Dialogismo e tradução intersemiótica em Pink Floyd The Wall: luto e melancolia na Inglaterra do pós-guerra

• Autor(a) principal: Martucci, Maurício Dotto
• Data de Publicação: 2010
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFSCAR
• Texto Completo: https://repositorio.ufscar.br/handle/ufscar/5590
• topic: Filmes musicais; Rock; Parker, Alan William, 1944-; Bakhtin, Mikhail Mikhailovitch, 1895-1975; Dialogismo; Romance polifônico; Adaptação; Tradução intersemiótica; Narrativa; Narrativa audiovisual; Música; Drama musical; Pink Floyd; The Wall; Rock progressivo; Ópera rock; Roger Waters; Segunda gerra mundial; Nazismo; Dialogism; Polyphonic novel; Adaptation; Intersemiotic translation; Narrative; Audiovisual narrative; Cinema; Music; Musical film; Music drama; Pink Floyd; The Wall; Rock; Progressive rock; Rock opera; Roger Waters; Allan Parker; World war II; Nazism; LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA

The film Pink Floyd The Wall, adaptation to the cinema of the Pink Floyd´s concept album, tells the Pink´s story, a musician, that was born in England during the World War II final years, he had his father died in a battle and this fact start a process of depression and melancholy that culminate in his total apathy towards life. This research has its focus on the literary content of the songs from the original album, the aim is study the film formal structure, its differences, similarities and complementarities comparing to the album narrative, observing the translation and artistic recreation process from the album to the movie and also confirming the dialogical relations between the different problems, contextualization, languages and representations explored in this art piece.