Abalo : intermitências da pele
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/35108 |
Resumo: | What is skin? What secrets does it hide? We know this: when it dances, trembles! It swallows the universe in one breath, leaving us bodiless, yet excited and desiring. The skin is much more than an anatomic terminology, actually she can be the entire definition of the individual, of all than is seen in him and all that is invisible. In this invisibility, the work of art is born, celibatary and blind, fruit of the process. They’re all machines. Some generate flow, others cut it. Transform and retransform. Drink, regurgitate or defecate. Yet they desire each other! They even procreate from the non sense. Devour the insides, die full of holes, and reborn out of nothing. Die or commit suicide. They're machines. From this desiring procedure arises the fragmentation and heteronomy, new machines, new productions... a new process |
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Abalo : intermitências da pelePinturaPeleHeteronímiaHibridismo - na arteErotismoPinturaWhat is skin? What secrets does it hide? We know this: when it dances, trembles! It swallows the universe in one breath, leaving us bodiless, yet excited and desiring. The skin is much more than an anatomic terminology, actually she can be the entire definition of the individual, of all than is seen in him and all that is invisible. In this invisibility, the work of art is born, celibatary and blind, fruit of the process. They’re all machines. Some generate flow, others cut it. Transform and retransform. Drink, regurgitate or defecate. Yet they desire each other! They even procreate from the non sense. Devour the insides, die full of holes, and reborn out of nothing. Die or commit suicide. They're machines. From this desiring procedure arises the fragmentation and heteronomy, new machines, new productions... a new processVidal, Carlos, 1964-Repositório da Universidade de LisboaVale, Nádia de Oliveira Martins do, 1986-2018-10-16T17:01:28Z2018-03-192018-10-162018-03-19T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/35108TID:201882469porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:30:54Zoai:repositorio.ul.pt:10451/35108Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:49:40.092421Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Abalo : intermitências da pele |
title |
Abalo : intermitências da pele |
spellingShingle |
Abalo : intermitências da pele Vale, Nádia de Oliveira Martins do, 1986- Pintura Pele Heteronímia Hibridismo - na arte Erotismo Pintura |
title_short |
Abalo : intermitências da pele |
title_full |
Abalo : intermitências da pele |
title_fullStr |
Abalo : intermitências da pele |
title_full_unstemmed |
Abalo : intermitências da pele |
title_sort |
Abalo : intermitências da pele |
author |
Vale, Nádia de Oliveira Martins do, 1986- |
author_facet |
Vale, Nádia de Oliveira Martins do, 1986- |
author_role |
author |
dc.contributor.none.fl_str_mv |
Vidal, Carlos, 1964- Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Vale, Nádia de Oliveira Martins do, 1986- |
dc.subject.por.fl_str_mv |
Pintura Pele Heteronímia Hibridismo - na arte Erotismo Pintura |
topic |
Pintura Pele Heteronímia Hibridismo - na arte Erotismo Pintura |
description |
What is skin? What secrets does it hide? We know this: when it dances, trembles! It swallows the universe in one breath, leaving us bodiless, yet excited and desiring. The skin is much more than an anatomic terminology, actually she can be the entire definition of the individual, of all than is seen in him and all that is invisible. In this invisibility, the work of art is born, celibatary and blind, fruit of the process. They’re all machines. Some generate flow, others cut it. Transform and retransform. Drink, regurgitate or defecate. Yet they desire each other! They even procreate from the non sense. Devour the insides, die full of holes, and reborn out of nothing. Die or commit suicide. They're machines. From this desiring procedure arises the fragmentation and heteronomy, new machines, new productions... a new process |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-10-16T17:01:28Z 2018-03-19 2018-10-16 2018-03-19T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/35108 TID:201882469 |
url |
http://hdl.handle.net/10451/35108 |
identifier_str_mv |
TID:201882469 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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info:eu-repo/semantics/openAccess |
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openAccess |
dc.format.none.fl_str_mv |
image/jpeg application/pdf |
dc.source.none.fl_str_mv |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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