Da inversão à re-inversão do olhar: ritual e performance na capoeira angola
Autor(a) principal: | |
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Data de Publicação: | 2006 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFSCAR |
Texto Completo: | https://repositorio.ufscar.br/handle/ufscar/1396 |
Resumo: | The aim of this thesis is to analyze the capoeira angola from the anthropology of performance perspective. Through an ethnographic record, it was aimed to trace the background of the main masters who are responsible for its development and dissemination, mainly in the State of São Paulo; to understand the various aspects through which capoeira angola is represented by its practitioners; and apprehend the multiplicity of meanings that its analysis, being a ritual performance, can offer. In this aspect, the multivocal and multisensorial experiences gathered by capoeira angola, which would be the characteristics of the notion of ritual performance, prompted this analysis. Considering the capoeiristas background in a specific lineage (Mestre Pastinha s), it was possible to notice that angoleiros (capoeira angola followers) of the Centro Esportivo de Capoeira Angola Academia de João Pequeno de Pastinha followed some precepts regarding the body movement techniques, and thus, promoting the conveyance of a set of values that guided its practice. These techniques were related to capoeira angola not only in its definition as a game, fight, dance, sport, art, culture or life philosophy, but also in its several dimensions of practice that establishes an innate relation amongst body movements, music, and moral and esthetics nature principles. The understanding of such techniques brought to the light the capoeira angola strict esthetics basis and, making a symbolic analysis from the anthropology of performance view, the mestre angoleiro stands out as an artist and an educator . |
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Simões, Rosa Maria AraújoCardoso, Marina Denisehttp://genos.cnpq.br:12010/dwlattes/owa/prc_imp_cv_int?f_cod=K4781692Z8http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=B684858b0eb46ed-d348-4939-892b-992ae8c9b3b42016-06-02T19:24:43Z2006-11-272016-06-02T19:24:43Z2006-05-16SIMÕES, Rosa Maria Araújo. From inversion to reinversion of a view: ritual and performance in the capoeira angola.. 2006. 203 f. Tese (Doutorado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2006.https://repositorio.ufscar.br/handle/ufscar/1396The aim of this thesis is to analyze the capoeira angola from the anthropology of performance perspective. Through an ethnographic record, it was aimed to trace the background of the main masters who are responsible for its development and dissemination, mainly in the State of São Paulo; to understand the various aspects through which capoeira angola is represented by its practitioners; and apprehend the multiplicity of meanings that its analysis, being a ritual performance, can offer. In this aspect, the multivocal and multisensorial experiences gathered by capoeira angola, which would be the characteristics of the notion of ritual performance, prompted this analysis. Considering the capoeiristas background in a specific lineage (Mestre Pastinha s), it was possible to notice that angoleiros (capoeira angola followers) of the Centro Esportivo de Capoeira Angola Academia de João Pequeno de Pastinha followed some precepts regarding the body movement techniques, and thus, promoting the conveyance of a set of values that guided its practice. These techniques were related to capoeira angola not only in its definition as a game, fight, dance, sport, art, culture or life philosophy, but also in its several dimensions of practice that establishes an innate relation amongst body movements, music, and moral and esthetics nature principles. The understanding of such techniques brought to the light the capoeira angola strict esthetics basis and, making a symbolic analysis from the anthropology of performance view, the mestre angoleiro stands out as an artist and an educator .O objetivo desta tese é analisar a capoeira angola sob a perspectiva da antropologia da performance. Para tanto, procurou-se, por meio do registro etnográfico: traçar a trajetória dos principais mestres responsáveis pelo seu processo de formação e difusão, particularmente no Estado de São Paulo; apreender os diversos aspectos pelos quais a capoeira angola aparece representada pelos seus praticantes; e, a própria multiplicidade de significados que a sua análise enquanto performance ritual pode oferecer. Sob esse aspecto, o que instigou tal análise foram as próprias experiências multivocais e multisensoriais que a capoeira angola reúne, e que seriam características da noção de ritual performático. Considerando a formação dos capoeiristas dentro de uma linhagem específica (a de Mestre Pastinha) foi possível observar que os angoleiros (adeptos da capoeira angola) do Centro Esportivo de Capoeira Angola Academia de João Pequeno de Pastinha seguiam determinados preceitos relativos às técnicas dos movimentos corporais, havendo desta maneira, a transmissão de um conjunto de valores que orientavam a sua prática. Ao apreender essas técnicas, que apareceram relacionadas a múltiplos aspectos, quer na própria definição da capoeira angola como jogo, luta, dança, esporte, arte, cultura ou filosofia de vida, quer nas várias dimensões da sua prática que estabelece uma correlação intrínseca entre os movimentos corporais, a música, e princípios de natureza estética e moral, foi possível alcançar o profundo rigor estético com que se estrutura a capoeira angola, pois, ao fazer uma exegese simbólica sob o recorte teórico da antropologia da performance, o mestre angoleiro se destaca como artista e educador .application/pdfporUniversidade Federal de São CarlosPrograma de Pós-Graduação em Ciências Sociais - PPGCSoUFSCarBRAntropologiaCapoeira angolaRitualPerformance (Arte)Mestre João Pequeno de PastinhaMestre Pé de ChumboCapoeira angolaRitualPerformanceGameMestre João Pequeno de PastinhaMestre Pé de ChumboCIENCIAS HUMANAS::ANTROPOLOGIADa inversão à re-inversão do olhar: ritual e performance na capoeira angolaFrom inversion to reinversion of a view: ritual and performance in the capoeira angolainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis-1-160d0f3ed-98f1-4943-a9ec-8ae38d3026ecinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINALTeseRMAS.pdfapplication/pdf3122566https://repositorio.ufscar.br/bitstream/ufscar/1396/1/TeseRMAS.pdf678c4eb872d6016705ba6435e6087e90MD51THUMBNAILTeseRMAS.pdf.jpgTeseRMAS.pdf.jpgIM Thumbnailimage/jpeg5434https://repositorio.ufscar.br/bitstream/ufscar/1396/2/TeseRMAS.pdf.jpg12d5cf2649f9829c9d5f4071f3468f4aMD52ufscar/13962023-09-18 18:30:41.421oai:repositorio.ufscar.br:ufscar/1396Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-09-18T18:30:41Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.por.fl_str_mv |
