Revising the musical equal temperament

Detalhes bibliográficos
Autor(a) principal: Hinrichsen,Haye
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Brasileira de Ensino de Física (Online)
Texto Completo: http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1806-11172016000100410
Resumo: Western music is predominantly based on the equal temperament with a constant semitone frequency ratio of 21/12. Although this temperament has been in use since the nineteenth century and in spite of its high degree of symmetry, various musicians have repeatedly expressed their discomfort with the harmonicity of certain intervals. Recently it was suggested that this problem can be overcome by introducing a modified temperament with a constant but slightly increased frequency ratio. In this paper we confirm this conjecture quantitatively. Using entropy as a measure for harmonicity, we show numerically that the harmonic optimum is in fact obtained for frequency ratios slightly larger than 21/12. This suggests that the equal temperament should be replaced by a harmonized stretched temperament as a new standard.
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spelling Revising the musical equal temperamentmusic theoryequal temperamentstretched octavesentropy-based tuningWestern music is predominantly based on the equal temperament with a constant semitone frequency ratio of 21/12. Although this temperament has been in use since the nineteenth century and in spite of its high degree of symmetry, various musicians have repeatedly expressed their discomfort with the harmonicity of certain intervals. Recently it was suggested that this problem can be overcome by introducing a modified temperament with a constant but slightly increased frequency ratio. In this paper we confirm this conjecture quantitatively. Using entropy as a measure for harmonicity, we show numerically that the harmonic optimum is in fact obtained for frequency ratios slightly larger than 21/12. This suggests that the equal temperament should be replaced by a harmonized stretched temperament as a new standard.Sociedade Brasileira de Física2016-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontext/htmlhttp://old.scielo.br/scielo.php?script=sci_arttext&pid=S1806-11172016000100410Revista Brasileira de Ensino de Física v.38 n.1 2016reponame:Revista Brasileira de Ensino de Física (Online)instname:Sociedade Brasileira de Física (SBF)instacron:SBF10.1590/S1806-11173812105info:eu-repo/semantics/openAccessHinrichsen,Hayeeng2016-03-31T00:00:00Zoai:scielo:S1806-11172016000100410Revistahttp://www.sbfisica.org.br/rbef/https://old.scielo.br/oai/scielo-oai.php||marcio@sbfisica.org.br1806-91261806-1117opendoar:2016-03-31T00:00Revista Brasileira de Ensino de Física (Online) - Sociedade Brasileira de Física (SBF)false
dc.title.none.fl_str_mv Revising the musical equal temperament
title Revising the musical equal temperament
spellingShingle Revising the musical equal temperament
Hinrichsen,Haye
music theory
equal temperament
stretched octaves
entropy-based tuning
title_short Revising the musical equal temperament
title_full Revising the musical equal temperament
title_fullStr Revising the musical equal temperament
title_full_unstemmed Revising the musical equal temperament
title_sort Revising the musical equal temperament
author Hinrichsen,Haye
author_facet Hinrichsen,Haye
author_role author
dc.contributor.author.fl_str_mv Hinrichsen,Haye
dc.subject.por.fl_str_mv music theory
equal temperament
stretched octaves
entropy-based tuning
topic music theory
equal temperament
stretched octaves
entropy-based tuning
description Western music is predominantly based on the equal temperament with a constant semitone frequency ratio of 21/12. Although this temperament has been in use since the nineteenth century and in spite of its high degree of symmetry, various musicians have repeatedly expressed their discomfort with the harmonicity of certain intervals. Recently it was suggested that this problem can be overcome by introducing a modified temperament with a constant but slightly increased frequency ratio. In this paper we confirm this conjecture quantitatively. Using entropy as a measure for harmonicity, we show numerically that the harmonic optimum is in fact obtained for frequency ratios slightly larger than 21/12. This suggests that the equal temperament should be replaced by a harmonized stretched temperament as a new standard.
publishDate 2016
dc.date.none.fl_str_mv 2016-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1806-11172016000100410
url http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1806-11172016000100410
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 10.1590/S1806-11173812105
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
dc.publisher.none.fl_str_mv Sociedade Brasileira de Física
publisher.none.fl_str_mv Sociedade Brasileira de Física
dc.source.none.fl_str_mv Revista Brasileira de Ensino de Física v.38 n.1 2016
reponame:Revista Brasileira de Ensino de Física (Online)
instname:Sociedade Brasileira de Física (SBF)
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instname_str Sociedade Brasileira de Física (SBF)
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reponame_str Revista Brasileira de Ensino de Física (Online)
collection Revista Brasileira de Ensino de Física (Online)
repository.name.fl_str_mv Revista Brasileira de Ensino de Física (Online) - Sociedade Brasileira de Física (SBF)
repository.mail.fl_str_mv ||marcio@sbfisica.org.br
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