Performance and intelligentsia around the inauguration of an equestrian statue in the 18th century

Detalhes bibliográficos
Autor(a) principal: Oliveira, Fernando Matos
Data de Publicação: 2020
Outros Autores: Malato, Maria Luísa
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/138253
Resumo: This essay proposes a performative reading of the inauguration of the equestrian statue of the Portuguese king D. José I in 1775 as an event, based on the conceptual perspectives of both R. Schechner and E. Fischer-Lichte about culture as performance, specific conditions of mediality and materiality, and also based on the views of J. Rancière about the distribution of the sensible. The set of these celebrations expands socially in the king's court, in great houses and on the street. They are a frequent example of "bad literature", because they "vulgarize", starting from an aristocratic circles, centered on the King and the Court, reaching an emerging popular class that then reorganizing itself sensibly through reading, theater going and the participation in bourgeois salons ("functions", "assemblies" or "partidas").
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spelling Performance and intelligentsia around the inauguration of an equestrian statue in the 18th centuryThis essay proposes a performative reading of the inauguration of the equestrian statue of the Portuguese king D. José I in 1775 as an event, based on the conceptual perspectives of both R. Schechner and E. Fischer-Lichte about culture as performance, specific conditions of mediality and materiality, and also based on the views of J. Rancière about the distribution of the sensible. The set of these celebrations expands socially in the king's court, in great houses and on the street. They are a frequent example of "bad literature", because they "vulgarize", starting from an aristocratic circles, centered on the King and the Court, reaching an emerging popular class that then reorganizing itself sensibly through reading, theater going and the participation in bourgeois salons ("functions", "assemblies" or "partidas").20202020-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/138253eng2421-2679Oliveira, Fernando MatosMalato, Maria Luísainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:44:52Zoai:repositorio-aberto.up.pt:10216/138253Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:07:43.699275Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Performance and intelligentsia around the inauguration of an equestrian statue in the 18th century
title Performance and intelligentsia around the inauguration of an equestrian statue in the 18th century
spellingShingle Performance and intelligentsia around the inauguration of an equestrian statue in the 18th century
Oliveira, Fernando Matos
title_short Performance and intelligentsia around the inauguration of an equestrian statue in the 18th century
title_full Performance and intelligentsia around the inauguration of an equestrian statue in the 18th century
title_fullStr Performance and intelligentsia around the inauguration of an equestrian statue in the 18th century
title_full_unstemmed Performance and intelligentsia around the inauguration of an equestrian statue in the 18th century
title_sort Performance and intelligentsia around the inauguration of an equestrian statue in the 18th century
author Oliveira, Fernando Matos
author_facet Oliveira, Fernando Matos
Malato, Maria Luísa
author_role author
author2 Malato, Maria Luísa
author2_role author
dc.contributor.author.fl_str_mv Oliveira, Fernando Matos
Malato, Maria Luísa
description This essay proposes a performative reading of the inauguration of the equestrian statue of the Portuguese king D. José I in 1775 as an event, based on the conceptual perspectives of both R. Schechner and E. Fischer-Lichte about culture as performance, specific conditions of mediality and materiality, and also based on the views of J. Rancière about the distribution of the sensible. The set of these celebrations expands socially in the king's court, in great houses and on the street. They are a frequent example of "bad literature", because they "vulgarize", starting from an aristocratic circles, centered on the King and the Court, reaching an emerging popular class that then reorganizing itself sensibly through reading, theater going and the participation in bourgeois salons ("functions", "assemblies" or "partidas").
publishDate 2020
dc.date.none.fl_str_mv 2020
2020-01-01T00:00:00Z
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dc.identifier.uri.fl_str_mv https://hdl.handle.net/10216/138253
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dc.language.iso.fl_str_mv eng
language eng
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dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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