Do parixara ao forró, do forró ao “parixara” : uma trajetória musical

Detalhes bibliográficos
Autor(a) principal: Fernandes, Felipe Munhoz Martins
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFSCAR
Texto Completo: https://repositorio.ufscar.br/handle/ufscar/7822
Resumo: This research aims to outline and scrutinize the set of musical practices and repertoires widespread among the Macushi, an indigenous population of Karib linguistic affiliation who currently inhabit the fields and valleys of the basins of Branco and Rupununi rivers, a region that is politically divided between Brazil and Guiana. This investigation is temporally restricted to the last decade – between 2005-2015 –, and geographically restricted to the population situated on the Brazilian side, more specifically on the territory currently known as Raposa Serra do Sol. This study intended to detail the practices, significations and meanings attributed to different musical rhythms and repertoires of Makuxi in order to understand what kind of motivational factors were implicated in the the spread of forró rhythms and in the reworking of traditional musical rhythms, notably the parixara and the tukui, in a political context in which such musical repertoires were reinterpreted and used as "cultural performances".
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spelling Fernandes, Felipe Munhoz MartinsSantilli, Paulo José Brandohttp://lattes.cnpq.br/1828355386855191http://lattes.cnpq.br/523066125547692384d0a10e-0b4e-4b77-b8e1-da70271e14542016-10-13T19:53:22Z2016-10-13T19:53:22Z2015-12-11FERNANDES, Felipe Munhoz Martins. Do parixara ao forró, do forró ao “parixara” : uma trajetória musical. 2015. Dissertação (Mestrado em Antropologia Social) – Universidade Federal de São Carlos, São Carlos, 2015. Disponível em: https://repositorio.ufscar.br/handle/ufscar/7822.https://repositorio.ufscar.br/handle/ufscar/7822This research aims to outline and scrutinize the set of musical practices and repertoires widespread among the Macushi, an indigenous population of Karib linguistic affiliation who currently inhabit the fields and valleys of the basins of Branco and Rupununi rivers, a region that is politically divided between Brazil and Guiana. This investigation is temporally restricted to the last decade – between 2005-2015 –, and geographically restricted to the population situated on the Brazilian side, more specifically on the territory currently known as Raposa Serra do Sol. This study intended to detail the practices, significations and meanings attributed to different musical rhythms and repertoires of Makuxi in order to understand what kind of motivational factors were implicated in the the spread of forró rhythms and in the reworking of traditional musical rhythms, notably the parixara and the tukui, in a political context in which such musical repertoires were reinterpreted and used as "cultural performances".Esta pesquisa tem por objetivo delinear e detalhar o conjunto de práticas e repertórios musicais difundidos entre os Makuxi, população de filiação linguística Karib, que habita os vales dos rios Branco e Rupununi, região politicamente partilhada entre o Brasil e a Guiana. Restrita às populações situadas na porção brasileira do território, e mais especificamente à Terra Indígena Raposa Serra do Sol; e temporalmente à última década (2005-2015) esta pesquisa almeja nuançar os usos, os significados e os sentidos atribuídos aos diferentes ritmos e repertórios musicais dos Makuxi, a fim de compreender quais foram os fatores motivadores da difusão dos ritmos de forró e da re-elaboração dos ritmos musicais tradicionais, notadamente o parixara, o tukui e o Aleluia, em um contexto político no qual tais repertórios musicais passaram a ser resignificados e instrumentalizados em “performances culturais”.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)porUniversidade Federal de São CarlosCâmpus São CarlosPrograma de Pós-Graduação em Antropologia Social - PPGASUFSCarAntropologiaIndíosRitmo musicalMúsicaCIENCIAS HUMANAS::ANTROPOLOGIADo parixara ao forró, do forró ao “parixara” : uma trajetória musicalinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisOnline6006009c1c4864-b762-47ac-bbaf-d5d656d761d4info:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFSCARinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARORIGINALDissFMMF.pdfDissFMMF.pdfapplication/pdf8155901https://repositorio.ufscar.br/bitstream/ufscar/7822/1/DissFMMF.pdf3c9799c99c97bba51b0f0ef6dacb47ebMD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81957https://repositorio.ufscar.br/bitstream/ufscar/7822/2/license.txtae0398b6f8b235e40ad82cba6c50031dMD52TEXTDissFMMF.pdf.txtDissFMMF.pdf.txtExtracted