Cnemon the wronged: the effects of δίκη’s action in Heliodorus’ Aethiopica
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Classica (Sociedade Brasileira de Estudos Clássicos. Online) |
Texto Completo: | https://revista.classica.org.br/classica/article/view/863 |
Resumo: | In the first book of the novel Aethiopica, Cnemon, the prisoner of the Nile pirates, becomes the interpreter of the protagonists Theagenes and Charicleia, to whom he recounts his misfortunes. Among the stories is the account of the trial to which he, an Athenian from a distinct family, was submitted on charges of attempted parricide. In the version of Cnemon, the judges are evidently taken by the πάθος and the ἦθος of the accusers, while he, as the defendant, has his speech rights curtailed. Analysis of this secondary account, which can be considered a novel within the novel, provides fundamental elements about the notion of δίκη. If, on the one hand, the immediate context of the judgment to which Cnemon makes reference leads to the conclusion that he was, in fact, harmed by human justice (Etiop., 1.13); on the other hand, the larger context of the account implies that he is protected and avenged by Δίκη (Etiop., 1.14.4). The reflection on the performance of justice, introduced in the novel via this secondary account, is taken up elsewhere in the novel, showing the use of narrative techniques for argumentative purposes by the author of the Aethiopica. |
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Cnemon the wronged: the effects of δίκη’s action in Heliodorus’ AethiopicaCnêmon, o injustiçado: os efeitos da atuação de δίκη nas Etiópicas de Heliodororomance grego retórica antiga Etiópicas de Heliodoro justiça técnicas narrativas Greek novel Ancient rhetoric Heliodorus’ Aethiopica justice narrative techniquesIn the first book of the novel Aethiopica, Cnemon, the prisoner of the Nile pirates, becomes the interpreter of the protagonists Theagenes and Charicleia, to whom he recounts his misfortunes. Among the stories is the account of the trial to which he, an Athenian from a distinct family, was submitted on charges of attempted parricide. In the version of Cnemon, the judges are evidently taken by the πάθος and the ἦθος of the accusers, while he, as the defendant, has his speech rights curtailed. Analysis of this secondary account, which can be considered a novel within the novel, provides fundamental elements about the notion of δίκη. If, on the one hand, the immediate context of the judgment to which Cnemon makes reference leads to the conclusion that he was, in fact, harmed by human justice (Etiop., 1.13); on the other hand, the larger context of the account implies that he is protected and avenged by Δίκη (Etiop., 1.14.4). The reflection on the performance of justice, introduced in the novel via this secondary account, is taken up elsewhere in the novel, showing the use of narrative techniques for argumentative purposes by the author of the Aethiopica.No primeiro livro do romance Etiópicas, Cnêmon, o prisioneiro dos piratas do Nilo, torna-se o intérprete dos protagonistas Teágenes e Caricleia, para quem narra os seus infortúnios. Dentre as histórias, consta o relato do julgamento ao qual ele, um ateniense de família distinta, foi submetido, sob a acusação de tentativa de parricídio. Na versão de Cnêmon, os juízes são evidentemente levados pelo πάθος e pelo ἦθος dos acusadores, enquanto ele, como réu, tem seus direitos de fala cerceados. A análise desse relato secundário, que pode ser considerado um romance dentro do romance, fornece elementos fundamentais sobre a noção de δίκη. Se, por um lado, o contexto imediato do julgamento ao qual Cnêmon faz menção leva à conclusão de que ele foi, de fato, prejudicado pela justiça humana (Etiop.,1.13), por outro, o contexto maior do relato dá a entender que ele é protegido e vingado pela Δίκη (Etiop.,1.14.4). A reflexão a respeito da atuação da justiça, introduzida no romance via esse relato secundário, é retomada em outros pontos do romance, evidenciando a utilização de técnicas narrativas com fins argumentativos pelo autor das Etiópicas. Sociedade Brasileira de Estudos Clássicos (SBEC)2021-04-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revista.classica.org.br/classica/article/view/86310.24277/classica.v34i1.863Classica; Vol. 34 No. 1 (2021); 69-84Classica - Revista Brasileira de Estudos Clássicos; v. 34 n. 1 (2021); 69-842176-64360103-431610.24277/classica.v34i1reponame:Classica (Sociedade Brasileira de Estudos Clássicos. Online)instname:Sociedade Brasileira de Estudos Clássicos (SBEC)instacron:SBECporhttps://revista.classica.org.br/classica/article/view/863/854https://revista.classica.org.br/classica/article/view/863/998Copyright (c) 2021 Geruza de Souza Graebinhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGraebin, Geruza de Souza2022-06-21T18:35:44Zoai:ojs.emnuvens.com.br:article/863Revistahttps://revista.classica.org.br/classicaPUBhttps://revista.classica.org.br/classica/oaieditor@classica.org.br||revistaclassica@classica.org.br2176-64360103-4316opendoar:2022-06-21T18:35:44Classica (Sociedade Brasileira de Estudos Clássicos. Online) - Sociedade Brasileira de Estudos Clássicos (SBEC)false |
