Herói popular sob ironia na cena política: estudo sobre o personagem e o entrelaçamento entre ficção e realidade nos filmes Macunaíma (1969) e Terceiro Milênio (1982)

• Autor(a) principal: Araújo, Mauro Luciano Souza de
• Data de Publicação: 2010
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFSCAR
• Texto Completo: https://repositorio.ufscar.br/handle/ufscar/5591
• topic: Filme cinematográfico; Modernização - Brasil; Cultura; Personagens; Performance (Arte); Documentário (Cinema); Gestus; Modernization; Character; Culture; Gestus; LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA

The dissertation leans over an analysis of aspects of the mise-en-scène at the two chosen films, having focus in the fictional and non-fictional character rendered ironical in the Cinema Novo s (brazilian new cinema) stage political scene, real scene and at the context during the intensification of a conservative modernization: 1 - Macunaíma (1969), of Joaquim Pedro de Andrade; 2 - Terceiro Milênio (1982), of Jorge Bodanzky and Wolf Gauer. Those are two manners of facing the character - of one side ficcional, with origins in the oral tradition of Amazonian legends, transformed in protagonist of a modernist book by Mário of Andrade, later converted in cinema´s character; on the other side the political protagonist's direct filmed in performance for the documentary -, these two lines have its crossing point that allows an observation of a national type, involved in the double-dealing, of Iberian root sighted in the cunning, a type of the subverted epic's hero. This modern character's in the visual expression fall down in the type of the flâneur, bohemian, roguish - the disinterested or inapt Brazilian hero.