No home movies: first person documentary

Detalhes bibliográficos
Autor(a) principal: Lukovnikova, Anastasia
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/57489
Resumo: The review of the history and practice of first-person filmmaking and autobiographical documentary, as well as common strategies of self-representation, applied by filmmakers, is accompanied by several case-studies, that give a deeper perspective on the nature of a self-portrait, diary film, a portrait of a mother, a family investigation and an essay on film. First-person documentary films by Agnès Varda, David Perlov, Chantal Akerman, Chris Marker, Catarina Mourão, Alain Berliner are discussed in the context of postmemory, representation of everyday and death, deconstruction of the archive, performative strategies, cinephilia. To conclude, the experience of creating an autobiographical documentary by the author is shared, placing some of the questions raised earlier in the practical field.
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spelling No home movies: first person documentaryAutobiographydocumentary,SubjectivitySelf-portraitDiaryDomínio/Área Científica::Ciências Sociais::Ciências da ComunicaçãoThe review of the history and practice of first-person filmmaking and autobiographical documentary, as well as common strategies of self-representation, applied by filmmakers, is accompanied by several case-studies, that give a deeper perspective on the nature of a self-portrait, diary film, a portrait of a mother, a family investigation and an essay on film. First-person documentary films by Agnès Varda, David Perlov, Chantal Akerman, Chris Marker, Catarina Mourão, Alain Berliner are discussed in the context of postmemory, representation of everyday and death, deconstruction of the archive, performative strategies, cinephilia. To conclude, the experience of creating an autobiographical documentary by the author is shared, placing some of the questions raised earlier in the practical field.Medeiros, MargaridaRUNLukovnikova, Anastasia2019-01-15T10:35:04Z2018-11-212018-09-302018-11-21T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10362/57489TID:202053555enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T04:27:35Zoai:run.unl.pt:10362/57489Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:33:02.880818Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv No home movies: first person documentary
title No home movies: first person documentary
spellingShingle No home movies: first person documentary
Lukovnikova, Anastasia
Autobiography
documentary,
Subjectivity
Self-portrait
Diary
Domínio/Área Científica::Ciências Sociais::Ciências da Comunicação
title_short No home movies: first person documentary
title_full No home movies: first person documentary
title_fullStr No home movies: first person documentary
title_full_unstemmed No home movies: first person documentary
title_sort No home movies: first person documentary
author Lukovnikova, Anastasia
author_facet Lukovnikova, Anastasia
author_role author
dc.contributor.none.fl_str_mv Medeiros, Margarida
RUN
dc.contributor.author.fl_str_mv Lukovnikova, Anastasia
dc.subject.por.fl_str_mv Autobiography
documentary,
Subjectivity
Self-portrait
Diary
Domínio/Área Científica::Ciências Sociais::Ciências da Comunicação
topic Autobiography
documentary,
Subjectivity
Self-portrait
Diary
Domínio/Área Científica::Ciências Sociais::Ciências da Comunicação
description The review of the history and practice of first-person filmmaking and autobiographical documentary, as well as common strategies of self-representation, applied by filmmakers, is accompanied by several case-studies, that give a deeper perspective on the nature of a self-portrait, diary film, a portrait of a mother, a family investigation and an essay on film. First-person documentary films by Agnès Varda, David Perlov, Chantal Akerman, Chris Marker, Catarina Mourão, Alain Berliner are discussed in the context of postmemory, representation of everyday and death, deconstruction of the archive, performative strategies, cinephilia. To conclude, the experience of creating an autobiographical documentary by the author is shared, placing some of the questions raised earlier in the practical field.
publishDate 2018
dc.date.none.fl_str_mv 2018-11-21
2018-09-30
2018-11-21T00:00:00Z
2019-01-15T10:35:04Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/57489
TID:202053555
url http://hdl.handle.net/10362/57489
identifier_str_mv TID:202053555
dc.language.iso.fl_str_mv eng
language eng
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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