Acoustical Masks and sound aspects of Ancient Greek Theatre

• Autor(a) principal: Vovolis, Thanos
• Data de Publicação: 2012
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Classica (Sociedade Brasileira de Estudos Clássicos. Online)
• Texto Completo: https://revista.classica.org.br/classica/article/view/82
• topic: Ancient Greek Theatre; Acoustical theatre masks; Theatron; Prosopon; Catharsis; Teatro grego antigo; Máscaras acústicas cênicas; Theatron; Propopon; Catarse

It is impossible to imagine the ancient Greek theatre without the mask, whether it is tragedy, comedy or satyr plays. All theatrical forms that developed in Athens during the 6th and 5th centuries BC were forms of masked drama. The mask was an organic element in this new form called theatre because the mask is the medium per excellence for the embodiment of the Other and participates in the creation of the stage as a site of the dialogue between the Self andthe Other. But the mask was an organic element of the theatre because in ancient Greek theatre the mask is organically connected through its facial appearance to the ecstatic cries found in the dramatic texts and to the theatre space through its acoustical form. Acoustics permeated all aspects of the ancient Greek theatre and was a way to create even better participation for the audience enhancing its acoustico-visual and synaesthetic experience.