Has genderless become a fashion design label?

Detalhes bibliográficos
Autor(a) principal: Loureiro, Eduarda
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.11/8221
Resumo: The word ‘genderless’ carries a cultural and social burden that hasn’t bestowed upon the general audience nor some of the most spoken about brands in the world. There have been top tier designers that have dipped their toes and tried to show a world without binary gender boundaries, but the message is still not accurate. If fashion design seeks its roots in the lifestyle of the beholder, than what lifestyle are some brands representing by showcasing their genderless ideas as neutral, basic and shapeless designs? Fashion is the art through which people can express themselves, but there always seems to be a limitation. The younger generations are questioning those limitations and establishing that we can wear what we want, as long as it’s representative of the gender we feel most, or not at all. There has been a surge of the word ‘genderless’ and several well-established brands are using it to promote, of what can only be pointed out as their marketing agendas. It’s important to understand that most of these brands ha-ven’t done their homework and they haven’t talked to the people who actually go through the experience of a non-binary reality. The problematic isn’t necessarily the use of the word ‘genderless’, it’s the appropriation of the experience of people who aren’t even a part of the conversation. The present paper wants to explore how genderless seems to have become a label and a marketing move for brands and designers to try and engage with yet another audience. But also an explo-ration of how that is failing, especially when it comes to communicating and relating to the everyday experiences of people who live beyond the binary. Through contextual inquiries and personal interviews, we intent to dive into this experience of the world, with the positives and negatives, trying to sort if genderless is just a trend, or something else entirely.
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spelling Has genderless become a fashion design label?Será o genderless uma marca de moda?Digital fashionComputational designWearable technologiesHybrid bodiesPostdigitalModaGéneroGenderlessDesign de modaComunidadesThe word ‘genderless’ carries a cultural and social burden that hasn’t bestowed upon the general audience nor some of the most spoken about brands in the world. There have been top tier designers that have dipped their toes and tried to show a world without binary gender boundaries, but the message is still not accurate. If fashion design seeks its roots in the lifestyle of the beholder, than what lifestyle are some brands representing by showcasing their genderless ideas as neutral, basic and shapeless designs? Fashion is the art through which people can express themselves, but there always seems to be a limitation. The younger generations are questioning those limitations and establishing that we can wear what we want, as long as it’s representative of the gender we feel most, or not at all. There has been a surge of the word ‘genderless’ and several well-established brands are using it to promote, of what can only be pointed out as their marketing agendas. It’s important to understand that most of these brands ha-ven’t done their homework and they haven’t talked to the people who actually go through the experience of a non-binary reality. The problematic isn’t necessarily the use of the word ‘genderless’, it’s the appropriation of the experience of people who aren’t even a part of the conversation. The present paper wants to explore how genderless seems to have become a label and a marketing move for brands and designers to try and engage with yet another audience. But also an explo-ration of how that is failing, especially when it comes to communicating and relating to the everyday experiences of people who live beyond the binary. Through contextual inquiries and personal interviews, we intent to dive into this experience of the world, with the positives and negatives, trying to sort if genderless is just a trend, or something else entirely.O termo “genderless” carrega uma conotação cultural e social que parece ainda não existir no mainstream de um público mais vasto, e das próprias marcas de moda com mais impacto no mundo. Alguns designers começam já a tentar perceber de que forma podem abordar esta questão de um mundo que não se rege pelas limitações do género binário, mas a mensagem parece ficar aquém do que se espera. Se o design de moda, e a própria indústria, procura as suas raízes e inspiração no estilo de vida de quem observa, então que estilo de vida representam as marcas que mostram o genderless como designs neutros, básicos e sem forma? A moda é uma arte através do qual cada pessoa se pode expressar, mas parece existir sempre uma limitação. As gerações mais novas estão, finalmente, a questionar essas barreiras e a perceber que podemos, e devemos, usar aquilo que queremos, desde que represente o género que sentimos que melhor nos representa. Tem existido um aumento da palavra genderless e várias marcas já estabelecidas no mercado internacional utilizam-na como forma de promover uma ideia de inclusividade falsa. É importante perceber que são marcas que não fizeram a pesquisa de mercado relevante e não falaram com quem realmente vive neste formato não-binário. O problema não está necessariamente, no uso da palavra, mas na apropriação da experiência de vida de pessoas que nem fazem parte da conversa. Serve este artigo para explorar a forma como o genderless se está a tornar uma marca em si e uma estratégia de marketing de designers para tentarem captar mais uma audiência. Mas também uma análise de como essa táctica está a falhar no que toca à comunicação e à própria forma como se relacionam com as experiências diárias de pessoas que vivem além do binário. Através de questionários contextuais e entrevistas pessoais, tencionamos mergulhar na experiência de um mundo que, positiva ou negativamente, tenta perceber se o genderlessé apenas uma tendência ou uma questão mais profunda.IPCB. ESARTRepositório Científico do Instituto Politécnico de Castelo BrancoLoureiro, Eduarda2022-12-13T11:58:46Z20222022-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.11/8221engLOUREIRO, Eduarda (2022) - Has genderless become a fashion design label?. Convergências : Revista de Investigação e Ensino das Artes. ISSN 1646 - 9054. XV:30, p. 99-109. DOI 10.53681/c1514225187514391s.30.146.1646 - 905410.53681/c1514225187514391s.30.146info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-01-16T11:49:32Zoai:repositorio.ipcb.pt:10400.11/8221Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:38:37.271006Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Has genderless become a fashion design label?
