The beauty of the fragment reconstituted in the great wall

Detalhes bibliográficos
Autor(a) principal: Bruyn, Dirk De
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10437/12366
Resumo: Max Hattler’s short abstract animations demonstrate an awareness of the form’s historic 1920’s European Abstract Animation precedents, is informed by the structurally focused minimalism of the 60’s and re-tools pre-cinema toys. Yet his work speaks to the contemporary technological environment he occupies and experiences directly. His move to Hong Kong and his recent Serial Parallels is also a predictive probe into future media environments. Hattler’s digital architectures are designed to make sense of the technological situation of speed and information overload which Vilem Flusser marks as amnesic and Marshall McLuhan identifies as an acoustic space readable through pattern recognition. His practice makes productive use of the flexible and modular qualities of contemporary digital image-making technologies for both production and publication purposes.
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spelling The beauty of the fragment reconstituted in the great wallAUDIOVISUALTECNOLOGIAIMAGEM DIGITALAUDIOVISUALTECHNOLOGYDIGITAL IMAGEMax Hattler’s short abstract animations demonstrate an awareness of the form’s historic 1920’s European Abstract Animation precedents, is informed by the structurally focused minimalism of the 60’s and re-tools pre-cinema toys. Yet his work speaks to the contemporary technological environment he occupies and experiences directly. His move to Hong Kong and his recent Serial Parallels is also a predictive probe into future media environments. Hattler’s digital architectures are designed to make sense of the technological situation of speed and information overload which Vilem Flusser marks as amnesic and Marshall McLuhan identifies as an acoustic space readable through pattern recognition. His practice makes productive use of the flexible and modular qualities of contemporary digital image-making technologies for both production and publication purposes.Universidade Lusófona de Humanidades e Tecnologias2022-01-13T14:48:28Z2021-01-01T00:00:00Z2021info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10437/12366eng2183-9271Bruyn, Dirk Deinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-03-09T14:07:55Zoai:recil.ensinolusofona.pt:10437/12366Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:15:14.446642Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The beauty of the fragment reconstituted in the great wall
title The beauty of the fragment reconstituted in the great wall
spellingShingle The beauty of the fragment reconstituted in the great wall
Bruyn, Dirk De
AUDIOVISUAL
TECNOLOGIA
IMAGEM DIGITAL
AUDIOVISUAL
TECHNOLOGY
DIGITAL IMAGE
title_short The beauty of the fragment reconstituted in the great wall
title_full The beauty of the fragment reconstituted in the great wall
title_fullStr The beauty of the fragment reconstituted in the great wall
title_full_unstemmed The beauty of the fragment reconstituted in the great wall
title_sort The beauty of the fragment reconstituted in the great wall
author Bruyn, Dirk De
author_facet Bruyn, Dirk De
author_role author
dc.contributor.author.fl_str_mv Bruyn, Dirk De
dc.subject.por.fl_str_mv AUDIOVISUAL
TECNOLOGIA
IMAGEM DIGITAL
AUDIOVISUAL
TECHNOLOGY
DIGITAL IMAGE
topic AUDIOVISUAL
TECNOLOGIA
IMAGEM DIGITAL
AUDIOVISUAL
TECHNOLOGY
DIGITAL IMAGE
description Max Hattler’s short abstract animations demonstrate an awareness of the form’s historic 1920’s European Abstract Animation precedents, is informed by the structurally focused minimalism of the 60’s and re-tools pre-cinema toys. Yet his work speaks to the contemporary technological environment he occupies and experiences directly. His move to Hong Kong and his recent Serial Parallels is also a predictive probe into future media environments. Hattler’s digital architectures are designed to make sense of the technological situation of speed and information overload which Vilem Flusser marks as amnesic and Marshall McLuhan identifies as an acoustic space readable through pattern recognition. His practice makes productive use of the flexible and modular qualities of contemporary digital image-making technologies for both production and publication purposes.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-01T00:00:00Z
2021
2022-01-13T14:48:28Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10437/12366
url http://hdl.handle.net/10437/12366
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2183-9271
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Lusófona de Humanidades e Tecnologias
publisher.none.fl_str_mv Universidade Lusófona de Humanidades e Tecnologias
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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