Miscegenation and Hybridism in Heliodorus’ Aethiopica
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Archai (Online) |
Texto Completo: | https://periodicos.unb.br/index.php/archai/article/view/30105 |
Resumo: | Amongst all the works within the genre, the novel Aethiopica stands out for its composition techniques. In fact, the author Heliodorus shows the ability of both innovate and astonish readers, by creating scenes and characters, as well as distinguished and completely original situations. Taking the verb μιαίνω as a red string, since it is recurrently used in Heliodorus’ work and also summarizes the idea of miscegenation, some pieces of the romance in which the idea of hybridity, opposition of contraries or, still, the overlapping of elements are highlighted and used in the present study. The results show that miscegenation, besides being a sign of Helidorus’ style, is a technique that gives rise to questioning about social, geographical and cultural conventions of that time. |
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Miscegenation and Hybridism in Heliodorus’ AethiopicaMiscigenação e hibridismo nas Etiópicas de Heliodororomance gregomiscigenaçãotécnicas narrativasEtiópicas de HeliodoroGreek novelmiscegenationnarrative techniquesHeliodorus’ AethiopicaAmongst all the works within the genre, the novel Aethiopica stands out for its composition techniques. In fact, the author Heliodorus shows the ability of both innovate and astonish readers, by creating scenes and characters, as well as distinguished and completely original situations. Taking the verb μιαίνω as a red string, since it is recurrently used in Heliodorus’ work and also summarizes the idea of miscegenation, some pieces of the romance in which the idea of hybridity, opposition of contraries or, still, the overlapping of elements are highlighted and used in the present study. The results show that miscegenation, besides being a sign of Helidorus’ style, is a technique that gives rise to questioning about social, geographical and cultural conventions of that time.Dentre todos as obras do gênero, o romance Etiópicas destaca-se pelas técnicas de composição nele empregadas. Seu autor, Heliodoro, possui a habilidade de inovar e surpreender o leitor, criando cenas, personagens e situações completamente únicas e originais. Tendo como fio vermelho o verbo μιαίνω, por ser recorrente na obra e sumarizar a ideia de miscigenação, enfatizamos alguns trechos do romance em que a ideia de hibridismo, de oposição de contrários ou ainda de sobreposição de elementos é utilizada. O estudo demonstra que a miscigenação, além de ser uma marca do estilo de Heliodoro, é uma técnica que suscita questionamentos acerca de convenções sociais, geográficas e culturais da época.Cátedra UNESCO Archai (Universidade de Brasília); Imprensa da Universidade de Coimbra, Portugal; Annablume Editora, São Paulo, Brasil2020-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticlesArtigoshttps://periodicos.unb.br/index.php/archai/article/view/3010510.14195/1984-249X_30_28Revista Archai; No. 30 (2020): Archai 30 (2020 [3]); e03028Archai Journal; n. 30 (2020): Archai 30 (2020 [3]); e030281984-249X2179-496010.14195/1984-249X_30reponame:Revista Archai (Online)instname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/archai/article/view/30105/27707Copyright (c) 2020 Geruza de Souza Graebinhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGraebin, Geruza de Souza2020-10-04T20:58:53Zoai:ojs.pkp.sfu.ca:article/30105Revistahttps://periodicos.unb.br/index.php/archaiPUBhttps://periodicos.unb.br/index.php/archai/oai||archaijournal@unb.br|| cornelli@unb.br1984-249X1984-249Xopendoar:2020-10-04T20:58:53Revista Archai (Online) - Universidade de Brasília (UnB)false |
dc.title.none.fl_str_mv |
Miscegenation and Hybridism in Heliodorus’ Aethiopica Miscigenação e hibridismo nas Etiópicas de Heliodoro |
title |
Miscegenation and Hybridism in Heliodorus’ Aethiopica |
spellingShingle |
Miscegenation and Hybridism in Heliodorus’ Aethiopica Graebin, Geruza de Souza romance grego miscigenação técnicas narrativas Etiópicas de Heliodoro Greek novel miscegenation narrative techniques Heliodorus’ Aethiopica |
title_short |
Miscegenation and Hybridism in Heliodorus’ Aethiopica |
title_full |
Miscegenation and Hybridism in Heliodorus’ Aethiopica |
title_fullStr |
Miscegenation and Hybridism in Heliodorus’ Aethiopica |
title_full_unstemmed |
Miscegenation and Hybridism in Heliodorus’ Aethiopica |
title_sort |
Miscegenation and Hybridism in Heliodorus’ Aethiopica |
author |
Graebin, Geruza de Souza |
author_facet |
Graebin, Geruza de Souza |
author_role |
author |
dc.contributor.author.fl_str_mv |
Graebin, Geruza de Souza |
dc.subject.por.fl_str_mv |
romance grego miscigenação técnicas narrativas Etiópicas de Heliodoro Greek novel miscegenation narrative techniques Heliodorus’ Aethiopica |
topic |
romance grego miscigenação técnicas narrativas Etiópicas de Heliodoro Greek novel miscegenation narrative techniques Heliodorus’ Aethiopica |
description |
Amongst all the works within the genre, the novel Aethiopica stands out for its composition techniques. In fact, the author Heliodorus shows the ability of both innovate and astonish readers, by creating scenes and characters, as well as distinguished and completely original situations. Taking the verb μιαίνω as a red string, since it is recurrently used in Heliodorus’ work and also summarizes the idea of miscegenation, some pieces of the romance in which the idea of hybridity, opposition of contraries or, still, the overlapping of elements are highlighted and used in the present study. The results show that miscegenation, besides being a sign of Helidorus’ style, is a technique that gives rise to questioning about social, geographical and cultural conventions of that time. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-10-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Articles Artigos |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.unb.br/index.php/archai/article/view/30105 10.14195/1984-249X_30_28 |
url |
https://periodicos.unb.br/index.php/archai/article/view/30105 |
identifier_str_mv |
10.14195/1984-249X_30_28 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.unb.br/index.php/archai/article/view/30105/27707 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Geruza de Souza Graebin http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Geruza de Souza Graebin http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Cátedra UNESCO Archai (Universidade de Brasília); Imprensa da Universidade de Coimbra, Portugal; Annablume Editora, São Paulo, Brasil |
publisher.none.fl_str_mv |
Cátedra UNESCO Archai (Universidade de Brasília); Imprensa da Universidade de Coimbra, Portugal; Annablume Editora, São Paulo, Brasil |
dc.source.none.fl_str_mv |
Revista Archai; No. 30 (2020): Archai 30 (2020 [3]); e03028 Archai Journal; n. 30 (2020): Archai 30 (2020 [3]); e03028 1984-249X 2179-4960 10.14195/1984-249X_30 reponame:Revista Archai (Online) instname:Universidade de Brasília (UnB) instacron:UNB |
instname_str |
Universidade de Brasília (UnB) |
instacron_str |
UNB |
institution |
UNB |
reponame_str |
Revista Archai (Online) |
collection |
Revista Archai (Online) |
repository.name.fl_str_mv |
Revista Archai (Online) - Universidade de Brasília (UnB) |
repository.mail.fl_str_mv |
||archaijournal@unb.br|| cornelli@unb.br |
_version_ |
1798319945490104320 |