The past and the future display of the slide-based artwork. Slides de Cavalete (1978-1979) by Ângelo de Sousa
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10362/117779 |
Resumo: | Slides de Cavalete (1978-1979) is a slide-based artwork by the Portuguese artist Ângelo de Sousa (1938-2011). This paper explores issues related to the exhibition of Slides de Cavalete through the view of a conservator. In the absence of the artist, the display history of this work was traced with the aim of providing a base to substantiate the decision-making process of its exhibition and preservation. Published and unpublished documentation related to the exhibitions was consulted and personalities who could have witnessed the presentation of the artwork were interviewed. During this study it was understood that Ângelo de Sousa first presented the work projected on a canvas over an easel, for the exhibition A Fotografia como Arte/A Arte como Fotografia in 1979. In the two exhibitions carried out in 2017, the work was presented as a digital projection without the use of canvas and easel. This detachment from the first presentation, might have led to a misunderstanding of the work. Based on the conducted research and following the current procedures, display options for the exhibition of Slides de Cavalete are discussed. |
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The past and the future display of the slide-based artwork. Slides de Cavalete (1978-1979) by Ângelo de SousaÂngelo de SousaSlides de Cavalete (1978-1979)Slide-based artworksDisplayObras de arte em suporte de diapositivosMontagemSlides de Cavalete (1978-1979) is a slide-based artwork by the Portuguese artist Ângelo de Sousa (1938-2011). This paper explores issues related to the exhibition of Slides de Cavalete through the view of a conservator. In the absence of the artist, the display history of this work was traced with the aim of providing a base to substantiate the decision-making process of its exhibition and preservation. Published and unpublished documentation related to the exhibitions was consulted and personalities who could have witnessed the presentation of the artwork were interviewed. During this study it was understood that Ângelo de Sousa first presented the work projected on a canvas over an easel, for the exhibition A Fotografia como Arte/A Arte como Fotografia in 1979. In the two exhibitions carried out in 2017, the work was presented as a digital projection without the use of canvas and easel. This detachment from the first presentation, might have led to a misunderstanding of the work. Based on the conducted research and following the current procedures, display options for the exhibition of Slides de Cavalete are discussed.Slides de Cavalete (1978-1979) é uma obra de arte em suporte de diapositivos do artista português Ângelo de Sousa (1938-2011). Este texto explora questões relacionadas com a exposição de Slides de Cavalete através da perspetiva da conservação. Perante a ausência do artista, o presente artigo traça a história da exposição deste trabalho com o objetivo de fornecer uma base que possa auxiliar futuros processos de decisão, tanto em termos de montagem como de preservação da obra. Para tal, entrevistaram-se personalidades que testemunharam as apresentações anteriores deste trabalho e recorreu-se a documentação, publicada e inédita. Durante o estudo, percebemos que na primeira vez em que Ângelo de Sousa apresentou publicamente a obra, ela foi projetada numa tela sobre um cavalete, durante a exposição A Fotografia como Arte / A Arte como Fotografia em 1979. Já nas duas exposições realizadas em 2017, a obra foi apresentada como uma projeção digital sem qualquer recurso a tela ou cavalete. Consideramos que esta discrepância face à primeira apresentação pode conduzir a uma receção equívoca da obra. Com base na investigação desenvolvida, e respeitando procedimentos atualizados, este artigo discute possíveis opções de montagem numa futura apresentação de Slides de Cavalete.Instituto de História da ArteRUNSilva, JoanaFerreira, Joana LiaÁvila, Maria de JesusRamos, Ana Maria2021-05-17T10:11:34Z20192019-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10362/117779eng1646-1762info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T05:00:43Zoai:run.unl.pt:10362/117779Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:43:40.692295Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The past and the future display of the slide-based artwork. Slides de Cavalete (1978-1979) by Ângelo de Sousa |
title |
The past and the future display of the slide-based artwork. Slides de Cavalete (1978-1979) by Ângelo de Sousa |
spellingShingle |
The past and the future display of the slide-based artwork. Slides de Cavalete (1978-1979) by Ângelo de Sousa Silva, Joana Ângelo de Sousa Slides de Cavalete (1978-1979) Slide-based artworks Display Obras de arte em suporte de diapositivos Montagem |
title_short |
The past and the future display of the slide-based artwork. Slides de Cavalete (1978-1979) by Ângelo de Sousa |
title_full |
The past and the future display of the slide-based artwork. Slides de Cavalete (1978-1979) by Ângelo de Sousa |
title_fullStr |
The past and the future display of the slide-based artwork. Slides de Cavalete (1978-1979) by Ângelo de Sousa |
title_full_unstemmed |
The past and the future display of the slide-based artwork. Slides de Cavalete (1978-1979) by Ângelo de Sousa |
title_sort |
The past and the future display of the slide-based artwork. Slides de Cavalete (1978-1979) by Ângelo de Sousa |
author |
Silva, Joana |
author_facet |
Silva, Joana Ferreira, Joana Lia Ávila, Maria de Jesus Ramos, Ana Maria |
author_role |
author |
author2 |
Ferreira, Joana Lia Ávila, Maria de Jesus Ramos, Ana Maria |
author2_role |
author author author |
dc.contributor.none.fl_str_mv |
RUN |
dc.contributor.author.fl_str_mv |
Silva, Joana Ferreira, Joana Lia Ávila, Maria de Jesus Ramos, Ana Maria |
dc.subject.por.fl_str_mv |
Ângelo de Sousa Slides de Cavalete (1978-1979) Slide-based artworks Display Obras de arte em suporte de diapositivos Montagem |
topic |
Ângelo de Sousa Slides de Cavalete (1978-1979) Slide-based artworks Display Obras de arte em suporte de diapositivos Montagem |
description |
Slides de Cavalete (1978-1979) is a slide-based artwork by the Portuguese artist Ângelo de Sousa (1938-2011). This paper explores issues related to the exhibition of Slides de Cavalete through the view of a conservator. In the absence of the artist, the display history of this work was traced with the aim of providing a base to substantiate the decision-making process of its exhibition and preservation. Published and unpublished documentation related to the exhibitions was consulted and personalities who could have witnessed the presentation of the artwork were interviewed. During this study it was understood that Ângelo de Sousa first presented the work projected on a canvas over an easel, for the exhibition A Fotografia como Arte/A Arte como Fotografia in 1979. In the two exhibitions carried out in 2017, the work was presented as a digital projection without the use of canvas and easel. This detachment from the first presentation, might have led to a misunderstanding of the work. Based on the conducted research and following the current procedures, display options for the exhibition of Slides de Cavalete are discussed. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019 2019-01-01T00:00:00Z 2021-05-17T10:11:34Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10362/117779 |
url |
http://hdl.handle.net/10362/117779 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
1646-1762 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Instituto de História da Arte |
publisher.none.fl_str_mv |
Instituto de História da Arte |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799138045893541888 |