texttext/plain451932https://repositorio.ufscar.br/bitstream/ufscar/7822/3/DissFMMF.pdf.txtf4230fe9749b100c18081ff5c12ae14bMD53THUMBNAILDissFMMF.pdf.jpgDissFMMF.pdf.jpgIM Thumbnailimage/jpeg7762https://repositorio.ufscar.br/bitstream/ufscar/7822/4/DissFMMF.pdf.jpg988bc05aa99ff6f24da3285b238aed62MD54ufscar/78222023-09-18 18:30:59.997oai:repositorio.ufscar.br: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Repositório InstitucionalPUBhttps://repositorio.ufscar.br/oai/requestopendoar:43222023-09-18T18:30:59Repositório Institucional da UFSCAR - Universidade Federal de São Carlos (UFSCAR)false
dc.title.por.fl_str_mv Do parixara ao forró, do forró ao “parixara” : uma trajetória musical
title Do parixara ao forró, do forró ao “parixara” : uma trajetória musical
spellingShingle Do parixara ao forró, do forró ao “parixara” : uma trajetória musical
Fernandes, Felipe Munhoz Martins
Antropologia
Indíos
Ritmo musical
Música
CIENCIAS HUMANAS::ANTROPOLOGIA
title_short Do parixara ao forró, do forró ao “parixara” : uma trajetória musical
title_full Do parixara ao forró, do forró ao “parixara” : uma trajetória musical
title_fullStr Do parixara ao forró, do forró ao “parixara” : uma trajetória musical
title_full_unstemmed Do parixara ao forró, do forró ao “parixara” : uma trajetória musical
title_sort Do parixara ao forró, do forró ao “parixara” : uma trajetória musical
author Fernandes, Felipe Munhoz Martins
author_facet Fernandes, Felipe Munhoz Martins
author_role author
dc.contributor.authorlattes.por.fl_str_mv http://lattes.cnpq.br/5230661255476923
dc.contributor.author.fl_str_mv Fernandes, Felipe Munhoz Martins
dc.contributor.advisor1.fl_str_mv Santilli, Paulo José Brando
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/1828355386855191
dc.contributor.authorID.fl_str_mv 84d0a10e-0b4e-4b77-b8e1-da70271e1454
contributor_str_mv Santilli, Paulo José Brando
dc.subject.por.fl_str_mv Antropologia
Indíos
Ritmo musical
Música
topic Antropologia
Indíos
Ritmo musical
Música
CIENCIAS HUMANAS::ANTROPOLOGIA
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::ANTROPOLOGIA
description This research aims to outline and scrutinize the set of musical practices and repertoires widespread among the Macushi, an indigenous population of Karib linguistic affiliation who currently inhabit the fields and valleys of the basins of Branco and Rupununi rivers, a region that is politically divided between Brazil and Guiana. This investigation is temporally restricted to the last decade – between 2005-2015 –, and geographically restricted to the population situated on the Brazilian side, more specifically on the territory currently known as Raposa Serra do Sol. This study intended to detail the practices, significations and meanings attributed to different musical rhythms and repertoires of Makuxi in order to understand what kind of motivational factors were implicated in the the spread of forró rhythms and in the reworking of traditional musical rhythms, notably the parixara and the tukui, in a political context in which such musical repertoires were reinterpreted and used as "cultural performances".
publishDate 2015
dc.date.issued.fl_str_mv 2015-12-11
dc.date.accessioned.fl_str_mv 2016-10-13T19:53:22Z
dc.date.available.fl_str_mv 2016-10-13T19:53:22Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv FERNANDES, Felipe Munhoz Martins. Do parixara ao forró, do forró ao “parixara” : uma trajetória musical. 2015. Dissertação (Mestrado em Antropologia Social) – Universidade Federal de São Carlos, São Carlos, 2015. Disponível em: https://repositorio.ufscar.br/handle/ufscar/7822.
dc.identifier.uri.fl_str_mv https://repositorio.ufscar.br/handle/ufscar/7822
identifier_str_mv FERNANDES, Felipe Munhoz Martins. Do parixara ao forró, do forró ao “parixara” : uma trajetória musical. 2015. Dissertação (Mestrado em Antropologia Social) – Universidade Federal de São Carlos, São Carlos, 2015. Disponível em: https://repositorio.ufscar.br/handle/ufscar/7822.
url https://repositorio.ufscar.br/handle/ufscar/7822
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dc.publisher.none.fl_str_mv Universidade Federal de São Carlos
Câmpus São Carlos
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dc.publisher.initials.fl_str_mv UFSCar
publisher.none.fl_str_mv Universidade Federal de São Carlos
Câmpus São Carlos
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institution UFSCAR
reponame_str Repositório Institucional da UFSCAR
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