Law and literature: the absurd in law in "The Stranger" by Albert Camus

Detalhes bibliográficos
Autor(a) principal: Freitas, Lorena Martoni de
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Anamorphosis (Porto Alegre)
Texto Completo: https://periodicos.rdl.org.br/anamps/article/view/14
Resumo: From an understanding of the philosophy of absurd developed by Camus, it is possible to think about The Stranger from a legal point of view, not only in relation to the criminal elements addressed during the trial of Mersault, the protagonist, but also in relation to the implications that the notions of "stranger" and "enemy" bring to studies on identity and otherness, as well as the proximity of man and law, freedom and moral, presented in this article as foundations for the philosophy of Camus.  Thus, this work explores the emergent richness of an interdisciplinary study that uses Literature to think about Law, for understanding the paradoxes in literary art allows us to trace a fruitful path to critical reflection on the very nature of Law, showing the important intersection between both spheres.
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spelling Law and literature: the absurd in law in "The Stranger" by Albert CamusDireito e literatura: o absurdo no direito em “O estrangeiro”, de Albert Camuslawabsurd"The Stranger"Albert CamusDireitoabsurdo"O estrangeiro"Albert CamusFrom an understanding of the philosophy of absurd developed by Camus, it is possible to think about The Stranger from a legal point of view, not only in relation to the criminal elements addressed during the trial of Mersault, the protagonist, but also in relation to the implications that the notions of "stranger" and "enemy" bring to studies on identity and otherness, as well as the proximity of man and law, freedom and moral, presented in this article as foundations for the philosophy of Camus.  Thus, this work explores the emergent richness of an interdisciplinary study that uses Literature to think about Law, for understanding the paradoxes in literary art allows us to trace a fruitful path to critical reflection on the very nature of Law, showing the important intersection between both spheres.A partir de uma compreensão da filosofia do absurdo desenvolvida por Camus, é possível pensar a obra O estrangeiro por meio de uma ótica jurídica, não apenas relativamente a seus elementos penais tratados no decorrer do processo de julgamento de Mersault, mas inclusive sobre as implicações que a noção de estrangeiro e inimigo trazem a estudos sobre identidade e alteridade, bem como a profunda relação entre homem e direito, liberdade e moral, apresentados no presente artigo como pilares que sustentam a narrativa. Conclui-se portanto pela a riqueza de um estudo interdisciplinar, que lance mão da Literatura para pensar o Direito, pois compreender esses paradoxos exaltados na arte literária fornece um caminho profícuo para uma reflexão crítica sobre a própria natureza do direito, demonstrando a importante intersecção entre ambas as esferas.Rede Brasileira Direito e Literatura (RDL)2015-05-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfapplication/pdfapplication/xmlhttps://periodicos.rdl.org.br/anamps/article/view/1410.21119/anamps.11.139-156ANAMORPHOSIS - International Journal of Law and Literature; Vol. 1 No. 1 (2015): janeiro-junho; 139-156ANAMORPHOSIS – Revista Internacional de Derecho y Literatura; Vol. 1 Núm. 1 (2015): janeiro-junho; 139-156ANAMORPHOSIS – Revue internationale de droit et littérature; Vol. 1 No 1 (2015): janeiro-junho; 139-156ANAMORPHOSIS - Rivista Internazionale di Diritto e Letteratura; V. 1 N. 1 (2015): janeiro-junho; 139-156ANAMORPHOSIS - Revista Internacional de Direito e Literatura; v. 1 n. 1 (2015): janeiro-junho; 139-1562446-80882446-808810.21119/anamps.11.2015reponame:Anamorphosis (Porto Alegre)instname:Rede Brasileira Direito