Time, Art, and the Law: A Matter of Perspective. A Comment on Desmond Manderson's Danse Macabre. Temporalities of Law in the Visual Arts

Detalhes bibliográficos
Autor(a) principal: Branco, Patrícia
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10316/100260
https://doi.org/10.13137/1825-5167/31368
Resumo: In this brief comment, I will mainly engage with chapters three and six of Desmond Manderson’s Danse Macabre: Temporalities of Law in the Visual Arts. In his recent book, Manderson’s poignant argument resides in confronting colonial law’s structural violence, and how we need to contrast familiar tropes of colonial representation we have regrettably taken for granted. Art, in its various forms, is one way to do it, especially in these times of populist ideologies.
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spelling Time, Art, and the Law: A Matter of Perspective. A Comment on Desmond Manderson's Danse Macabre. Temporalities of Law in the Visual ArtsLawPerspectiveLifeDeathIn this brief comment, I will mainly engage with chapters three and six of Desmond Manderson’s Danse Macabre: Temporalities of Law in the Visual Arts. In his recent book, Manderson’s poignant argument resides in confronting colonial law’s structural violence, and how we need to contrast familiar tropes of colonial representation we have regrettably taken for granted. Art, in its various forms, is one way to do it, especially in these times of populist ideologies.EUT Edizioni Università di Trieste2020info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10316/100260http://hdl.handle.net/10316/100260https://doi.org/10.13137/1825-5167/31368eng1825-5167https://www.openstarts.units.it/handle/10077/31368Branco, Patríciainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-06-03T20:30:28Zoai:estudogeral.uc.pt:10316/100260Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:17:41.336947Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Time, Art, and the Law: A Matter of Perspective. A Comment on Desmond Manderson's Danse Macabre. Temporalities of Law in the Visual Arts
title Time, Art, and the Law: A Matter of Perspective. A Comment on Desmond Manderson's Danse Macabre. Temporalities of Law in the Visual Arts
spellingShingle Time, Art, and the Law: A Matter of Perspective. A Comment on Desmond Manderson's Danse Macabre. Temporalities of Law in the Visual Arts
Branco, Patrícia
Law
Perspective
Life
Death
title_short Time, Art, and the Law: A Matter of Perspective. A Comment on Desmond Manderson's Danse Macabre. Temporalities of Law in the Visual Arts
title_full Time, Art, and the Law: A Matter of Perspective. A Comment on Desmond Manderson's Danse Macabre. Temporalities of Law in the Visual Arts
title_fullStr Time, Art, and the Law: A Matter of Perspective. A Comment on Desmond Manderson's Danse Macabre. Temporalities of Law in the Visual Arts
title_full_unstemmed Time, Art, and the Law: A Matter of Perspective. A Comment on Desmond Manderson's Danse Macabre. Temporalities of Law in the Visual Arts
title_sort Time, Art, and the Law: A Matter of Perspective. A Comment on Desmond Manderson's Danse Macabre. Temporalities of Law in the Visual Arts
author Branco, Patrícia
author_facet Branco, Patrícia
author_role author
dc.contributor.author.fl_str_mv Branco, Patrícia
dc.subject.por.fl_str_mv Law
Perspective
Life
Death
topic Law
Perspective
Life
Death
description In this brief comment, I will mainly engage with chapters three and six of Desmond Manderson’s Danse Macabre: Temporalities of Law in the Visual Arts. In his recent book, Manderson’s poignant argument resides in confronting colonial law’s structural violence, and how we need to contrast familiar tropes of colonial representation we have regrettably taken for granted. Art, in its various forms, is one way to do it, especially in these times of populist ideologies.
publishDate 2020
dc.date.none.fl_str_mv 2020
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10316/100260
http://hdl.handle.net/10316/100260
https://doi.org/10.13137/1825-5167/31368
url http://hdl.handle.net/10316/100260
https://doi.org/10.13137/1825-5167/31368
dc.language.iso.fl_str_mv eng
language eng
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https://www.openstarts.units.it/handle/10077/31368
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dc.publisher.none.fl_str_mv EUT Edizioni Università di Trieste
publisher.none.fl_str_mv EUT Edizioni Università di Trieste
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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