The color work of Breaking Bad: narrative excess and its effects on fan interpretation

Detalhes bibliográficos
Autor(a) principal: Anchieta, Wanderley
Data de Publicação: 2019
Outros Autores: Pilz, Jonas
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.14591/aniki.v6n1.448
Resumo: This article discusses the addition of details or excesses in the mises-en-scène of current television programs, from the creative use of colors, centering its analysis on Marie Schrader's character in Breaking Bad (2014) and the web conversations about her association with color purple. The narrative junction between the natural transformations of the plot and the exuberant inventiveness by which it is transmitted to viewers via discourse/style generates what television critics point to as the arrival of golden era in which the glamor once couple with films would migrate to series, an act that authors like Mittell and Johnson nominate as complex television. Such ingenuity in productions encourages, in the general public and on the fans in particular, a greater attempt to observe, share and comment on their interpretations of the story they appreciate.
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spelling The color work of Breaking Bad: narrative excess and its effects on fan interpretationO colorido de Breaking Bad: excessos narrativos e seus efeitos nas interpretações dos fãscolorsBreaking Badfansnarrative excesscoresBreaking BadfãsThis article discusses the addition of details or excesses in the mises-en-scène of current television programs, from the creative use of colors, centering its analysis on Marie Schrader's character in Breaking Bad (2014) and the web conversations about her association with color purple. The narrative junction between the natural transformations of the plot and the exuberant inventiveness by which it is transmitted to viewers via discourse/style generates what television critics point to as the arrival of golden era in which the glamor once couple with films would migrate to series, an act that authors like Mittell and Johnson nominate as complex television. Such ingenuity in productions encourages, in the general public and on the fans in particular, a greater attempt to observe, share and comment on their interpretations of the story they appreciate.Este artigo apresenta discussões sobre a adição de detalhes ou excessos nas mises-en-scène dos programas televisivos da atualidade, a partir do uso criativo das cores, delimitando análise da personagem Marie Schrader de Breaking Bad e conversações em rede sobre sua associação com a cor roxa. A junção narrativa entre as transformações naturais do enredo e as inventividades exuberantes pelas quais as mesmas são transmitidas aos espectadores via discurso/estilo gera o que os críticos de televisão apontam como a chegada de uma era de ouro na qual haveria uma migração do glamour outrora atrelado ao cinema para os seriados, nomeados complexos por autores como Mittel e Johnson. Tal engenhosidade nas produções estimula, no público em geral e nos fãs em especial, maior intento de observar, compartir e comentar suas interpretações sobre a história que apreciam.AIM - Associação de Investigadores da Imagem em Movimento2019-02-06info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.14591/aniki.v6n1.448https://doi.org/10.14591/aniki.v6n1.448Aniki: Portuguese Journal of the Moving Image; Vol 6 No 1 (2019): The viewing and criticism of television series; 61-81Aniki: Revista Portuguesa da Imagem em Movimento; v. 6 n. 1 (2019): O visionamento e a crítica de séries de televisão; 61-812183-1750reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttp://aim.org.pt/ojs/index.php/revista/article/view/448http://aim.org.pt/ojs/index.php/revista/article/view/448/pdfAnchieta, WanderleyPilz, Jonasinfo:eu-repo/semantics/openAccess2024-01-26T02:03:10Zoai:aim.org.pt/ojs/:article/448Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:17.171823Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The color work of Breaking Bad: narrative excess and its effects on fan interpretation
O colorido de Breaking Bad: excessos narrativos e seus efeitos nas interpretações dos fãs
title The color work of Breaking Bad: narrative excess and its effects on fan interpretation
spellingShingle The color work of Breaking Bad: narrative excess and its effects on fan interpretation
Anchieta, Wanderley
colors
Breaking Bad
fans
narrative excess
cores
Breaking Bad
fãs
title_short The color work of Breaking Bad: narrative excess and its effects on fan interpretation
title_full The color work of Breaking Bad: narrative excess and its effects on fan interpretation
title_fullStr The color work of Breaking Bad: narrative excess and its effects on fan interpretation
title_full_unstemmed The color work of Breaking Bad: narrative excess and its effects on fan interpretation
title_sort The color work of Breaking Bad: narrative excess and its effects on fan interpretation
author Anchieta, Wanderley
author_facet Anchieta, Wanderley
Pilz, Jonas
author_role author
author2 Pilz, Jonas
author2_role author
dc.contributor.author.fl_str_mv Anchieta, Wanderley
Pilz, Jonas
dc.subject.por.fl_str_mv colors
Breaking Bad
fans
narrative excess
cores
Breaking Bad
fãs
topic colors
Breaking Bad
fans
narrative excess
cores
Breaking Bad
fãs
description This article discusses the addition of details or excesses in the mises-en-scène of current television programs, from the creative use of colors, centering its analysis on Marie Schrader's character in Breaking Bad (2014) and the web conversations about her association with color purple. The narrative junction between the natural transformations of the plot and the exuberant inventiveness by which it is transmitted to viewers via discourse/style generates what television critics point to as the arrival of golden era in which the glamor once couple with films would migrate to series, an act that authors like Mittell and Johnson nominate as complex television. Such ingenuity in productions encourages, in the general public and on the fans in particular, a greater attempt to observe, share and comment on their interpretations of the story they appreciate.
publishDate 2019
dc.date.none.fl_str_mv 2019-02-06
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dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://doi.org/10.14591/aniki.v6n1.448
https://doi.org/10.14591/aniki.v6n1.448
url https://doi.org/10.14591/aniki.v6n1.448
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://aim.org.pt/ojs/index.php/revista/article/view/448
http://aim.org.pt/ojs/index.php/revista/article/view/448/pdf
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dc.publisher.none.fl_str_mv AIM - Associação de Investigadores da Imagem em Movimento
publisher.none.fl_str_mv AIM - Associação de Investigadores da Imagem em Movimento
dc.source.none.fl_str_mv Aniki: Portuguese Journal of the Moving Image; Vol 6 No 1 (2019): The viewing and criticism of television series; 61-81
Aniki: Revista Portuguesa da Imagem em Movimento; v. 6 n. 1 (2019): O visionamento e a crítica de séries de televisão; 61-81
2183-1750
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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