e Literatura (RDL)instacron:RDLporenghttps://periodicos.rdl.org.br/anamps/article/view/14/pdf_1https://periodicos.rdl.org.br/anamps/article/view/14/pdfhttps://periodicos.rdl.org.br/anamps/article/view/14/xmlCopyright (c) 2016 RDLinfo:eu-repo/semantics/openAccessFreitas, Lorena Martoni de2020-07-07T12:35:19Zoai:ojs.emnuvens.com.br:article/14Revistahttp://rdl.org.br/seer/index.php/anampsONGhttps://periodicos.rdl.org.br/anamps/oairevista@rdl.org.br||henriete@rdl.org.br2446-80882446-8088opendoar:2020-07-07T12:35:19Anamorphosis (Porto Alegre) - Rede Brasileira Direito e Literatura (RDL)false
dc.title.none.fl_str_mv Law and literature: the absurd in law in "The Stranger" by Albert Camus
Direito e literatura: o absurdo no direito em “O estrangeiro”, de Albert Camus
title Law and literature: the absurd in law in "The Stranger" by Albert Camus
spellingShingle Law and literature: the absurd in law in "The Stranger" by Albert Camus
Freitas, Lorena Martoni de
law
absurd
"The Stranger"
Albert Camus
Direito
absurdo
"O estrangeiro"
Albert Camus
title_short Law and literature: the absurd in law in "The Stranger" by Albert Camus
title_full Law and literature: the absurd in law in "The Stranger" by Albert Camus
title_fullStr Law and literature: the absurd in law in "The Stranger" by Albert Camus
title_full_unstemmed Law and literature: the absurd in law in "The Stranger" by Albert Camus
title_sort Law and literature: the absurd in law in "The Stranger" by Albert Camus
author Freitas, Lorena Martoni de
author_facet Freitas, Lorena Martoni de
author_role author
dc.contributor.author.fl_str_mv Freitas, Lorena Martoni de
dc.subject.por.fl_str_mv law
absurd
"The Stranger"
Albert Camus
Direito
absurdo
"O estrangeiro"
Albert Camus
topic law
absurd
"The Stranger"
Albert Camus
Direito
absurdo
"O estrangeiro"
Albert Camus
description From an understanding of the philosophy of absurd developed by Camus, it is possible to think about The Stranger from a legal point of view, not only in relation to the criminal elements addressed during the trial of Mersault, the protagonist, but also in relation to the implications that the notions of "stranger" and "enemy" bring to studies on identity and otherness, as well as the proximity of man and law, freedom and moral, presented in this article as foundations for the philosophy of Camus.  Thus, this work explores the emergent richness of an interdisciplinary study that uses Literature to think about Law, for understanding the paradoxes in literary art allows us to trace a fruitful path to critical reflection on the very nature of Law, showing the important intersection between both spheres.
publishDate 2015
dc.date.none.fl_str_mv 2015-05-20
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dc.identifier.uri.fl_str_mv https://periodicos.rdl.org.br/anamps/article/view/14
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identifier_str_mv 10.21119/anamps.11.139-156
dc.language.iso.fl_str_mv por
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language por
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eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Rede Brasileira Direito e Literatura (RDL)
publisher.none.fl_str_mv Rede Brasileira Direito e Literatura (RDL)
dc.source.none.fl_str_mv ANAMORPHOSIS - International Journal of Law and Literature; Vol. 1 No. 1 (2015): janeiro-junho; 139-156
ANAMORPHOSIS – Revista Internacional de Derecho y Literatura; Vol. 1 Núm. 1 (2015): janeiro-junho; 139-156
ANAMORPHOSIS – Revue internationale de droit et littérature; Vol. 1 No 1 (2015): janeiro-junho; 139-156
ANAMORPHOSIS - Rivista Internazionale di Diritto e Letteratura; V. 1 N. 1 (2015): janeiro-junho; 139-156
ANAMORPHOSIS - Revista Internacional de Direito e Literatura; v. 1 n. 1 (2015): janeiro-junho; 139-156
2446-8088
2446-8088
10.21119/anamps.11.2015
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