comportamento societal, Antropologia, Artes do espectáculo, SociologiaSociology, Societal behaviour, Anthropology, Performing arts, SociologyThis study examines, from an ethnographical point of view, the gender identity constructions of women in the (sub)cultures juveniles linked to electronic dance music (drum'n'bass, trance and house) at the Porto and, less consistently, in other locations in North of Portugal. Discuss concepts such as 'subcultures', 'post-subcultures' and 'club cultures', being essentially the perspective adopted, the intention of establishing connections between the specific contexts of (sub)cultures club and social structures in terms of the implications of gender and social class. It is essential to consider the intersections of gender with other variables such as social class factors and specific targeting of their own (sub)cultures club. Characteristics of the scenes (sub)cultural interactions and styles, have been analyzed in terms of their implications in terms of gender (in interaction with other variables). Considering the genre in a relational perspective tries to understand: the experience of women in these (sub)culture club, the roles they assume on the inside (visible and/or invisibility); subcultural capital structures and their implications in terms of gender ; the implications of clubbing to women in terms of social control, autonomy, sexuality and drug use, their perception and experience of risk (associated with violence, sexuality and drug use). The methodological eclecticism oversees research and is palpable in the social use of photography and in conducting semi-directive and depth interviews.20082008-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://hdl.handle.net/10216/75481porJoão Teixeira LopesLígia FerroPaula GuerraPedro Bóiainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T15:01:56Zoai:repositorio-aberto.up.pt:10216/75481Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:14:06.603241Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Mulheres e Identidades de Género nas (sub)culturas de música electrónica
title Mulheres e Identidades de Género nas (sub)culturas de música electrónica
spellingShingle Mulheres e Identidades de Género nas (sub)culturas de música electrónica
João Teixeira Lopes
Sociologia, Comportamento societal, Antropologia, Artes do espectáculo, Sociologia
Sociology, Societal behaviour, Anthropology, Performing arts, Sociology
title_short Mulheres e Identidades de Género nas (sub)culturas de música electrónica
title_full Mulheres e Identidades de Género nas (sub)culturas de música electrónica
title_fullStr Mulheres e Identidades de Género nas (sub)culturas de música electrónica
title_full_unstemmed Mulheres e Identidades de Género nas (sub)culturas de música electrónica
title_sort Mulheres e Identidades de Género nas (sub)culturas de música electrónica
author João Teixeira Lopes
author_facet João Teixeira Lopes
Lígia Ferro
Paula Guerra
Pedro Bóia
author_role author
author2 Lígia Ferro
Paula Guerra
Pedro Bóia
author2_role author
author
author
dc.contributor.author.fl_str_mv João Teixeira Lopes
Lígia Ferro
Paula Guerra
Pedro Bóia
dc.subject.por.fl_str_mv Sociologia, Comportamento societal, Antropologia, Artes do espectáculo, Sociologia
Sociology, Societal behaviour, Anthropology, Performing arts, Sociology
topic Sociologia, Comportamento societal, Antropologia, Artes do espectáculo, Sociologia
Sociology, Societal behaviour, Anthropology, Performing arts, Sociology
description This study examines, from an ethnographical point of view, the gender identity constructions of women in the (sub)cultures juveniles linked to electronic dance music (drum'n'bass, trance and house) at the Porto and, less consistently, in other locations in North of Portugal. Discuss concepts such as 'subcultures', 'post-subcultures' and 'club cultures', being essentially the perspective adopted, the intention of establishing connections between the specific contexts of (sub)cultures club and social structures in terms of the implications of gender and social class. It is essential to consider the intersections of gender with other variables such as social class factors and specific targeting of their own (sub)cultures club. Characteristics of the scenes (sub)cultural interactions and styles, have been analyzed in terms of their implications in terms of gender (in interaction with other variables). Considering the genre in a relational perspective tries to understand: the experience of women in these (sub)culture club, the roles they assume on the inside (visible and/or invisibility); subcultural capital structures and their implications in terms of gender ; the implications of clubbing to women in terms of social control, autonomy, sexuality and drug use, their perception and experience of risk (associated with violence, sexuality and drug use). The methodological eclecticism oversees research and is palpable in the social use of photography and in conducting semi-directive and depth interviews.
publishDate 2008
dc.date.none.fl_str_mv 2008
2008-01-01T00:00:00Z
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dc.identifier.uri.fl_str_mv https://hdl.handle.net/10216/75481
url https://hdl.handle.net/10216/75481
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