La mirada antropológica de Nicolás Guillén Landrián: subalternidad y diferencia en sus primeros documentales

• Autor(a) principal: Juan-Navarro, Santiago
• Data de Publicação: 2019
• Tipo de documento: Artigo
• Idioma: spa
• Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
• Texto Completo: http://ojs.labcom-ifp.ubi.pt/index.php/doc/article/view/655
• topic: cuban cinema, short documentaries, Nicolás Guillén Landrián, anthropology, revolution, marginality; cine cubano, cortos documentales, Nicolás Guillén Landrián, antropología, revolución, marginalidad; cinéma cubain, courts métrages documentaires, Nicolás Guillén Landrián, anthropologie, révolution, marginalité; cinema cubano, documentários de curta-metragem, Nicolás Guillén Landrián, antropologia, revolução, marginalidade

This article explores Nicolás Guillén Landrián’s early documentaries, shotin the mid 60’s, as an expression of the spirit of resistance and plurality among marginal groups (black Cubans living in Havana and peasants from isolated eastern settlements) at a time in which the markers of a difference were seen as a threat to Castroism’s regularizing discourse. In these short films, Guillén Landrián introduced an anthropological perspective that focused on those social subjects to whom the utopian enthusiasm of the time ended up by excluding from the grand narrative of redemption fostered by the Revolution.