Da inversão à re-inversão do olhar: ritual e performance na capoeira angola |
dc.title.alternative.eng.fl_str_mv |
From inversion to reinversion of a view: ritual and performance in the capoeira angola |
title |
Da inversão à re-inversão do olhar: ritual e performance na capoeira angola |
spellingShingle |
Da inversão à re-inversão do olhar: ritual e performance na capoeira angola Simões, Rosa Maria Araújo Antropologia Capoeira angola Ritual Performance (Arte) Mestre João Pequeno de Pastinha Mestre Pé de Chumbo Capoeira angola Ritual Performance Game Mestre João Pequeno de Pastinha Mestre Pé de Chumbo CIENCIAS HUMANAS::ANTROPOLOGIA |
title_short |
Da inversão à re-inversão do olhar: ritual e performance na capoeira angola |
title_full |
Da inversão à re-inversão do olhar: ritual e performance na capoeira angola |
title_fullStr |
Da inversão à re-inversão do olhar: ritual e performance na capoeira angola |
title_full_unstemmed |
Da inversão à re-inversão do olhar: ritual e performance na capoeira angola |
title_sort |
Da inversão à re-inversão do olhar: ritual e performance na capoeira angola |
author |
Simões, Rosa Maria Araújo |
author_facet |
Simões, Rosa Maria Araújo |
author_role |
author |
dc.contributor.authorlattes.por.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=B684858 |
dc.contributor.author.fl_str_mv |
Simões, Rosa Maria Araújo |
dc.contributor.advisor1.fl_str_mv |
Cardoso, Marina Denise |
dc.contributor.advisor1Lattes.fl_str_mv |
http://genos.cnpq.br:12010/dwlattes/owa/prc_imp_cv_int?f_cod=K4781692Z8 |
dc.contributor.authorID.fl_str_mv |
b0eb46ed-d348-4939-892b-992ae8c9b3b4 |
contributor_str_mv |
Cardoso, Marina Denise |
dc.subject.por.fl_str_mv |
Antropologia Capoeira angola Ritual Performance (Arte) Mestre João Pequeno de Pastinha Mestre Pé de Chumbo |
topic |
Antropologia Capoeira angola Ritual Performance (Arte) Mestre João Pequeno de Pastinha Mestre Pé de Chumbo Capoeira angola Ritual Performance Game Mestre João Pequeno de Pastinha Mestre Pé de Chumbo CIENCIAS HUMANAS::ANTROPOLOGIA |
dc.subject.eng.fl_str_mv |
Capoeira angola Ritual Performance Game Mestre João Pequeno de Pastinha Mestre Pé de Chumbo |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::ANTROPOLOGIA |
description |
The aim of this thesis is to analyze the capoeira angola from the anthropology of performance perspective. Through an ethnographic record, it was aimed to trace the background of the main masters who are responsible for its development and dissemination, mainly in the State of São Paulo; to understand the various aspects through which capoeira angola is represented by its practitioners; and apprehend the multiplicity of meanings that its analysis, being a ritual performance, can offer. In this aspect, the multivocal and multisensorial experiences gathered by capoeira angola, which would be the characteristics of the notion of ritual performance, prompted this analysis. Considering the capoeiristas background in a specific lineage (Mestre Pastinha s), it was possible to notice that angoleiros (capoeira angola followers) of the Centro Esportivo de Capoeira Angola Academia de João Pequeno de Pastinha followed some precepts regarding the body movement techniques, and thus, promoting the conveyance of a set of values that guided its practice. These techniques were related to capoeira angola not only in its definition as a game, fight, dance, sport, art, culture or life philosophy, but also in its several dimensions of practice that establishes an innate relation amongst body movements, music, and moral and esthetics nature principles. The understanding of such techniques brought to the light the capoeira angola strict esthetics basis and, making a symbolic analysis from the anthropology of performance view, the mestre angoleiro stands out as an artist and an educator . |
publishDate |
2006 |
dc.date.available.fl_str_mv |
2006-11-27 2016-06-02T19:24:43Z |
dc.date.issued.fl_str_mv |
2006-05-16 |
dc.date.accessioned.fl_str_mv |
2016-06-02T19:24:43Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SIMÕES, Rosa Maria Araújo. From inversion to reinversion of a view: ritual and performance in the capoeira angola.. 2006. 203 f. Tese (Doutorado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2006. |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufscar.br/handle/ufscar/1396 |
identifier_str_mv |
SIMÕES, Rosa Maria Araújo. From inversion to reinversion of a view: ritual and performance in the capoeira angola.. 2006. 203 f. Tese (Doutorado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2006. |
url |
https://repositorio.ufscar.br/handle/ufscar/1396 |
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openAccess |
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Universidade Federal de São Carlos |
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Programa de Pós-Graduação em Ciências Sociais - PPGCSo |
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UFSCar |
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BR |
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Universidade Federal de São Carlos |
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