dc.title.none.fl_str_mv |
Cnemon the wronged: the effects of δίκη’s action in Heliodorus’ Aethiopica Cnêmon, o injustiçado: os efeitos da atuação de δίκη nas Etiópicas de Heliodoro |
title |
Cnemon the wronged: the effects of δίκη’s action in Heliodorus’ Aethiopica |
spellingShingle |
Cnemon the wronged: the effects of δίκη’s action in Heliodorus’ Aethiopica Graebin, Geruza de Souza romance grego retórica antiga Etiópicas de Heliodoro justiça técnicas narrativas Greek novel Ancient rhetoric Heliodorus’ Aethiopica justice narrative techniques |
title_short |
Cnemon the wronged: the effects of δίκη’s action in Heliodorus’ Aethiopica |
title_full |
Cnemon the wronged: the effects of δίκη’s action in Heliodorus’ Aethiopica |
title_fullStr |
Cnemon the wronged: the effects of δίκη’s action in Heliodorus’ Aethiopica |
title_full_unstemmed |
Cnemon the wronged: the effects of δίκη’s action in Heliodorus’ Aethiopica |
title_sort |
Cnemon the wronged: the effects of δίκη’s action in Heliodorus’ Aethiopica |
author |
Graebin, Geruza de Souza |
author_facet |
Graebin, Geruza de Souza |
author_role |
author |
dc.contributor.author.fl_str_mv |
Graebin, Geruza de Souza |
dc.subject.por.fl_str_mv |
romance grego retórica antiga Etiópicas de Heliodoro justiça técnicas narrativas Greek novel Ancient rhetoric Heliodorus’ Aethiopica justice narrative techniques |
topic |
romance grego retórica antiga Etiópicas de Heliodoro justiça técnicas narrativas Greek novel Ancient rhetoric Heliodorus’ Aethiopica justice narrative techniques |
description |
In the first book of the novel Aethiopica, Cnemon, the prisoner of the Nile pirates, becomes the interpreter of the protagonists Theagenes and Charicleia, to whom he recounts his misfortunes. Among the stories is the account of the trial to which he, an Athenian from a distinct family, was submitted on charges of attempted parricide. In the version of Cnemon, the judges are evidently taken by the πάθος and the ἦθος of the accusers, while he, as the defendant, has his speech rights curtailed. Analysis of this secondary account, which can be considered a novel within the novel, provides fundamental elements about the notion of δίκη. If, on the one hand, the immediate context of the judgment to which Cnemon makes reference leads to the conclusion that he was, in fact, harmed by human justice (Etiop., 1.13); on the other hand, the larger context of the account implies that he is protected and avenged by Δίκη (Etiop., 1.14.4). The reflection on the performance of justice, introduced in the novel via this secondary account, is taken up elsewhere in the novel, showing the use of narrative techniques for argumentative purposes by the author of the Aethiopica. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-04-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revista.classica.org.br/classica/article/view/863 10.24277/classica.v34i1.863 |
url |
https://revista.classica.org.br/classica/article/view/863 |
identifier_str_mv |
10.24277/classica.v34i1.863 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revista.classica.org.br/classica/article/view/863/854 https://revista.classica.org.br/classica/article/view/863/998 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Geruza de Souza Graebin http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Geruza de Souza Graebin http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
Sociedade Brasileira de Estudos Clássicos (SBEC) |
publisher.none.fl_str_mv |
Sociedade Brasileira de Estudos Clássicos (SBEC) |
dc.source.none.fl_str_mv |
Classica; Vol. 34 No. 1 (2021); 69-84 Classica - Revista Brasileira de Estudos Clássicos; v. 34 n. 1 (2021); 69-84 2176-6436 0103-4316 10.24277/classica.v34i1 reponame:Classica (Sociedade Brasileira de Estudos Clássicos. Online) instname:Sociedade Brasileira de Estudos Clássicos (SBEC) instacron:SBEC |
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Sociedade Brasileira de Estudos Clássicos (SBEC) |
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SBEC |
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SBEC |
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Classica (Sociedade Brasileira de Estudos Clássicos. Online) |
collection |
Classica (Sociedade Brasileira de Estudos Clássicos. Online) |
repository.name.fl_str_mv |
Classica (Sociedade Brasileira de Estudos Clássicos. Online) - Sociedade Brasileira de Estudos Clássicos (SBEC) |
repository.mail.fl_str_mv |
editor@classica.org.br||revistaclassica@classica.org.br |
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1797239839842631680 |