Hotel-living - housing in sites of memory in Mozambican film
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34624/fb.v0i18.31005 |
Resumo: | ‘Housing’ is still a largely unaddressed topic in the analysis of film. Although Düllo states in his article “Wohnen im Film” (“Living in film”) that the respective living situations of film characters are decisive for their anchoring in the diegetic level of action, the specific design of living space has so far been regarded as of little importance. Yet, it is precisely aspects such as the localisation in living space that provide essential information about the way in which the characters are embedded culturally, socially, psychologically and by way of identity. Thus, the different places and non-places of housing that are depicted in films represent the diverse cultural and geopolitical contexts in which they reside. Along with this, their memories are inscribed in the process of ensconcing, as memory also needs points of reference and tends towards spatialisation. The non-place hotel becomes, in this sense, a site of memory in whose rooms countless stories and individual memories are inscribed, which offer, in the act of remembering, a point of reference for the collective memory. Following the example of two Mozambican documentaries, Hóspedes da Noite by Licínio Azevedo (2007) and Grande Hotel by Lotte Stoops (2010) and a feature film A Costa dos Murmúrios (2004) by Margarida Cardoso, different dimensions of housing in former colonial hotels in Mozambique will be examined. New perspectives on the negotiation of forms of ‘inhabiting’ in colonial and postcolonial times as well as on forms of (re)viewing the past and the present in Mozambique are analysed.Habitand abitand abitand o hotéis - housing em lugares lugares lugares lugares de mem ória no filme moçambi can o229 |
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Hotel-living - housing in sites of memory in Mozambican filmHabitando hotéis - housing em lugares de memória no filme moçambicano‘Housing’ is still a largely unaddressed topic in the analysis of film. Although Düllo states in his article “Wohnen im Film” (“Living in film”) that the respective living situations of film characters are decisive for their anchoring in the diegetic level of action, the specific design of living space has so far been regarded as of little importance. Yet, it is precisely aspects such as the localisation in living space that provide essential information about the way in which the characters are embedded culturally, socially, psychologically and by way of identity. Thus, the different places and non-places of housing that are depicted in films represent the diverse cultural and geopolitical contexts in which they reside. Along with this, their memories are inscribed in the process of ensconcing, as memory also needs points of reference and tends towards spatialisation. The non-place hotel becomes, in this sense, a site of memory in whose rooms countless stories and individual memories are inscribed, which offer, in the act of remembering, a point of reference for the collective memory. Following the example of two Mozambican documentaries, Hóspedes da Noite by Licínio Azevedo (2007) and Grande Hotel by Lotte Stoops (2010) and a feature film A Costa dos Murmúrios (2004) by Margarida Cardoso, different dimensions of housing in former colonial hotels in Mozambique will be examined. New perspectives on the negotiation of forms of ‘inhabiting’ in colonial and postcolonial times as well as on forms of (re)viewing the past and the present in Mozambique are analysed.Habitand abitand abitand o hotéis - housing em lugares lugares lugares lugares de mem ória no filme moçambi can o229O ‘habitar’ ainda é um tópico não muito abordado na análise de filmes. Embora Düllo declare em seu artigo “Wohnen im Film” (“O viver no Cinema”) que as respectivas situações de moradia dos personagens fílmicos são cruciais para determinar sua ancoragem no nível diegético da ação, muito pouca importância tem sido dada à específica configuração do espaço habitado. No entanto, é precisamente o aspecto da localização espacial e habitacional que fornece informações significativas a propósito da incorporação cultural, social, psicológica e identitária dos personagens. Neste sentido, os diferentes lugares e não-lugares do housing cinematograficamente representados refletem sempre os diversos contextos geopolíticos nos quais os personagens se encontram. Junto com isto, as suas memórias se inscrevem no processo de estabelecer-se, pois a memória também precisa de pontos de referência e tende para a espacialização. O não-lugar do hotel torna-se, neste sentido, um lugar de memória em cujos quartos estão inscritas inúmeras histórias e memórias individuais, as quais oferecem, no ato de recordar, um ponto de referência para a memória coletiva. A exemplo de dois documentários moçambicanos, Hóspedes da Noite de Licínio Azevedo (2007) e Grande Hotel de Lotte Stoops (2010), assim como um longa-metragem A Costa dos Murmúrios (2004) de Margarida Cardoso, serão analisadas as diferentes dimensões do housing em antigos hotéis coloniais em Moçambique. Analisam-se novas perspectivas sobre a negociação das formas do ‘habitar’ nos tempos coloniais e pós-coloniais, bem como sobre as formas de (re)visão do passado e do presente em Moçambique.UA Editora - Universidade de Aveiro2022-12-15info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34624/fb.v0i18.31005https://doi.org/10.34624/fb.v0i18.31005Forma Breve; No 18 (2022): Torre de Babel: alteridade e estereótipos; 207-229Forma Breve; n.