Será o genderless uma marca de moda?
title Has genderless become a fashion design label?
spellingShingle Has genderless become a fashion design label?
Loureiro, Eduarda
Digital fashion
Computational design
Wearable technologies
Hybrid bodies
Postdigital
Moda
Género
Genderless
Design de moda
Comunidades
title_short Has genderless become a fashion design label?
title_full Has genderless become a fashion design label?
title_fullStr Has genderless become a fashion design label?
title_full_unstemmed Has genderless become a fashion design label?
title_sort Has genderless become a fashion design label?
author Loureiro, Eduarda
author_facet Loureiro, Eduarda
author_role author
dc.contributor.none.fl_str_mv Repositório Científico do Instituto Politécnico de Castelo Branco
dc.contributor.author.fl_str_mv Loureiro, Eduarda
dc.subject.por.fl_str_mv Digital fashion
Computational design
Wearable technologies
Hybrid bodies
Postdigital
Moda
Género
Genderless
Design de moda
Comunidades
topic Digital fashion
Computational design
Wearable technologies
Hybrid bodies
Postdigital
Moda
Género
Genderless
Design de moda
Comunidades
description The word ‘genderless’ carries a cultural and social burden that hasn’t bestowed upon the general audience nor some of the most spoken about brands in the world. There have been top tier designers that have dipped their toes and tried to show a world without binary gender boundaries, but the message is still not accurate. If fashion design seeks its roots in the lifestyle of the beholder, than what lifestyle are some brands representing by showcasing their genderless ideas as neutral, basic and shapeless designs? Fashion is the art through which people can express themselves, but there always seems to be a limitation. The younger generations are questioning those limitations and establishing that we can wear what we want, as long as it’s representative of the gender we feel most, or not at all. There has been a surge of the word ‘genderless’ and several well-established brands are using it to promote, of what can only be pointed out as their marketing agendas. It’s important to understand that most of these brands ha-ven’t done their homework and they haven’t talked to the people who actually go through the experience of a non-binary reality. The problematic isn’t necessarily the use of the word ‘genderless’, it’s the appropriation of the experience of people who aren’t even a part of the conversation. The present paper wants to explore how genderless seems to have become a label and a marketing move for brands and designers to try and engage with yet another audience. But also an explo-ration of how that is failing, especially when it comes to communicating and relating to the everyday experiences of people who live beyond the binary. Through contextual inquiries and personal interviews, we intent to dive into this experience of the world, with the positives and negatives, trying to sort if genderless is just a trend, or something else entirely.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-13T11:58:46Z
2022
2022-01-01T00:00:00Z
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.11/8221
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dc.language.iso.fl_str_mv eng
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dc.relation.none.fl_str_mv LOUREIRO, Eduarda (2022) - Has genderless become a fashion design label?. Convergências : Revista de Investigação e Ensino das Artes. ISSN 1646 - 9054. XV:30, p. 99-109. DOI 10.53681/c1514225187514391s.30.146.
1646 - 9054
10.53681/c1514225187514391s.30.146
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