Artistic symbiosis: Orson Welles’s Othello (1951) as cinematic opera
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.21/15374 |
Resumo: | INTERFACES - Image, Text, Language | Number 48 | 2022, "Confluences between Film and other Media", sous la direction de Fátima Chinita. |
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Artistic symbiosis: Orson Welles’s Othello (1951) as cinematic operaSymbiose artistique. Un opéra cinématographique: l’Othello d’Orson Welles (1951)CinemaOperaMusicalizationSoundtrackOthelloWelles (Orson)IntermedialityINTERFACES - Image, Text, Language | Number 48 | 2022, "Confluences between Film and other Media", sous la direction de Fátima Chinita.Early film theorist Ricciotto Canudo equated cinema with music because of the Seventh Art’s inherent plasticity; in the 21st century, plasticity extends to the soundtrack. In this article, I explore the fusion of cinema with the musical genre of opera. By considering that film is a performative medium, beyond the actors’ agency, I confirm music’s importance in it as part of the structure and style of opera. Unlike Franco Zeffirelli’s adaptation of Verdi’s opera Otello, Orson Welles’s adaptation of William Shakespeare’s play conforms to Jacques Aumont’s concept of “operatic film” in that it engenders a coexistence of the verbal and the non-verbal, balancing drama and music with a performative intention. However, this film is so musicalized and operatically rendered, especially through its soundtrack, that it exceeds Aumont’s intention and becomes what I call a “cinematic opera”: a film that is operatic in its artificial and ritualistic nature as well as in its well-woven soundtrack of music, sound effects and voice working together in a common musicalized pattern.Université de Bourgogne, Université de Paris, College of the Holy CrossRCIPLChinita, Fátima2023-01-24T16:54:41Z2022-122022-12-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.21/15374eng2647-6754info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-08-03T10:12:50Zoai:repositorio.ipl.pt:10400.21/15374Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:23:03.361614Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Artistic symbiosis: Orson Welles’s Othello (1951) as cinematic opera Symbiose artistique. Un opéra cinématographique: l’Othello d’Orson Welles (1951) |
title |
Artistic symbiosis: Orson Welles’s Othello (1951) as cinematic opera |
spellingShingle |
Artistic symbiosis: Orson Welles’s Othello (1951) as cinematic opera Chinita, Fátima Cinema Opera Musicalization Soundtrack Othello Welles (Orson) Intermediality |
title_short |
Artistic symbiosis: Orson Welles’s Othello (1951) as cinematic opera |
title_full |
Artistic symbiosis: Orson Welles’s Othello (1951) as cinematic opera |
title_fullStr |
Artistic symbiosis: Orson Welles’s Othello (1951) as cinematic opera |
title_full_unstemmed |
Artistic symbiosis: Orson Welles’s Othello (1951) as cinematic opera |
title_sort |
Artistic symbiosis: Orson Welles’s Othello (1951) as cinematic opera |
author |
Chinita, Fátima |
author_facet |
Chinita, Fátima |
author_role |
author |
dc.contributor.none.fl_str_mv |
RCIPL |
dc.contributor.author.fl_str_mv |
Chinita, Fátima |
dc.subject.por.fl_str_mv |
Cinema Opera Musicalization Soundtrack Othello Welles (Orson) Intermediality |
topic |
Cinema Opera Musicalization Soundtrack Othello Welles (Orson) Intermediality |
description |
INTERFACES - Image, Text, Language | Number 48 | 2022, "Confluences between Film and other Media", sous la direction de Fátima Chinita. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12 2022-12-01T00:00:00Z 2023-01-24T16:54:41Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.21/15374 |
url |
http://hdl.handle.net/10400.21/15374 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
2647-6754 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Université de Bourgogne, Université de Paris, College of the Holy Cross |
publisher.none.fl_str_mv |
Université de Bourgogne, Université de Paris, College of the Holy Cross |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799133503416172544 |