Biennials, there and here: thinking about the “Venetian formula” and the São Paulo Biennial in the 1960s

Detalhes bibliográficos
Autor(a) principal: MORETHY COUTO, MARIA DE FATIMA
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/116437
Resumo: In the past few years, due to the remarkable development of art biennials around the globe and their public popularity, different research projects have drawn attention to their history and how they have impacted on the production and reception of artworks in various local and regional scenes. Focusing on two texts, written within one year of each other, by Mário Pedrosa and Pierre Restany, important cultural agents of the time, I shall address the impact of some of these shows in the 1960s, especially the Venice and the São Paulo Biennials. Moreover, I intend to assess their hierarchical position on the international art scene at the time, asking one main question: since its inception, the São Paulo Biennial has adopted the Venice model, but at what costs?
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spelling Biennials, there and here: thinking about the “Venetian formula” and the São Paulo Biennial in the 1960sBienais artísticasDécada de 1960Mário pedrosaPierre restanyArt biennials1960sIn the past few years, due to the remarkable development of art biennials around the globe and their public popularity, different research projects have drawn attention to their history and how they have impacted on the production and reception of artworks in various local and regional scenes. Focusing on two texts, written within one year of each other, by Mário Pedrosa and Pierre Restany, important cultural agents of the time, I shall address the impact of some of these shows in the 1960s, especially the Venice and the São Paulo Biennials. Moreover, I intend to assess their hierarchical position on the international art scene at the time, asking one main question: since its inception, the São Paulo Biennial has adopted the Venice model, but at what costs?Nos últimos anos, devido à notável expansão e popularidade das bienais de arte em todo o mundo, diferentes projetos de investigação têm vindo a debruçar-se sobre a sua história e impacto na produção e recepção de obras de arte, em contextos locais e regionais. Tendo como base dois textos escritos com um ano de diferença, um da autoria de Mário Pedrosa e outro de Pierre Restany, dois dos mais importantes agentes culturais da década de 1960, será analisado o impacto das bienais neste período, especialmente das de Veneza e de São Paulo. Para além disso, este artigo analisa a posição hierárquica destes dois certames, a partir de uma pergunta central: desde a sua criação, a Bienal de São Paulo adotou o modelo de Veneza – mas a que preço?Instituto de História da ArteRUNMORETHY COUTO, MARIA DE FATIMA2021-04-30T11:47:24Z20192019-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10362/116437eng1646-1762info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T04:58:57Zoai:run.unl.pt:10362/116437Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:43:04.383743Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Biennials, there and here: thinking about the “Venetian formula” and the São Paulo Biennial in the 1960s
title Biennials, there and here: thinking about the “Venetian formula” and the São Paulo Biennial in the 1960s
spellingShingle Biennials, there and here: thinking about the “Venetian formula” and the São Paulo Biennial in the 1960s
MORETHY COUTO, MARIA DE FATIMA
Bienais artísticas
Década de 1960
Mário pedrosa
Pierre restany
Art biennials
1960s
title_short Biennials, there and here: thinking about the “Venetian formula” and the São Paulo Biennial in the 1960s
title_full Biennials, there and here: thinking about the “Venetian formula” and the São Paulo Biennial in the 1960s
title_fullStr Biennials, there and here: thinking about the “Venetian formula” and the São Paulo Biennial in the 1960s
title_full_unstemmed Biennials, there and here: thinking about the “Venetian formula” and the São Paulo Biennial in the 1960s
title_sort Biennials, there and here: thinking about the “Venetian formula” and the São Paulo Biennial in the 1960s
author MORETHY COUTO, MARIA DE FATIMA
author_facet MORETHY COUTO, MARIA DE FATIMA
author_role author
dc.contributor.none.fl_str_mv RUN
dc.contributor.author.fl_str_mv MORETHY COUTO, MARIA DE FATIMA
dc.subject.por.fl_str_mv Bienais artísticas
Década de 1960
Mário pedrosa
Pierre restany
Art biennials
1960s
topic Bienais artísticas
Década de 1960
Mário pedrosa
Pierre restany
Art biennials
1960s
description In the past few years, due to the remarkable development of art biennials around the globe and their public popularity, different research projects have drawn attention to their history and how they have impacted on the production and reception of artworks in various local and regional scenes. Focusing on two texts, written within one year of each other, by Mário Pedrosa and Pierre Restany, important cultural agents of the time, I shall address the impact of some of these shows in the 1960s, especially the Venice and the São Paulo Biennials. Moreover, I intend to assess their hierarchical position on the international art scene at the time, asking one main question: since its inception, the São Paulo Biennial has adopted the Venice model, but at what costs?
publishDate 2019
dc.date.none.fl_str_mv 2019
2019-01-01T00:00:00Z
2021-04-30T11:47:24Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/116437
url http://hdl.handle.net/10362/116437
dc.language.iso.fl_str_mv eng
language eng
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eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Instituto de História da Arte
publisher.none.fl_str_mv Instituto de História da Arte
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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