GENERAL TORRES: COMPOSITIONAL PROCESS IN AN ENVIRONMENTALLY-FRAMED MUSICAL WORK
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34624/postip.v1i0.30174 |
Resumo: | This paper presents a series of processes used for the creation of an environmentally framed musical composition: music that derives its structure and sounds from a soundscape study. To achieve this goal, two contemporary compositional trends that support the creation of such type of music are used: Sound Imagery and Soundscape Composition. The work General Torres (2007) is used as a means to explain how sounds present in a soundscape can favor the creation of a musical composition. This piece is based on the temporal narrative proposed while waiting inside the train station “General Torres”, in Vila Nova de Gaia, Portugal. The structural process and sound discourse used in the piece is described in order to highlight the uses of both Sound Imagery and Soundscape Composition. Thus, the goal for this study was to develop a piece (composition) in which listening awareness was encouraged, and that (what, the listening awareness?) musically translates a sound context using referential sound material. |
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GENERAL TORRES: COMPOSITIONAL PROCESS IN AN ENVIRONMENTALLY-FRAMED MUSICAL WORKGENERAL TORRES: COMPOSITIONAL PROCESS IN AN ENVIRONMENTALLY-FRAMED MUSICAL WORKThis paper presents a series of processes used for the creation of an environmentally framed musical composition: music that derives its structure and sounds from a soundscape study. To achieve this goal, two contemporary compositional trends that support the creation of such type of music are used: Sound Imagery and Soundscape Composition. The work General Torres (2007) is used as a means to explain how sounds present in a soundscape can favor the creation of a musical composition. This piece is based on the temporal narrative proposed while waiting inside the train station “General Torres”, in Vila Nova de Gaia, Portugal. The structural process and sound discourse used in the piece is described in order to highlight the uses of both Sound Imagery and Soundscape Composition. Thus, the goal for this study was to develop a piece (composition) in which listening awareness was encouraged, and that (what, the listening awareness?) musically translates a sound context using referential sound material.UA Editora2010-10-15info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34624/postip.v1i0.30174oai:proa.ua.pt:article/30174Post-ip: Journal of the International Forum for Studies in Music and Dance; Vol 1 (2009): Post-ip - Revista do Fórum Internacional de Estudos em Música e Dança; 161-169Post-ip: Revista do Fórum Internacional de Estudos em Música e Dança; vol. 1 (2009): Post-ip - Revista do Fórum Internacional de Estudos em Música e Dança; 161-1692184-6138reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://proa.ua.pt/index.php/postip/article/view/30174https://doi.org/10.34624/postip.v1i0.30174https://proa.ua.pt/index.php/postip/article/view/30174/20928Direitos de Autor (c) 2010 Post-ip: Revista do Fórum Internacional de Estudos em Música e Dançahttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessOliveira, Rafael de2022-12-21T07:46:27Zoai:proa.ua.pt:article/30174Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:28:43.527266Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
GENERAL TORRES: COMPOSITIONAL PROCESS IN AN ENVIRONMENTALLY-FRAMED MUSICAL WORK GENERAL TORRES: COMPOSITIONAL PROCESS IN AN ENVIRONMENTALLY-FRAMED MUSICAL WORK |
title |
GENERAL TORRES: COMPOSITIONAL PROCESS IN AN ENVIRONMENTALLY-FRAMED MUSICAL WORK |
spellingShingle |
GENERAL TORRES: COMPOSITIONAL PROCESS IN AN ENVIRONMENTALLY-FRAMED MUSICAL WORK Oliveira, Rafael de |
title_short |
GENERAL TORRES: COMPOSITIONAL PROCESS IN AN ENVIRONMENTALLY-FRAMED MUSICAL WORK |
title_full |
GENERAL TORRES: COMPOSITIONAL PROCESS IN AN ENVIRONMENTALLY-FRAMED MUSICAL WORK |
title_fullStr |
GENERAL TORRES: COMPOSITIONAL PROCESS IN AN ENVIRONMENTALLY-FRAMED MUSICAL WORK |
title_full_unstemmed |
GENERAL TORRES: COMPOSITIONAL PROCESS IN AN ENVIRONMENTALLY-FRAMED MUSICAL WORK |
title_sort |
GENERAL TORRES: COMPOSITIONAL PROCESS IN AN ENVIRONMENTALLY-FRAMED MUSICAL WORK |
author |
Oliveira, Rafael de |
author_facet |
Oliveira, Rafael de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Rafael de |
description |
This paper presents a series of processes used for the creation of an environmentally framed musical composition: music that derives its structure and sounds from a soundscape study. To achieve this goal, two contemporary compositional trends that support the creation of such type of music are used: Sound Imagery and Soundscape Composition. The work General Torres (2007) is used as a means to explain how sounds present in a soundscape can favor the creation of a musical composition. This piece is based on the temporal narrative proposed while waiting inside the train station “General Torres”, in Vila Nova de Gaia, Portugal. The structural process and sound discourse used in the piece is described in order to highlight the uses of both Sound Imagery and Soundscape Composition. Thus, the goal for this study was to develop a piece (composition) in which listening awareness was encouraged, and that (what, the listening awareness?) musically translates a sound context using referential sound material. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-10-15 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34624/postip.v1i0.30174 oai:proa.ua.pt:article/30174 |
url |
https://doi.org/10.34624/postip.v1i0.30174 |
identifier_str_mv |
oai:proa.ua.pt:article/30174 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://proa.ua.pt/index.php/postip/article/view/30174 https://doi.org/10.34624/postip.v1i0.30174 https://proa.ua.pt/index.php/postip/article/view/30174/20928 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2010 Post-ip: Revista do Fórum Internacional de Estudos em Música e Dança http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2010 Post-ip: Revista do Fórum Internacional de Estudos em Música e Dança http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UA Editora |
publisher.none.fl_str_mv |
UA Editora |
dc.source.none.fl_str_mv |
Post-ip: Journal of the International Forum for Studies in Music and Dance; Vol 1 (2009): Post-ip - Revista do Fórum Internacional de Estudos em Música e Dança; 161-169 Post-ip: Revista do Fórum Internacional de Estudos em Música e Dança; vol. 1 (2009): Post-ip - Revista do Fórum Internacional de Estudos em Música e Dança; 161-169 2184-6138 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799130744864374784 |