º 18 (2022): Torre de Babel: alteridade e estereótipos; 207-2292183-47091645-927Xreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://proa.ua.pt/index.php/formabreve/article/view/31005https://proa.ua.pt/index.php/formabreve/article/view/31005/21234Direitos de Autor (c) 2022 Kathrin Sartingen, Sophie Everson-Baltashttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSartingen, KathrinEverson-Baltas, Sophie2023-11-30T18:45:38Zoai:proa.ua.pt:article/31005Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:15:46.253070Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Hotel-living - housing in sites of memory in Mozambican film Habitando hotéis - housing em lugares de memória no filme moçambicano |
title |
Hotel-living - housing in sites of memory in Mozambican film |
spellingShingle |
Hotel-living - housing in sites of memory in Mozambican film Sartingen, Kathrin |
title_short |
Hotel-living - housing in sites of memory in Mozambican film |
title_full |
Hotel-living - housing in sites of memory in Mozambican film |
title_fullStr |
Hotel-living - housing in sites of memory in Mozambican film |
title_full_unstemmed |
Hotel-living - housing in sites of memory in Mozambican film |
title_sort |
Hotel-living - housing in sites of memory in Mozambican film |
author |
Sartingen, Kathrin |
author_facet |
Sartingen, Kathrin Everson-Baltas, Sophie |
author_role |
author |
author2 |
Everson-Baltas, Sophie |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Sartingen, Kathrin Everson-Baltas, Sophie |
description |
‘Housing’ is still a largely unaddressed topic in the analysis of film. Although Düllo states in his article “Wohnen im Film” (“Living in film”) that the respective living situations of film characters are decisive for their anchoring in the diegetic level of action, the specific design of living space has so far been regarded as of little importance. Yet, it is precisely aspects such as the localisation in living space that provide essential information about the way in which the characters are embedded culturally, socially, psychologically and by way of identity. Thus, the different places and non-places of housing that are depicted in films represent the diverse cultural and geopolitical contexts in which they reside. Along with this, their memories are inscribed in the process of ensconcing, as memory also needs points of reference and tends towards spatialisation. The non-place hotel becomes, in this sense, a site of memory in whose rooms countless stories and individual memories are inscribed, which offer, in the act of remembering, a point of reference for the collective memory. Following the example of two Mozambican documentaries, Hóspedes da Noite by Licínio Azevedo (2007) and Grande Hotel by Lotte Stoops (2010) and a feature film A Costa dos Murmúrios (2004) by Margarida Cardoso, different dimensions of housing in former colonial hotels in Mozambique will be examined. New perspectives on the negotiation of forms of ‘inhabiting’ in colonial and postcolonial times as well as on forms of (re)viewing the past and the present in Mozambique are analysed.Habitand abitand abitand o hotéis - housing em lugares lugares lugares lugares de mem ória no filme moçambi can o229 |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-15 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34624/fb.v0i18.31005 https://doi.org/10.34624/fb.v0i18.31005 |
url |
https://doi.org/10.34624/fb.v0i18.31005 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://proa.ua.pt/index.php/formabreve/article/view/31005 https://proa.ua.pt/index.php/formabreve/article/view/31005/21234 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2022 Kathrin Sartingen, Sophie Everson-Baltas http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2022 Kathrin Sartingen, Sophie Everson-Baltas http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UA Editora - Universidade de Aveiro |
publisher.none.fl_str_mv |
UA Editora - Universidade de Aveiro |
dc.source.none.fl_str_mv |
Forma Breve; No 18 (2022): Torre de Babel: alteridade e estereótipos; 207-229 Forma Breve; n.º 18 (2022): Torre de Babel: alteridade e estereótipos; 207-229 2183-4709 1645-927X reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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