Les récits du spectateur. Mémoire et legende
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | fra |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.51427/cet.sdc.2023.0013 |
Resumo: | This text aims to work out the issue of the production (written or oral) of narratives from a performance by the spectator as expressions of theatre imprint and of its impact in generating memories and legends. Those narratives show the deflagration of the lived instant experienced during the performance. They indicate at the same time the desire of perpetuating the feeling of absolute about what has just ended and to contribute to change the performance into a legend through the personal experience of the spectator. The presence and the unique irruption of the performer which concentrates fiction and reality in a same event activates the narration as well. To narrate is thus to start a trip with memory and imagination. |
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Les récits du spectateur. Mémoire et legendeLes récits du spectateur. Mémoire et legendeLes récits du spectateur: mémoire et legendeNarrativeSpectatorMemoryPresencePunctumRécitSpectateurMémoirePrésencePunctumThis text aims to work out the issue of the production (written or oral) of narratives from a performance by the spectator as expressions of theatre imprint and of its impact in generating memories and legends. Those narratives show the deflagration of the lived instant experienced during the performance. They indicate at the same time the desire of perpetuating the feeling of absolute about what has just ended and to contribute to change the performance into a legend through the personal experience of the spectator. The presence and the unique irruption of the performer which concentrates fiction and reality in a same event activates the narration as well. To narrate is thus to start a trip with memory and imagination.Ce texte propose de cerner le phénomène de la production de récits (écrits ou oraux) par le spectateur en tant que manifestations de l’empreinte du théâtre et de son impact générateur de mémoire et de légende. Ces récits rendent compte de la déflagration de l’instant habité qui constitue l’expérience théâtrale. Ils manifestent à la foi le désir de perpétuer le sentiment d’absolu de ce qui vient de disparaître et de contribuer à faire devenir légende un spectacle à travers l’expérience subjective du spectateur. La présence ou l’irruption unique de l’acteur qui concentre la fiction et le réel dans un même événement déclenche elle aussi le récit. Raconter c’est ainsi partir en voyage en compagnie du souveniret de l’imagination.Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa2023-12-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.51427/cet.sdc.2023.0013https://doi.org/10.51427/cet.sdc.2023.0013Sinais de Cena; 3rd Series, no. 2 (2023); 300-317Sinais de Cena; 3ème série, nº 2 (2023); 300-317Sinais de Cena; 3ª série, nº2 (2023); 300-3172184-95521646-0715reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPfrahttps://revistas.rcaap.pt/sdc/article/view/34018https://revistas.rcaap.pt/sdc/article/view/34018/23749Direitos de Autor (c) 2023 Georges Banuinfo:eu-repo/semantics/openAccessBanu, Georges2024-01-13T05:16:36Zoai:ojs.revistas.rcaap.pt:article/34018Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:56:49.279516Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Les récits du spectateur. Mémoire et legende Les récits du spectateur. Mémoire et legende Les récits du spectateur: mémoire et legende |
title |
Les récits du spectateur. Mémoire et legende |
spellingShingle |
Les récits du spectateur. Mémoire et legende Banu, Georges Narrative Spectator Memory Presence Punctum Récit Spectateur Mémoire Présence Punctum |
title_short |
Les récits du spectateur. Mémoire et legende |
title_full |
Les récits du spectateur. Mémoire et legende |
title_fullStr |
Les récits du spectateur. Mémoire et legende |
title_full_unstemmed |
Les récits du spectateur. Mémoire et legende |
title_sort |
Les récits du spectateur. Mémoire et legende |
author |
Banu, Georges |
author_facet |
Banu, Georges |
author_role |
author |
dc.contributor.author.fl_str_mv |
Banu, Georges |
dc.subject.por.fl_str_mv |
Narrative Spectator Memory Presence Punctum Récit Spectateur Mémoire Présence Punctum |
topic |
Narrative Spectator Memory Presence Punctum Récit Spectateur Mémoire Présence Punctum |
description |
This text aims to work out the issue of the production (written or oral) of narratives from a performance by the spectator as expressions of theatre imprint and of its impact in generating memories and legends. Those narratives show the deflagration of the lived instant experienced during the performance. They indicate at the same time the desire of perpetuating the feeling of absolute about what has just ended and to contribute to change the performance into a legend through the personal experience of the spectator. The presence and the unique irruption of the performer which concentrates fiction and reality in a same event activates the narration as well. To narrate is thus to start a trip with memory and imagination. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-28 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.51427/cet.sdc.2023.0013 https://doi.org/10.51427/cet.sdc.2023.0013 |
url |
https://doi.org/10.51427/cet.sdc.2023.0013 |
dc.language.iso.fl_str_mv |
fra |
language |
fra |
dc.relation.none.fl_str_mv |
https://revistas.rcaap.pt/sdc/article/view/34018 https://revistas.rcaap.pt/sdc/article/view/34018/23749 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2023 Georges Banu info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2023 Georges Banu |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa |
publisher.none.fl_str_mv |
Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa |
dc.source.none.fl_str_mv |
Sinais de Cena; 3rd Series, no. 2 (2023); 300-317 Sinais de Cena; 3ème série, nº 2 (2023); 300-317 Sinais de Cena; 3ª série, nº2 (2023); 300-317 2184-9552 1646-0715 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
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1799136452747984896 |