ANALYSIS OF THE PRAGMATIC DIMENSION IN NATIONAL GENDERLESS FASHION COLLECTIONS
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , , , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Prâksis |
Texto Completo: | http://periodicos.feevale.br/seer/index.php/revistapraksis/article/view/3176 |
Resumo: | Debates regarding the production of an agender fashion are effervescent, both in the industrial and academic-scientific fields. Therefore, this paper investigates the context and meaning of the visual elements found in two agender fashion collections, specifically, the “Cor de Pele” collections by Dendezeiros and “Onda Poderosa” by SejaWind, seeking to elucidate characteristics that communicate the non-binarity of gender in pieces listed. To this end, this research has an applied nature, of the quanti-qualitative type, with an exploratory-descriptive approach. As a technical procedure, a semiotic analysis was carried out, explicitly seeking to investigate the pragmatic dimension of the selected artefacts, interpreting the elements decoded by analytical research on a historical basis. Regarding the main results, it was found that the presence of products that tend to challenge the current social standards of gender, being, therefore, a direct relationship between the garment and the body of the person who wears it; and others that are marketed as genderless but do not present attributes, neither on its formgiven nor market configuration, that corroborates such intentionality. It can be concluded that the primary levels of consumer relationship with agender products are psychological and sociological, given the aesthetic appeal and the search for breaking sociocultural paradigms of gender. |
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ANALYSIS OF THE PRAGMATIC DIMENSION IN NATIONAL GENDERLESS FASHION COLLECTIONSANÁLISE DA DIMENSÃO PRAGMÁTICA EM COLEÇÕES NACIONAIS DE MODA AGÊNEROGenderless fashionVisual communicationClothingModa agêneroComunicação visualVestuárioDebates regarding the production of an agender fashion are effervescent, both in the industrial and academic-scientific fields. Therefore, this paper investigates the context and meaning of the visual elements found in two agender fashion collections, specifically, the “Cor de Pele” collections by Dendezeiros and “Onda Poderosa” by SejaWind, seeking to elucidate characteristics that communicate the non-binarity of gender in pieces listed. To this end, this research has an applied nature, of the quanti-qualitative type, with an exploratory-descriptive approach. As a technical procedure, a semiotic analysis was carried out, explicitly seeking to investigate the pragmatic dimension of the selected artefacts, interpreting the elements decoded by analytical research on a historical basis. Regarding the main results, it was found that the presence of products that tend to challenge the current social standards of gender, being, therefore, a direct relationship between the garment and the body of the person who wears it; and others that are marketed as genderless but do not present attributes, neither on its formgiven nor market configuration, that corroborates such intentionality. It can be concluded that the primary levels of consumer relationship with agender products are psychological and sociological, given the aesthetic appeal and the search for breaking sociocultural paradigms of gender.Os debates em relação à produção de uma moda agênero efervescem, tanto no campo industrial quanto no acadêmico-científico. Por isso, este artigo objetiva investigar o contexto e o significado dos elementos visuais encontrados em duas coleções de moda agênero, em específico das coleções “Cor de Pele” (2021), da marca Dendezeiros, e “Onda Poderosa” (2022), da SejaWind, buscando-se por elucidar características que comunicam a não-binaridade de gênero nas peças elencadas. Para tal, essa pesquisa possui natureza aplicada, do tipo quanti-qualitativa, com abordagem exploratório-descritiva. Enquanto procedimento técnico, realizou-se uma análise semiótica, especificamente, buscando investigar a dimensão pragmática dos artefatos ora selecionados, interpretando os elementos decodificados por uma pesquisa analítica de base histórica. Em relação aos principais resultados, constatou-se a presença de produtos que tendem a desafiar os padrões sociais vigentes de gênero, sendo, portanto, uma relação direta entre peça de vestuário e corpo de quem a veste; e outras que são comercializadas como agênero, mas não apresentam atributos, nem de configuração formal, nem mercadológico, que corrobore tal intecionacionalidade. Pôde-se concluir que os principais níveis de relacionamento dos consumidores com os produtos agênero são de natureza psicológica e sociológica, tendo em vista o apelo estético e a busca pela quebra de paradigmas socioculturais de gênero.Universidade Feevale2023-01-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.feevale.br/seer/index.php/revistapraksis/article/view/317610.25112/rpr.v1.3176Revista Prâksis; v. 1 (2023): Arte e Moda: Iberê Camargo, as Artes Visuais e a Moda no Rio Grande do Sul; 62-822448-19391807-1112reponame:Revista Prâksisinstname:Universidade Feevale (Feevale)instacron:Feevaleporhttp://periodicos.feevale.br/seer/index.php/revistapraksis/article/view/3176/3119Copyright (c) 2022 Ítalo José de Medeiros Dantas, Adson de Lima Claudino, Glauber Soares Júnior, Fabiano Eloy Atílio Batista, Lívia Juliana Silva Solino, Duciane Oliveira de Freitas Furtadohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDantas, Ítalo José de Medeiros Claudino, Adson de LimaSoares Júnior, GlauberBatista, Fabiano Eloy AtílioSolino, Lívia Juliana SilvaFurtado, Duciane Oliveira de Freitas2023-08-23T18:28:48Zoai:ojs.pkp.sfu.ca:article/3176Revistahttp://periodicos.feevale.br/seer/index.php/revistapraksis/indexhttp://periodicos.feevale.br/seer/index.php/revistapraksis/oai||mauricio@feevale.br2448-19392448-1939opendoar:2023-08-23T18:28:48Revista Prâksis - Universidade Feevale (Feevale)false |
dc.title.none.fl_str_mv |
ANALYSIS OF THE PRAGMATIC DIMENSION IN NATIONAL GENDERLESS FASHION COLLECTIONS ANÁLISE DA DIMENSÃO PRAGMÁTICA EM COLEÇÕES NACIONAIS DE MODA AGÊNERO |
title |
ANALYSIS OF THE PRAGMATIC DIMENSION IN NATIONAL GENDERLESS FASHION COLLECTIONS |
spellingShingle |
ANALYSIS OF THE PRAGMATIC DIMENSION IN NATIONAL GENDERLESS FASHION COLLECTIONS Dantas, Ítalo José de Medeiros Genderless fashion Visual communication Clothing Moda agênero Comunicação visual Vestuário |
title_short |
ANALYSIS OF THE PRAGMATIC DIMENSION IN NATIONAL GENDERLESS FASHION COLLECTIONS |
title_full |
ANALYSIS OF THE PRAGMATIC DIMENSION IN NATIONAL GENDERLESS FASHION COLLECTIONS |
title_fullStr |
ANALYSIS OF THE PRAGMATIC DIMENSION IN NATIONAL GENDERLESS FASHION COLLECTIONS |
title_full_unstemmed |
ANALYSIS OF THE PRAGMATIC DIMENSION IN NATIONAL GENDERLESS FASHION COLLECTIONS |
title_sort |
ANALYSIS OF THE PRAGMATIC DIMENSION IN NATIONAL GENDERLESS FASHION COLLECTIONS |
author |
Dantas, Ítalo José de Medeiros |
author_facet |
Dantas, Ítalo José de Medeiros Claudino, Adson de Lima Soares Júnior, Glauber Batista, Fabiano Eloy Atílio Solino, Lívia Juliana Silva Furtado, Duciane Oliveira de Freitas |
author_role |
author |
author2 |
Claudino, Adson de Lima Soares Júnior, Glauber Batista, Fabiano Eloy Atílio Solino, Lívia Juliana Silva Furtado, Duciane Oliveira de Freitas |
author2_role |
author author author author author |
dc.contributor.author.fl_str_mv |
Dantas, Ítalo José de Medeiros Claudino, Adson de Lima Soares Júnior, Glauber Batista, Fabiano Eloy Atílio Solino, Lívia Juliana Silva Furtado, Duciane Oliveira de Freitas |
dc.subject.por.fl_str_mv |
Genderless fashion Visual communication Clothing Moda agênero Comunicação visual Vestuário |
topic |
Genderless fashion Visual communication Clothing Moda agênero Comunicação visual Vestuário |
description |
Debates regarding the production of an agender fashion are effervescent, both in the industrial and academic-scientific fields. Therefore, this paper investigates the context and meaning of the visual elements found in two agender fashion collections, specifically, the “Cor de Pele” collections by Dendezeiros and “Onda Poderosa” by SejaWind, seeking to elucidate characteristics that communicate the non-binarity of gender in pieces listed. To this end, this research has an applied nature, of the quanti-qualitative type, with an exploratory-descriptive approach. As a technical procedure, a semiotic analysis was carried out, explicitly seeking to investigate the pragmatic dimension of the selected artefacts, interpreting the elements decoded by analytical research on a historical basis. Regarding the main results, it was found that the presence of products that tend to challenge the current social standards of gender, being, therefore, a direct relationship between the garment and the body of the person who wears it; and others that are marketed as genderless but do not present attributes, neither on its formgiven nor market configuration, that corroborates such intentionality. It can be concluded that the primary levels of consumer relationship with agender products are psychological and sociological, given the aesthetic appeal and the search for breaking sociocultural paradigms of gender. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-01-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.feevale.br/seer/index.php/revistapraksis/article/view/3176 10.25112/rpr.v1.3176 |
url |
http://periodicos.feevale.br/seer/index.php/revistapraksis/article/view/3176 |
identifier_str_mv |
10.25112/rpr.v1.3176 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.feevale.br/seer/index.php/revistapraksis/article/view/3176/3119 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Feevale |
publisher.none.fl_str_mv |
Universidade Feevale |
dc.source.none.fl_str_mv |
Revista Prâksis; v. 1 (2023): Arte e Moda: Iberê Camargo, as Artes Visuais e a Moda no Rio Grande do Sul; 62-82 2448-1939 1807-1112 reponame:Revista Prâksis instname:Universidade Feevale (Feevale) instacron:Feevale |
instname_str |
Universidade Feevale (Feevale) |
instacron_str |
Feevale |
institution |
Feevale |
reponame_str |
Revista Prâksis |
collection |
Revista Prâksis |
repository.name.fl_str_mv |
Revista Prâksis - Universidade Feevale (Feevale) |
repository.mail.fl_str_mv |
||mauricio@feevale.br |
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1814257214062329856 |