Revising the musical equal temperament
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Ensino de Física (Online) |
Texto Completo: | http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1806-11172016000100410 |
Resumo: | Western music is predominantly based on the equal temperament with a constant semitone frequency ratio of 21/12. Although this temperament has been in use since the nineteenth century and in spite of its high degree of symmetry, various musicians have repeatedly expressed their discomfort with the harmonicity of certain intervals. Recently it was suggested that this problem can be overcome by introducing a modified temperament with a constant but slightly increased frequency ratio. In this paper we confirm this conjecture quantitatively. Using entropy as a measure for harmonicity, we show numerically that the harmonic optimum is in fact obtained for frequency ratios slightly larger than 21/12. This suggests that the equal temperament should be replaced by a harmonized stretched temperament as a new standard. |
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Revising the musical equal temperamentmusic theoryequal temperamentstretched octavesentropy-based tuningWestern music is predominantly based on the equal temperament with a constant semitone frequency ratio of 21/12. Although this temperament has been in use since the nineteenth century and in spite of its high degree of symmetry, various musicians have repeatedly expressed their discomfort with the harmonicity of certain intervals. Recently it was suggested that this problem can be overcome by introducing a modified temperament with a constant but slightly increased frequency ratio. In this paper we confirm this conjecture quantitatively. Using entropy as a measure for harmonicity, we show numerically that the harmonic optimum is in fact obtained for frequency ratios slightly larger than 21/12. This suggests that the equal temperament should be replaced by a harmonized stretched temperament as a new standard.Sociedade Brasileira de Física2016-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontext/htmlhttp://old.scielo.br/scielo.php?script=sci_arttext&pid=S1806-11172016000100410Revista Brasileira de Ensino de Física v.38 n.1 2016reponame:Revista Brasileira de Ensino de Física (Online)instname:Sociedade Brasileira de Física (SBF)instacron:SBF10.1590/S1806-11173812105info:eu-repo/semantics/openAccessHinrichsen,Hayeeng2016-03-31T00:00:00Zoai:scielo:S1806-11172016000100410Revistahttp://www.sbfisica.org.br/rbef/https://old.scielo.br/oai/scielo-oai.php||marcio@sbfisica.org.br1806-91261806-1117opendoar:2016-03-31T00:00Revista Brasileira de Ensino de Física (Online) - Sociedade Brasileira de Física (SBF)false |
dc.title.none.fl_str_mv |
Revising the musical equal temperament |
title |
Revising the musical equal temperament |
spellingShingle |
Revising the musical equal temperament Hinrichsen,Haye music theory equal temperament stretched octaves entropy-based tuning |
title_short |
Revising the musical equal temperament |
title_full |
Revising the musical equal temperament |
title_fullStr |
Revising the musical equal temperament |
title_full_unstemmed |
Revising the musical equal temperament |
title_sort |
Revising the musical equal temperament |
author |
Hinrichsen,Haye |
author_facet |
Hinrichsen,Haye |
author_role |
author |
dc.contributor.author.fl_str_mv |
Hinrichsen,Haye |
dc.subject.por.fl_str_mv |
music theory equal temperament stretched octaves entropy-based tuning |
topic |
music theory equal temperament stretched octaves entropy-based tuning |
description |
Western music is predominantly based on the equal temperament with a constant semitone frequency ratio of 21/12. Although this temperament has been in use since the nineteenth century and in spite of its high degree of symmetry, various musicians have repeatedly expressed their discomfort with the harmonicity of certain intervals. Recently it was suggested that this problem can be overcome by introducing a modified temperament with a constant but slightly increased frequency ratio. In this paper we confirm this conjecture quantitatively. Using entropy as a measure for harmonicity, we show numerically that the harmonic optimum is in fact obtained for frequency ratios slightly larger than 21/12. This suggests that the equal temperament should be replaced by a harmonized stretched temperament as a new standard. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1806-11172016000100410 |
url |
http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1806-11172016000100410 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
10.1590/S1806-11173812105 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html |
dc.publisher.none.fl_str_mv |
Sociedade Brasileira de Física |
publisher.none.fl_str_mv |
Sociedade Brasileira de Física |
dc.source.none.fl_str_mv |
Revista Brasileira de Ensino de Física v.38 n.1 2016 reponame:Revista Brasileira de Ensino de Física (Online) instname:Sociedade Brasileira de Física (SBF) instacron:SBF |
instname_str |
Sociedade Brasileira de Física (SBF) |
instacron_str |
SBF |
institution |
SBF |
reponame_str |
Revista Brasileira de Ensino de Física (Online) |
collection |
Revista Brasileira de Ensino de Física (Online) |
repository.name.fl_str_mv |
Revista Brasileira de Ensino de Física (Online) - Sociedade Brasileira de Física (SBF) |
repository.mail.fl_str_mv |
||marcio@sbfisica.org.br |
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1752122422830563328 |