A salto : a paisagem na fuga para o imaginário

Detalhes bibliográficos
Autor(a) principal: Cardoso, Engrácia Alexandra Basílio, 1976-
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/37541
Resumo: In the project work we present here we develop different plastic perspectives around drawing and narrative. Along a path that culminates in this present text an exhibition is thought of and created as a circumstance of action, thought and contemplation and in which three aspects of thematic circumscription are highlighted: the fugue, the feminine and the landscape. The generating force of this construction will be the context in which the singular events of a true story took place that drove the project to issues that we consider relevant in the feminine universe. The risks (traversing natural and human landscapes) that the protagonist Laura consciously ran inspired us to make our own aesthetic, conceptual and theoretical decisions in a project that forced us to penetrate the heart of human emotion. Looking at the landscape with uncertainties gave us the possibility to think of a graphic and textual memory where the transitions between the ambiguous states of the landscape and the inhabited spaces are mapped. The multiple expressions and remediation between drawing, painting, photography and writing promoted the creation of a unifying instant. Simultaneously with the written record of the narrated history we constructed a set of images that led us to the place of escape and the consequent transfer to the plastic register. It was necessary to think of the landscape as a pictorial genre, exploring a dialogue between practice and theory, emphasizing the landscape, defining it as a place of belonging and recognition, but also as a space for freedom. We sought after an imagined landscape inside the lived landscape that could be an emotional space, referring to a time of action and a place where the being manifests itself in all its power
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spelling A salto : a paisagem na fuga para o imaginárioDesenhoViagemPaisagemFugaFemininoPinturaIn the project work we present here we develop different plastic perspectives around drawing and narrative. Along a path that culminates in this present text an exhibition is thought of and created as a circumstance of action, thought and contemplation and in which three aspects of thematic circumscription are highlighted: the fugue, the feminine and the landscape. The generating force of this construction will be the context in which the singular events of a true story took place that drove the project to issues that we consider relevant in the feminine universe. The risks (traversing natural and human landscapes) that the protagonist Laura consciously ran inspired us to make our own aesthetic, conceptual and theoretical decisions in a project that forced us to penetrate the heart of human emotion. Looking at the landscape with uncertainties gave us the possibility to think of a graphic and textual memory where the transitions between the ambiguous states of the landscape and the inhabited spaces are mapped. The multiple expressions and remediation between drawing, painting, photography and writing promoted the creation of a unifying instant. Simultaneously with the written record of the narrated history we constructed a set of images that led us to the place of escape and the consequent transfer to the plastic register. It was necessary to think of the landscape as a pictorial genre, exploring a dialogue between practice and theory, emphasizing the landscape, defining it as a place of belonging and recognition, but also as a space for freedom. We sought after an imagined landscape inside the lived landscape that could be an emotional space, referring to a time of action and a place where the being manifests itself in all its powerVidal, Carlos, 1964-Repositório da Universidade de LisboaCardoso, Engrácia Alexandra Basílio, 1976-2019-03-15T12:58:31Z2019-03-132019-03-152019-03-13T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/37541TID:202191176porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:34:44Zoai:repositorio.ul.pt:10451/37541Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:51:32.783819Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv A salto : a paisagem na fuga para o imaginário
title A salto : a paisagem na fuga para o imaginário
spellingShingle A salto : a paisagem na fuga para o imaginário
Cardoso, Engrácia Alexandra Basílio, 1976-
Desenho
Viagem
Paisagem
Fuga
Feminino
Pintura
title_short A salto : a paisagem na fuga para o imaginário
title_full A salto : a paisagem na fuga para o imaginário
title_fullStr A salto : a paisagem na fuga para o imaginário
title_full_unstemmed A salto : a paisagem na fuga para o imaginário
title_sort A salto : a paisagem na fuga para o imaginário
author Cardoso, Engrácia Alexandra Basílio, 1976-
author_facet Cardoso, Engrácia Alexandra Basílio, 1976-
author_role author
dc.contributor.none.fl_str_mv Vidal, Carlos, 1964-
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Cardoso, Engrácia Alexandra Basílio, 1976-
dc.subject.por.fl_str_mv Desenho
Viagem
Paisagem
Fuga
Feminino
Pintura
topic Desenho
Viagem
Paisagem
Fuga
Feminino
Pintura
description In the project work we present here we develop different plastic perspectives around drawing and narrative. Along a path that culminates in this present text an exhibition is thought of and created as a circumstance of action, thought and contemplation and in which three aspects of thematic circumscription are highlighted: the fugue, the feminine and the landscape. The generating force of this construction will be the context in which the singular events of a true story took place that drove the project to issues that we consider relevant in the feminine universe. The risks (traversing natural and human landscapes) that the protagonist Laura consciously ran inspired us to make our own aesthetic, conceptual and theoretical decisions in a project that forced us to penetrate the heart of human emotion. Looking at the landscape with uncertainties gave us the possibility to think of a graphic and textual memory where the transitions between the ambiguous states of the landscape and the inhabited spaces are mapped. The multiple expressions and remediation between drawing, painting, photography and writing promoted the creation of a unifying instant. Simultaneously with the written record of the narrated history we constructed a set of images that led us to the place of escape and the consequent transfer to the plastic register. It was necessary to think of the landscape as a pictorial genre, exploring a dialogue between practice and theory, emphasizing the landscape, defining it as a place of belonging and recognition, but also as a space for freedom. We sought after an imagined landscape inside the lived landscape that could be an emotional space, referring to a time of action and a place where the being manifests itself in all its power
publishDate 2019
dc.date.none.fl_str_mv 2019-03-15T12:58:31Z
2019-03-13
2019-03-15
2019-03-13T00:00:00Z
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TID:202191176
url http://hdl.handle.net/10451/37541
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instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
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